The first effort of this rising British filmmaker, "The Young Poisoner's Handbook" (1996) was made in 1994, shown at the 1995 Sundance Film Festival and created a buzz in Great Britain. Benjamin Ross...
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|Worked as uncredited production assistant on "Billy Bathgate"|
|Helmed the acclaimed HBO movie "RKO 281", about the making of Orson Welles' 1941 classic "Citizen Kane"; received Emmy nomination|
|While attending Columbia University, directed and scripted the short war comedy "Three Believers"|
|First screen credit as production apprentice on Troma's "The Toxic Avenger"|
|Wrote and directed short comedy "My Little Eye" for Britain's Channel 4|
|Filmed "The Young Poisoner's Handbook"; film shown at Sundance in 1995; released in the USA in 1996|
|Made short Super-8 film, the faux documentary "Rent Boy"|
|While attending Oxford, spent summers in the USA working as set builder and in other capacities on soft-core porn and low-budget films|
|Given 8 mm film and commences making amateur films (date approximate)|
Born in London in 1964, Ross received a Super-8 camera when he was about nine years old. Fascinated by the Hammer horror films, he also showed an interest in the macabre. While studying English at Oxford, he spent summers in the USA working in various production capacities on soft-core porn and low-budget horror films (like 1985's "The Toxic Avenger"). His Super-8 faux documentary short "Rent Boy" (1988), about a male prostitute in Picadilly Circus, earned him a scholarship to Columbia University's film program. While at Columbia, he wrote and directed the war comedy short "Three Believers" (1990). After returning to England, he made "My Little Eye" (1992) under the auspices of Channel 4's "Short and Curlies" which subsequently was shown at film festivals in New York and Chicago. Ross eventually met screenwriter Jeff Rawle who was working on his own biopic of Graham Young, the titular poisoner, and they decided to collaborate. The resulting film was screened at festivals to generally good notices but received only a limited theatrical release in the USA.
For his follow-up, Ross was tapped to helm the long-gestating "RKO 281" (HBO, 1999). Originally conceived as a feature film, this behind-the-scenes account of the filming of the 1941 classic "Citizen Kane" found a home on cable. Ross directed with a sure hand and elicited fine performances from a cast that included Liev Schreiber as Orson Welles, John Malkovich as Herman J. Mankiewicz, James Cromwell as William Randolph Hearst and Melanie Griffith as Marion Davies. "RKO 281" received critical acclaim and earned several Emmy nominations, including one for Ross' efforts.
|University of Oxford|
|"Evil on a genocidal scale is a human potential that exists within everybody, and that's a matter of great distaste, but it's also a matter of huge moral and dramatic importance." --Ben Ross in Premiere, February 1996.|
|"Being in America made me want to write about England. Perhaps I was homesick but I wanted to throw the whole cultural experience into relief." --Ben Ross|
|"I'm always quoting from 'The Exorcist.' If only I could spin my head around." --Ross to Time Out New York, February 21-28, 1998.|
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