Ralph Fiennes (the esteemed actor now best known for embodying Voldemort in the Harry Potter films) gave himself no small challenge for his first directorial effort. Coriolanus is a dense political Shakespeare play modernized by Fiennes and writer John Logan (Gladiator The Aviator Hugo) into a raw bloody war movie. The film maintains the play's original text a theatrical speech that manages to both heighten and impede the drama in certain instances. But Fiennes injects the material with unfiltered energy and even when the story is lost in its own intricacies it's visceral and commanding.
Presented against the nightmarish backdrop of "Rome " a Children of Men-esque land devastated by raging battles Coriolanus follows the troubled political career of Caius Martius Coriolanus (Fiennes) a general who fights resistance movements butts heads with local protestors and evades attack from influential statesmen. Martius is driven by one goal: to defeat his former friend and long-time nemesis Tullus Aufidius (Gerard Butler) leader of the opposing Volscian army. Rather than attend to the city's rioting population the general joins his military squad to breach the Volscian's walls in hopes of going mano a mano with Aufidius. Martius achieves victory after victory (without putting an end to his Aufidius troubles) becoming a hero to his government. Eventually through his overbearing mother's persuasion Martius is convinced to put down his semi-automatic and begin an ascent to political greatness. It doesn't go so well.
Even if the abridged version of Coriolanus presented in the adaptation was a slow-paced talky drama every detail of Shakespeare's complicated narrative may still be difficult to parse but Fiennes isn't looking to hold any hands. He shoots his movie with the kineticism of a Bourne movie or the recent Hurt Locker full of shaky cam movement and too-close-for-comfort close-ups. He uses the extreme presentation of 24 news networks to replicate in Shakespeare's expository asides while bombarding our senses. He has a cast who can deliver The Bard's poetic dialogue with a cadence that fits realistic setting. The sound and feel of the language is as important as the meaning.
Fiennes isn't as concerned with audiences registering every last minutiae of Coriolanus and he takes every opportunity he can to let his cast off their leash to dig into the drama's inherent intensity. The director/actor plays Caius Martius Coriolanus like a rabid dog—crazed behind the eyes and ready to unleash a barrage of hellfire and spit. Butler's Tullus Aufidius is a low-key foil but when the two finally butt heads neither gentleman holds back. The real stand out is Vanessa Redgrave as Martius' mother Volumnia whose hushed manipulation is even more terrifying than Martius' over aggression.
Coherence isn't the priority in Coriolanus and attempts to connect with the characters becomes a chore but Fiennes's first foray into directing is enjoyable in the exhilaration it delivers to a time-honored text. Forget your memories of 11th grade English—this is unique adrenaline-infused Shakespeare.
As the fifth year at Hogwarts begins most of the wizardry world is having a hard time believing Voldemort (Ralph Fiennes) has returned further propagated by the Ministry of Magic who refuses to recognize anything evil is brewing and blames all the hullabaloo on Harry (Daniel Radcliffe) and Dumbledore (Michael Gambon). The Ministry even interferes with Hogwarts business by making Ministry employee Dolores Umbridge (Imelda Staunton) the new Defense Against the Dark Arts professor whose outwardly sweet demeanor hides a sadistic streak a mile wide. She thinks the children should only learn about the Dark Arts “theoretically” and tortures all those who disagree. But the Voldemort threat is a reality and Dumbledore has re-formed the Order of the Phoenix a group of witches and wizards that prepares to battle the Dark Lord. Harry is unfortunately being kept in the dark for his protection of course even as his connection to Voldemort grows stronger and he’s royally peeved at being ignored. Urged on by Hermione (Emma Watson) and Ron (Rupert Grint) he forms his own order of Hogwarts students called Dumbledore’s Army to teach them what defenses against the Dark Arts he has already learned. Oh yeah Harry also shares his first kiss but make no bones about it—love is the furthest thing on Harry’s mind when the crap hits the fan. War is imminent. Everyone steps up their game in Order of the Phoenix. Radcliffe Watson and Grint have shed their adolescent whininess and aw-shucks goofiness to give their characters the greatest depth so far. They are forced to grow up pretty quickly in Order with little time for any playfulness and the three actors handle the seriousness with aplomb. Of course both Radcliffe and Grint have already ventured out of the Potter world—Radcliffe shed more than just adolescence on stage in a production of Equus while Grint lost his virginity in the indie Driving Lessons--and their extra experience shows in Order. Also good are Matthew Lewis as the usually clumsy Neville Longbottom who shows his mettle in more ways than one and newcomer Evanna Lynch as the slightly off-kilter Luna Lovegood who proves to be a loyal member of Dumbledore’s Army. But the kids have to keep up with the talented adult cast especially Oscar-nominated Staunton (Vera Drake) as Umbridge. The veteran actress’ interpretation of one of J.K. Rowling’s nastiest characters so far in the Potter lore is spot-on down to the pink wool suits and irritating twitter “ahem” she uses when she wants your undivided attention. Helena Bonham Carter also makes an impression however over the top it is as the evil Voldemort follower Bellatrix Lestrange. Does she ever want to look pretty onscreen? Then there’s the laundry list of Brits whose time onscreen may be short but is nonetheless memorable including Alan Rickman as the sneering Prof. Snape; Gambon as the wise but flawed Dumbledore; Gary Oldman as the kindly Sirius Black Harry’s only real family; and of course Fiennes as He-Who-Must-Not-Be-Named. His late-in-the-game appearance once again throws you for a loop. It stands to reason that at five movies in moviegoers would have a favorite Harry Potter flick by now. Those who love those Triwizard Tournament special effects might feel The Goblet of Fire was the best; or Prisoner of Azkaban for its time-bending action. Yet The Order of the Phoenix may be the one movie that speaks directly to the fans of the books. Without as much wide-eyed wonderment or wizardry flash the story is still chockfull of compelling details that are absolutely pivotal to the continuing Harry Potter saga. Screenwriter Michael Goldenberg (Peter Pan) and director David Yates (HBO’s The Girl in the Café) manage to wade through this volume of information and cut successfully to the chase with great effect. Yates who has signed on to do the sixth movie Harry Potter and the Half-Blood Prince even shows an affinity for action in the final dramatic confrontation between good witches and wizards and bad ones. But overall Order of the Phoenix may leave audiences not as well-versed in the novels a little itchy for some good old-fashioned wand-waving and Disney special effects. Thing is it’s just going to keep getting darker and darker for Harry and his crew. The days of happy fun playtime are over.