The Coyote Ugly star filed for a protective order against Patryk Zubrowski in August (10), accusing him of following her across the country over the last year (09).
In papers, Miko claimed that Zubrowski once turned up in the Virgin Islands, where he tried to propose marriage, and also sent several messages on Twitter.com referring to his genitals.
On Thursday (09Sep10), a Los Angeles judge sided with the actress, ordering Zubrowski to stay at least 100 yards (91.4 metres) away from Miko for the next three years.
The Coyote Ugly star claims Patryk Zubrowski has been following her across the country over the last year, showing up while she travelled through Los Angeles, Las Vegas and New York.
Miko also claims Zubrowski showed up in the Virgin Islands, where he tried to propose marriage, according to legal documents filed in Los Angeles County Superior Court and obtained by TMZ.com.
Zubrowski is also alleged to have used Twitter.com to send several messages to the actress referring to his genitals.
She is now asking the court to keep Zubrowski at least 300 feet (91 meters) away from her at all times.
Source: First Showing
Check out these new pictures from the set of the Clash of the Titans remake including Sam Worthington as Perseus and Liam Neeson as Zeus.
Go here to see more photos.
Clash ot the Titans is directed by Louis Leterrier and opens on March 26, 2010. The film also Ralph Fiennes, Danny Huston, Gemma Arterton, Mads Mikkelsen, Jason Flemyng, Alexa Davalos, Izabella Miko, Nicholas Hoult and Pete Postlethwaite.
It can’t just ALL be about a boy wizard named Harry Potter. There have to be other fantasy-driven stories grounded in reality that are just as exciting. And so there is: The Spiderwick Chronicles a series of short books by Tony DiTerlizzi and Holly Black which tells us about the magical creatures who live around us but who remain invisible so we humans won’t freak out. Probably a wise choice for most but there are a few who want to see the creatures. One such person is Arthur Spiderwick (David Strathairn) a turn-of-the-century naturalist who has witnessed the likes of sprites goblins hobgoblins ogres and trolls at work. He has documented their secrets and habits in his Field Guide--a book that if placed in the wrong hands could make some fantastical beast maliciously omnipotent. Jump ahead some 80 years when we meet Spiderwick’s descendents the Grace family who have moved into his dilapidated house in the woods. Newly divorced mom Helen (Mary-Louise Parker) has uprooted her kids--teenage Mallory (Sarah Bolger) and twins Jared and Simon (both Freddie Highmore)--to start a new life with Jared being the one protesting the loudest. That is until he finds Spiderwick’s field guide and quite literally opens Pandora’s box giving evil ogre Mulgarath (Nick Nolte) who has desperately wanted the book since its inception the window of opportunity he’s been waiting for. The Grace kids have to band together--with a few otherworldly allies of course--to protect the book at all costs. Although Highmore (Charlie and the Chocolate Factory) struggles at times with the American accent the young British lad continues to prove his worthiness in the acting department--and joins the ranks of playing twins onscreen that dates back to Patty Duke on The Patty Duke Show (yes they were just cousins but they were identical cousins). Highmore does a nice job distinguishing between the two boys but he seems to have the most fun playing Jared. And rightly so since Jared is the true hero of the story. He is deeply wounded by his parents’ divorce blaming his mother for it all but in discovering this magical and dangerous world that goes way beyond his personal problems he quickly snaps to it. Bolger (In America) too takes her clichéd older-sister-who-knows-everything role and freshens it up adding a fierce determination to protect her family--with an expressive face that makes her very watchable. The adult cast isn’t nearly as important but they all fit in nicely especially Joan Plowright as Great Aunt Lucinda Spiderwick’s 80-something daughter who saw her father taken away by sylphs the keepers of the faeries’ secrets when she was 6 and has been trying to explain it ever since. Then there are the voices of some of the creatures the Graces meet including Martin Short as the ever-faithful house brownie Thimbletack; Seth Rogen as the hobgoblin Hogsqueal a piggish and friendly fellow whose spit in the eye gives you the Sight; and Nolte as the horrible villainous Mulgarath. OK all those who believe in faeries raise your hand! The Spiderwick Chronicles is just the kind of story that gets an imaginative kid to run out to the garden to start looking for sprites and director Mark Waters inherently understands this. Better known for his comedies such as Mean Girls and Freaky Friday Waters nonetheless grabs hold of the Spiderwick’s mythology and firmly plants it in reality with normal modern kids encountering a whole magical realm. Taking from the illustrations of co-author Tony DiTerlizzi Waters also gives us new versions of magical creatures we’ve read about for ages. Goblins for example look like giant frogs and act like attack dogs in this film as opposed to the more civilized view of them in the Harry Potter books--and goblins in Spiderwick can be killed by tomato sauce which melts them. Nice touch. Trolls too aren’t great big lumbering fellows but more dinosaur-like in Spiderwick. And let’s just say ogre Mulgarath looks nothing like Shrek but more so a devilish creature with yellow eyes and great big horns. Spiderwick is indeed scary at times maybe too scary for the younger kids but the action sequences and chase scenes are thrilling enough to keep everyone else’s attention.
Sean (Kerr Smith) takes a week off from his job in Los Angeles to attend his sister's wedding in Miami and deliver a car at the same time. But the owner has one rule: No hitchhikers! As this titillating bit of foreshadowing suggests Sean gets a flat tire on a deserted highway loses his wallet and has no choice but to pick up hitchhiker Nick (Brendan Fehr) who offers to cover the cost of gas. What Sean soon finds out is that Nick is actually hunting down the leader of a band of roving vampires and he must kill him in order to avoid becoming a vampire himself. On their trek they find Megan (Izabella Miko) also a victim of the telepathic "vampire virus " and use her as bait to lure the undead to sacred grounds and lop off their heads. A hesitant Sean is forced to play along after Megan bites him. If the story is hard follow don't worry--Sean and Nick rehash the plot each time they sit down to eat.
The performances in this film are passable at best. While Dawson's Creek heartthrob Smith and Roswell's Fehr work as best they can with such a silly script they spend most of the film sweaty grimy and on the run. Johnathon Schaech plays lead vampire Kit who looks creepy enough but never really says much. The same goes for his sidekicks Cym (Phina Oruche) and Teddy (Alexis Thorpe) except they don't even try to be eerie they just walk around pouting seductively in tight short outfits. Miko as the film's waifish bait spends most of the 105 minutes in a half-naked and morphine-induced state. In the rare instances when she is not being carried in someone's arm she is either screaming or spitting up blood. Not much talent needed there but perhaps this is for the best: when she finally does muster a line in the film's final moments you almost wish she hadn't.
Loaded with shots of Sean's vintage Mercedes driving down Arizona highways with sunset backdrops and loud music The Forsaken at times looks and feels like a music video. The special effects which consist mostly of blood and gore are so basic that you can almost see the fake blood capsules spurting out of the actors' mouths. And because the lighting is so stark and the action scenes shot so tightly it is hard to get a sense of who is shooting at whom. In terms of suspense director J.S. Cardone uses every trick in the horror movie handbook resulting in predictable scenarios seen a hundred times before only this time they're worse. This lack of originality coupled with lame scares and virtually no screams is--as one might expect--ultimately this film's downfall. It's too derivative of horror movies of the past (think Vampires and The Hitcher). A shame really. There hasn't been a good teen horror film in a quite some time.