Caroline Thompson didn't necessarily intend to pursue a career in Hollywood. But once her first novel was optioned for the movies, she decided to try her hand at screenwriting and hasn't looked back s...
|Snow White: The Fairest of Them All||Director||n/a||2|
|Snow White: The Fairest of Them All||Producer||n/a||3|
|The Nightmare Before Christmas||Screenwriter||n/a||7|
|Snow White: The Fairest of Them All||Screenwriter||n/a||7|
|Three on a Meathook||Actor||n/a||1|
|A Day With... (1995-1996)||Actor||n/a||1995||1|
|Ninth Annual Genesis Awards (1993-1994)||Actor||n/a||1993||1|
|Snow White: The Fairest of Them All (2000-2001)||Director||n/a||2000||2|
|Snow White: The Fairest of Them All (2000-2001)||Producer||n/a||2000||3|
|Edward Scissorhands||Associate Producer||n/a||3000008|
|The Secret Garden||Associate Producer||n/a||3000009|
|Snow White: The Fairest of Them All (2000-2001)||Screenplay||n/a||2000||4000005|
|The Secret Garden||Screenplay||n/a||4000005|
|Homeward Bound: the Incredible Journey||Screenplay||n/a||4000005|
|Tim Burton's The Nightmare Before Christmas||Screenplay||n/a||4000005|
|Tim Burton's Corpse Bride||Screenplay||n/a||4000005|
|Our Robot Overlords||Screenplay||n/a||4000005|
|City of Ember||Screenplay||n/a||4000005|
|Edward Scissorhands||From Story||n/a||4000006|
|The Addams Family||Screenplay||n/a||4000007|
|Wrote and directed the ABC/Disney presentation "Snow White: The Fairest of Them All"|
|Made second feature, "Buddy", the based on fact story of a 1920s socialite who maintained a menagerie including chimpanzees that she treated as her children|
|Published first novel, "First Born"|
|Moved to Massachusetts to attend college, first at Radcliffe, then at Amherst|
|Raised near Washington, DC|
|Directorial debut, "Black Beauty"; also scripted|
|After graduating college, moved to L.A.|
|Penned the screenplay for "The Addams Family"|
|Had three scripts produced, including "The Secret Garden" and "Tim Burton's The Nightmare Before Christmas"|
|Worked as a freelance journalist and writer; wrote book reviews and served as a music supervisor on the CBS daytime serial "Capitol"|
|Screenwriting debut, "Edward Scissorhands"; also served as an associate producer; first association with director Tim Burton|
The daughter of an attorney father and teacher mother, Thompson spent her formative years near Washington, DC. She headed to New England for college, first attending Radcliffe and then completing her studies at Amherst. Shortly after graduation in 1978, she headed west and settled in Los Angeles where she supported herself as a freelance book reviewer and writer. In 1983, she published a novel "First Born" which director Penelope Spheeris optioned for a film. Although that movie never materialized, Thompson had asked to collaborate on the script and discovered she had a knack for it. After meeting Tim Burton, she created an outline and some dialogue for what eventually became "Edward Scissorhands" (1990), an eerie fairy tale about a gentle Frankenstein's monster (partly inspired, she said, by her long-clawed dog) that proved both a critical and commercial success. She next worked on the script for "The Addams Family" (1991), the somewhat episodic adaptation of the famed cartoons that were published in The New Yorker.
A devoted animal lover Thompson received screen credit (along with Linda Woolverton) on the script for "Homeward Bound: The Incredible Journey" (1993), an adaptation of Sheila Burnford's classic children's book about two dogs and a cat trying to find their way back to their masters. Again collaborating with Burton, she provided the screenplay for the stop-motion animated holiday-themed "Tim Burton's The Nightmare Before Christmas" (1993). The technically astounding horror/comedy, about a Halloween ghoul who tries to co-opt Christmas, proved popular with children, adults and critics alike.
Rounding out a prolific year, Thompson co-opted another classic children's novel, Frances Hodgson Burnett's 1911 "The Secret Garden", about an orphaned girl and a neighbor boy who discover and reclaim an abandoned garden behind her reclusive uncle's home. Partly due to the success of a Broadway musical drawn from the same material, it was felt the film would find an audience, but despite great reviews, the movie proved a hard sell to audiences. Still, Thompson demonstrated a rare talent to literately adapt fantasy material.
Obviously not intimidated by her previous experience with an animal cast, Thompson tackled yet another children's classic, this time not only writing but also directing "Black Beauty" (1994). This fourth screen version of Anna Sewell's 1877 novel told the story of a horse's journeys in Victorian England from grand estate to workhorse to rural retirement. Again, her efforts met with critical approval but movie-going audiences didn't respond. (It eventually found viewers when it aired on cable and was released on video). Thompson's second film, "Buddy" (1997), also had an animal theme. Based on the life of 1920s socialite Gertrude Davies Lintz who maintained a menagerie at her mansion and dressed four chimpanzees as if they were her children, "Buddy" offered a strong role for actress Rene Russo. Still, its mixed reviews did nothing to encourage viewers and the film proved a commercial disappointment.
Over the next several years, Thompson worked on various projects. She finally returned to filmmaking writing and directing a new spin on the classic fairy tale of a young girl, seven dwarfs and an evil stepmother. Her version, "Snow White: The Fairest of Them All" (ABC, 2002), was a joint venture between Hallmark and Disney and was not only lavish and eye-popping but also well-acted (by a cast including Miranda Richardson and Kristin Kreuk).
|Thomas Carlton Thompson Jr||Father|
|Henry Bromell||Husband||married August 28, 1982; divorced|
|Danny Elfman||Companion||Together in the early 1990s; Award-winning composer of scores for "Batman" (1989) and "Edward Scissorhands" (1990)|
|Radcliffe College, Harvard University|
|"Women are far better suited to Hollywood than men. Our natural instincts of cunning, manipulation and flexibility are what's required for survival. I've never had a problem being female in Hollywood. Do I know what's going on behind closed doors? Heavens, no. I have no idea what's said about me, nor do I really care. I just hope I'm doing good work. That's all I think about." --Caroline Thompson, quoted in New York Post, July 27, 1994.|
|"I thought she was very brave to take on a complicated work that involved animals and children. But she really held it together on the set. She's good for an actor. She gives detailed, specific direction. There's not a lot of vague discussion. In my limited experience of Hollywood, she struck me as someone not superficial. She's got a good sense of humor. She's easy to be with. We all had a lot of trust in Caroline." --actor David Thewlis on "Black Beauty", quoted in the Los Angeles Times, July 24, 1994.|
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