The future King of England pinned the badge onto the Sexy Beast star's dress at an official ceremony at Buckingham Palace in London on Thursday (25Oct12).
Redman admits she was "a bit wobbly with the first curtsey" upon meeting the royal but insists, "the second one (was) better".
The star also reveals Charles was eager to know more about the Artists' Theatre School she set up in west London to train young performers.
She adds, "He was surprised about how long it's been since it was set up, and said what great talent we have produced."
As its title suggests Rupert Wyatt’s Rise of the Planet of the Apes is intended to lay the foundation for a new franchise of sci-fi flicks in which humans and super-intelligent apes battle for earthly supremacy. Its duty then is to explain within the span of two hours and with a modicum of credulity how exactly our simian friends might come to supplant us atop the animal kingdom. The scenario was at least partially addressed in Conquest of the Planet of the Apes the fourth entry in the original series’ convoluted and time-warped canon and while Wyatt's film draws inspiration from Conquest it is by no means a remake. Nor for that matter is related in any way to Tim Burton’s underwhelming 2001 entry. (And thank goodness for that.)
The titular rise begins as with many of the world’s great catastrophes with the actions of one highly irresponsible man. Will Rodman (James Franco) is a genetic scientist of prodigious talent and questionable ethics who works at a fancy San Francisco biotech firm called Gen-Sys (subtle!). His effort at producing a cure for Alzheimer’s Disease carries an ulterior motive: His father (John Lithgow) suffers from it and is close to entering its final stages. Will is close to a breakthrough when one of his chimpanzee test subjects goes well apesh*t causing his company’s suitably callous CEO Steven Jacobs (David Oyelowo gamely spewing lines like “I run a business not a petting zoo!") to order the research facility’s entire chimp population liquidated.
Will is busy carrying out the grim mandate when he discovers that one of the test chimps has borne an offspring one he can’t bring himself to euthanize. Instead he and his primatologist girlfriend Caroline (Frieda Pinto gorgeous and superfluous) partners in appallingly bad decision-making decide to raise the infant chimp as their own naming it Caesar. Having inherited his mother’s gene modifications he shows signs of advanced intelligence and quickly develops a close bond with his adoptive human parents. But Caesar soon outgrows his domestic habitat and eventually must be shipped off to a simian “sanctuary” that is in reality anything but.
At this point we’re halfway through the film – and miles away from erudite apes and enslaved humans. To get us on track director Wyatt executes a rather audacious tonal shift transitioning abruptly from what was heretofore a fairly sober Project Nim dramatization into the balls-out apes-gone-wild summer action flick promised by the film’s trailers. His efforts are aided tremendously by his screenwriters Amanda Silver and Rick Jaffa whose clever absorbing script offers just enough plausibility in the first half to make its increasingly loony second half not just palatable but downright enjoyable. Wyatt strikes a delicate thematic balance respecting the subject matter while acknowledging its inherent silliness. (Scattered throughout the film are sly nods to previous Planet of the Apes films as well as a glimpse of Charlton Heston in The Ten Commandments.)
The silliness accelerates seemingly by the frame in Rise’s latter half as Caesar mounts a conspiracy to escape his Dickensian squalor exact revenge upon his cartoonishly malevolent captors and take his simian revolution to the streets. And it only gets crazier from there – the third act is basically a PETA wet dream. As far as cautionary tales go Rise is about as cautionary as they come.
Andy Serkis who performed all of the performance-capture work for Caesar is a marvel in the role though the question remains as to how the credit should be divvied up between him and the technicians at WETA digital who “painted” the character’s CG features. And make no mistake Caesar is very much a character – as well-rounded and fully-formed and convincing as they come and easily more compelling than any of his non-digital counterparts. Franco for his part is credible enough as a scientist who in spite of his academic credentials is a bit of a dolt (and perhaps a tad disturbed) and Lithgow tackles a relatively thankless role with grace. But the real stars are all those damn dirty apes.
Superhero origin stories have been all the rage at the multiplex this summer with Marvel Comics alone accounting for two such films Thor and X-Men: First Class both of which happily surpassed critics’ expectations. Its latest Captain America: The First Avenger – so named as to provide us a helpful link to the Avengers movie coming next year – arguably faces the trickiest task of all three seeing as how Americans have not been in the most patriotic of moods in recent years. Could a flag-waving superhero really find purchase with a moviegoing audience that increasingly looks askance at such notions?
Surprisingly yes. That Captain America succeeds – and resoundingly so – is partly due to the producers’ decision to set the film during World War II a time where patriotism is a much easier sell. (And no viewer is too jaded to not enjoy seeing Nazis eviscerated en masse.) But proper credit must be given to director Joe Johnston who has crafted a breathlessly entertaining popcorn movie that unambiguously embraces its hero’s old-fashioned sensibilities and invites us to embrace them as well.
Chris Evans (The Losers Fantastic Four) plays Steve Rogers an earnest oft-bullied ectomorph whose lone wish is to ship off to Europe and fight on the front lines. But a plethora of physical ailments have combined to render him hopelessly unfit to serve however stiff his resolve. (To pull off the withered look of “Skinny Steve ” the filmmakers pulled off a nifty trick grafting Evans’ head onto the body of another actor Leander Neely.)
Rogers’ chance arrives in the guise of a government scientist the German émigré Dr. Abraham Erskine (Stanley Tucci as avuncular as a German-accented man can hope to be) who witnesses the young man’s idealistic ardor and recruits him to take part in secret military experiment. After proving his mettle in training Rogers is delivered a dose of Super Serum a PED that instantly makes him bigger stronger and faster than just about any other human alive.
Which is a good thing because on the other side of the Atlantic a renegade Nazi scientist Johann Schmidt aka the Red Skull (Hugo Weaving doing a tremendous Christoph Waltz impression) has happened upon his own supernatural power source and he’s used it to quietly amass a private army dubbed HYDRA that is bent on supplanting Hitler’s world-domination scheme with its own. Soon all that stands between defeat at the hands HYDRA and its arsenal of advanced weaponry is the juiced-up visage of the newly-christened Captain America.
Portraying a stalwart straight-arrow bereft of angst or ambiguity isn’t the easiest of tasks for any actor but Evans does a commendable job of bringing depth and humanity to a character that all too easily could have come across as bland and one-dimensional. Johnston seems to recognize this potentiality as he looks primarily to his supporting cast to supply the personality: Tucci and Weaving stand out as do Tommy Lee Jones and Toby Jones playing an irascible army commander and a timid HYDRA toady respectively. The film’s romantic spark comes courtesy of the principal cast’s lone female representative the excellent Haley Atwell playing Rogers’ military liaison Agent Peggy Carter.
More than anything Captain America is a triumph of tone. A former ILM technician Johnston did visual effects for Raiders of the Lost Ark and Spielberg’s 1981 blockbuster was a conscious touchstone for his film’s throwback feel and aesthetic. (Another less deliberate influence would be a previous Johnston film The Rocketeer.) Captain America embodies the spirit of the old serials melded with a tongue-in-cheek comic sense and punctuated by action sequences that deploy the requisite CGI fireworks with a welcome measure of restraint. The film is decidedly of its era but never feels gratuitously nostalgic. And its production design is gorgeous: Red Skull’s lair in particular is a treasure trove of retro-futurist designs all of which seem directly lifted from 1940s World’s Fair exhibits.
The Sexy Beast star, 53, wed Damian Schnabel, 38, in front of 200 family and friends at Maunsel House in Somerset, England on Saturday (04Sep10).
Winstone gave a reading at the ceremony, while Redman's daughter Emily Glenister, from her first marriage to actor Robert Glenister, performed a song for the happy couple as they enjoyed their first dance.
Set up very much like a documentary United 93 puts you right there onboard United Airlines Flight 93 the fourth hijacked plane on Sept. 11 2001 which crashed in a Pennsylvania field just short of its intended target. The first half of the film cuts between the mundane routine of boarding the ill-fated flight to the horrifying events unfolding at the World Trade Center played out in airport control towers as well as the FAA's command center in Herndon Va. and the military's center at the Northeast Air Defense Sector in upstate New York. Everyone is scrambling trying to figure out what’s happening while an air of absolute powerlessness hovers over them. Then for the last unbelievably heart-wrenching 30 minutes or so we are back on the plane. We watch as the hijackers wait and wait to make a move and then once they do watch as the passengers realize the gravity of the situation after talking with their loved ones on the ground. The heroism the defiance is palpable. "They were the first people to inhabit the post-9/11 world " Greengrass says in the press notes. And to keep things as accurate as possible Greengrass reportedly interviewed more than 100 family members and friends of those who perished in order to get not only their blessings but an inkling of what might have transpired on the plane. He also gathered facts from the 9/11 Commission Report. He hired flight attendants and commercial airline pilots to play those roles; hired several civilian and military controllers on duty on Sept. 11 including the FAA's Ben Sliney who plays himself; and finally rehearsed and shot his actors in an old Boeing 757 at England's Pinewood Studios. You’ll recognize some faces character actors who’ve been in countless films and TV shows. But the key is to keep United 93 rooted in reality--and to do that you can’t have an A-list star mussing it up. Greengrass is not afraid of making hard-hitting films such as 2002's Bloody Sunday a dramatization of the Irish civil rights protest march and subsequent massacre by British troops on January 30 1972. With United 93 he has once again documented one of modern history’s most defining moments. Of course the controversy surrounding United 93--whether or not it should have even been made--is all understandable and justifiable. Sept. 11 is still indeed a raw nerve. How can it not be? We are living in a completely changed world because of it and no amount of time can ever really alter that. But you can't fault Greengrass for feeling compelled to tell this story and can only appreciate him for doing his homework thoroughly and giving it to us straight from the heart. Sort of a collective heart I should say since it really speaks to humanity and the ways we are capable of such great courage in the face of such insurmountable odds. Obviously we will never know exactly what happened on the flight but at least we know something monumental took place. Now let’s see how Oliver Stone and Nicolas Cage handle 9/11 in the upcoming World Trade Center.
Rosie O'Donnell emceed Nickelodeon's 14th annual Kids' Choice Awards in Los Angeles on Saturday.
The winners were:
Favorite Movie: How the Grinch Stole Christmas;
Favorite TV Show: Malcolm in the Middle;
Favorite Movie Actor: Jim Carrey;
Favorite Movie Actress: Drew Barrymore;
Favorite TV Actor: Carson Daly;
Favorite TV Actress: Amanda Bynes;
Favorite Cartoon: Rugrats;
Favorite Band: Blink 182;
Favorite Singing Group: Destiny's Child;
Favorite Song: "Who Let the Dogs Out?";
Favorite Female Singer: Britney Spears;
Favorite Male Singer: Lil' Bow Wow;
Favorite Sports Team: Los Angeles Lakers;
Favorite Male Athlete: Tony Hawk; and
Favorite Rising Star: Aaron Carter
Phil Collins welcomes son
Singer Phil Collins, 50, and his third wife Orianne Collins, 28, have welcomed the birth of their first child, a boy named Nicholas Grev Austin. According to People, the baby was born Saturday in Geneva, Switzerland, where the Oscar-winning singer/composer's parents hold residence. Collins has three other children from his previous marriages: Simon, Joley and Lily.
Guild turns to porn?
As the work stoppage created by the actors and writers strikes looms, Hollywood's behind-the-scenes players are turning to the porn industry to keep food on the table. According to The Associated Press, Tinseltown's top editors, cinematographers, grips and others are sending resumes to adult-entertainment studios in an effort to keep working.
"It doesn't sound bad to me," said Hollywood business agent Norm Glasser. "If there's a strike, everybody's on their own, more or less."
The fifth annual Hip-Hop Awards will be held Thursday, May 3, in New York City. The awards, which honor the best in hip-hop culture, are chosen directly by fans on SOHH.com. Among those performing are Wyclef Jean, Missy Elliott and Redman, who will also co-host the show along with rapper and radio icon Angie Martinez. Voting began April and will conclude Friday in 17 categories.
Fergie's focus: TV reporting
Sarah "Fergie" Ferguson, the Duchess of York, is shifting careers, opting for a new job as a reporter for Britain's ITV network. Ferguson, 41, will kick off her new career with a 20-minute expose on Tonight with Trevor McDonald, a popular British current-affairs program. Her segment will focus on the prevalence of obesity in British society.
Ex-"Survivor" Jerri: soap star
The Survivor castaway America loved to hate will turn up on the tube during daytime, according to Reuters. Jerri Manthey will portray herself in an upcoming episode of CBS' The Young and the Restless to air Monday, May 28. CBS spokespeople have indicated that Manthey, 30, could receive an ongoing role on the show if network execs show interest in her talents.