Interviews
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'Narnia: Prince Caspian' Interview: William Moseley
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'Narnia: Prince Caspian' Interview: Ben Barnes
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Director Andrew Adamson on making 'Narnia'
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Designer Daniel Falconer on what it means to be a Weta designer, Prince Caspian and Hobbits.
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Skandar Keynes and Anna Popplewell talk about the film.
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Prince Caspian might be set in a fantasy world, but Isis Mussenden admits it was an artist from the Spanish Renaissance that influenced her costume design the most. “I've got paintings from El Greco, from where I took the pallet because they were brutal and they were beautiful and they were acidic and they were harsh. So using those paintings, literally, that's where I pulled all the colors for all the clothing... On an individual basis, will people know that? No. But it will read on the whole at the end of the day.” Pulling together the overall pallet for the film wasn’t Mussenden’s only challenge. The costume designer tells Hollywood.com just how difficult it was to cloth growing children, fantasy creatures and an entire army.
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Prince Caspian could be starting a trend. Producer Mark Johnson says if the second installment of the Chronicles of Narnia series does as well as the first, fans can expect one every May until the seven-part series is complete. “As long as the audience still loves them,” they will keep making them he says. “If the audience doesn't like this one then we may be in trouble doing all of them. That's why the intention is to do all seven. Whether or not we do, will depend on the audience."
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When Howard Berger watched The Chronicles of Narnia: The Lion the Witch and the Wardrobe for the first time he let out a big sigh. It was so loud even one of his kid’s had to shush him. What took the film’s Oscar winning makeup guru by surprise? Seeing the faun, Mr. Tumnus with legs! It was Berger’s special effects counter-part Dean Wright who made sure Mr. Tumnus was standing upright for the film. Now the two have teamed up again, this time for the franchise’s second installment Prince Caspian.