In other words The Holiday probably falls under the “guilty pleasure” category. Its not a classic romantic comedy by any standards but darn it it still makes you smile more often than you want to admit. The story centers on two women: Iris (Kate Winslet) a British newspaper columnist hopelessly in love with a man about to marry someone else and Amanda (Cameron Diaz) a highly successful L.A. career woman who just broke up with her latest cheating boyfriend. Being at the right place at the right time these two gals meet online at a home exchange website and impulsively switch homes for the holiday. Shortly after arriving at their destinations both women find the last thing either wants or expects: A new romance. Amanda is charmed by Iris' handsome brother Graham (Jude Law) and Iris with inspiration provided by legendary screenwriter Arthur (Eli Wallach) mends her heart when she meets film composer Miles (Jack Black). Oh just go ahead and take a big gooey bite. It’s good for the soul. The biggest problem in The Holiday is unfortunately the casting—which is real shame because you really want the chemistry to zing. They get it right with Winslet and Law who are both trying something a little different as romantic leads. Winslet in fact admitted to Reuters this was one of the more nerve-wracking parts she’s ever played because she couldn’t hide behind an American accent or a costume playing someone closer to well herself. But you would think these two Oscar-nominees had been making these type movies all along especially the insanely gorgeous Law who should have every woman swooning with his sensitivity. Where they get it wrong is with the Americans as the Brits just act giant circles around them. Black is clearly out of place. Although being very charming and funny looking like he made Winslet laugh a LOT (and who wouldn’t with that guy around?) their connection on screen is somewhat amiss. Diaz comes off looking even worse. Even though she’s the veteran of the romantic comedy (There's Something About Mary My Best Friend's Wedding) her screechy neurotic klutzy Amanda is in no way appealing. You have to scratch your head wondering why Law’s Graham would fall so hard for her. What does make The Holiday work however is writer/director Nancy Meyers. She’s proven herself quite adept at the genre with films such as What Women Want and Something's Gotta Give under her belt. With The Holiday Meyers skillfully crafts individual moments of refreshing comedy as well as heartening scenes of blossoming romance. The initial seduction scene between Amanda and Graham is particularly sweet and quirky with the crisp dialogue flying at a nice clip. And isn’t it comforting to see a holiday movie minus feuding neighbors commerciality or any sort of mean-spiritedness? But Meyers has the tendency to go more for the superficial rather than dig deep with her characters. The Holiday has a one of those glossy rosy glows whose only aim is to make you feel good. True the film will mostly speak volumes to the women in the audience (that’s a polite way of saying its a “chick flick”) but oh well. It’s fluff may be a nice reprieve during the hustle and bustle of the season.
Michael Imperioli said it best-- there are "a lot of new faces."
That's the perfect way to describe the morning's 2005 Primetime Emmy Award nominations that turned out to be a great awakening for some of TVs newcomers, but a rude awakening for those first-timers who got snubbed.
The Academy of Television Arts & Sciences Chairman of the Board Dick Askin, along with a very un-gangster-like Imperioli of The Sopranos and Still Standing's Jami Gertz, not looking so Square Pegs in a cleavage baring bustier top (and at 5:30 in the morning, no less), announced the 57th annual Emmy nominations live from the Leonard H. Goldenson Theatre in North Hollywood.
Askin told Hollywood.com there are about twice as many new faces compared to last year.
And here's a little bit of trivia: Did you know the Emmy nomination broadcast is the only press conference with a jib camera spanning the room (That's right, not even the Oscars has one-you know, that long poled camera arm that can practically reach across a room.) This morning the jib had the best gig in the house; to focus solely on the golden girl herself-Emmy-high atop a platform. With publicists, agents and camera crews filling the theatre, it's not surprising this morning is an event all its own.
The biggest news came for those housewives, who aren't looking so desperate-all but two, at least. Each first-time nominees-- Marcia Cross, Teri Hatcher and Felicity Huffman-- all got nods for Outstanding Lead Actress in a Comedy Series, leaving Nicolette Sheridan and Eva Longoria, well, desperate. That feat hasn't been done since Golden Girls 20 years ago.
The nominated housewives are also going up against Malcolm in the Middle's Jane Kaczmarek, who has now garnered six nominations for her role on the hit Fox series, but has never won; and Patricia Heaton, who everybody loves in Everybody Loves Raymond (even this morning's audience cheered for the actress, who's already taken home two statues for her portrayal as Ray Romano's wife.) Romano and the series also got nods for Outstanding Lead Actor and Comedy Series, with Ray also winning twice before. We'll see if the third time's the charm. Peter Boyle, Brad Garrett and Doris Roberts also made the list in the Supporting Actor categories.
And you might recognize other first-time nominees, most of whom hail from the big screen-- Patricia Arquette (Outstanding Lead Actress in a Drama Series, Medium), Hugh Laurie (Outstanding Lead Actor in a Drama Series, House), Ian McShane (Outstanding Lead Actor in a Drama Series, Deadwood), S. Epatha Merkerson (Outstanding Lead Actress in a Miniseries or Movie, Lackawanna Blues), Debra Winger (Outstanding Lead Actress in a Miniseries or Movie, Dawn Anna), Ed Harris (Outstanding Lead Actor in a Miniseries or Movie, Empire Falls), Jonathan Rhys Meyers (Outstanding Lead Actor in a Miniseries or Movie, Elvis), Geoffrey Rush (Outstanding Lead Actor in a Miniseries or Movie, The Life and Death of Peter Sellers), Jason Bateman (Outstanding Lead Actor in a Comedy Series, Arrested Development), Zach Braff (Outstanding Lead Actor in a Comedy Series, Scrubs), Charlize Theron (Outstanding Supporting Actress in a Miniseries or Movie, The Life and Death of Peter Sellers) and Philip Seymour Hoffman (Outstanding Supporting Actor in a Miniseries or Movie, Empire Falls), to name a lot.
Other silver screen favorites include Halle Berry for her work in Their Eyes Are Watching God, Blythe Danner for Back When We Were Grownups, Kenneth Branagh for Warm Springs, William H. Macy for The Wool Cap and Tony Shalhoub for Monk.
Husband and wife nominated teams this year include Macy and Huffman and Paul Newman and Joanne Woodward (both for Empire Falls).
Gertz, who commented that she's "been around the block, as they say," has many favorites who are in the running to take home a statue, but she couldn't pick just one to win: "I just want all my friends to win," Jami said, who include Outstanding Lead Actor in a Drama Series nominees Kiefer Sutherland (who's been nominated three times before for 24 and has never won), Hank Azaria (Huff) and James Spader (Boston Legal).
In other legal briefs, The Practice alum Camryn Manheim grabbed a spot in the Supporting Actress/Miniseries category for her portrayal of Elvis's mother in Elvis (to which Gertz did a perfect rendition of that famous Elvis accent), and Boston Legal's William Shatner for Supporting Actor in a Drama Series.
Lost could only be found in one of the acting categories for Naveen Andrews and Terry O'Quinn for Supporting Actor in a Drama Series, but it did nab a top nod for Outstanding Drama Series. And history repeats itself with The West Wing up for Outstanding Drama Series (which holds the titles for most Emmys won by a series in its first and single season with 9), but the Academy didn't salute the President (a.k.a. Martin Sheen) or Allison Janney, who always wins the Emmy. But Stockard Channing and Alan Alda won the Academy's recognition in the Supporting categories.
In a twist, those two high-tech mystery solving ensembles CSI and Law & Order also disappeared from this year's list in the acting categories, except for Mariska Hargitay for Outstanding Lead Actress in a Drama Series, who's going head-to-head against fellow crime fighter Jennifer Garner (Alias), Frances Conroy (Six Feet Under), Glenn Close (The Shield) and Arquette (Medium). Nip/Tuck was also cut out of the running with the lead characters garnering zero nods.
Nominated shows coming in on top include Desperate Housewives with 15 nods, Will & Grace 15, Everybody Loves Raymond 13, Lost 12, Arrested Development 11, Deadwood 11, 24 11 and Empire Falls, 10.
HBO picked up the most nominations with 93, even without help from the ineligible Curb Your Enthusiasm and The Sopranos, but is down from last year because of the absence of Angels In America, which holds the record for most Emmy's won by a miniseries. CBS leads the networks with 59; NBC 54; ABC 51 and Fox 49-all of which have made a comeback this year.
"Another trend I think is the return of the broadcast networks. I mean, all of their nominations are significantly up from last year. ABC was up 65% in numbers and CBS was 75%,"said Askin.
And expect a few modern upgrades to this year's Emmy show.
"There's going to be a lot of things different. I can't tell you anything about the show yet 'cause it's kind of in the planning stages right now. We don't want to change it dramatically, but we want to kind of update it for today's audience," said Askin.
ATAS will hand out the Emmy trophies on Sunday, Sept. 22 at a black-tie ceremony at the Shrine Auditorium in Los Angeles.
A partial list of nominees as follows:
Outstanding Comedy Series
Arrested Development, Fox
Desperate Housewives, ABC
Everybody Loves Raymond, CBS
Will & Grace, NBC
Outstanding Drama Series
Six Feet Under, HBO
The West Wing, NBC
Outstanding Lead Actor in a Comedy Series
Jason Bateman, Arrested Development
Ray Romano, Everybody Loves Raymond
Tony Shalhoub, Monk
Zach Braff, Scrubs
Eric McCormack, Will & Grace
Outstanding Lead Actress in a Comedy Series
Marcia Cross, Desperate Housewives
Teri Hatcher, Desperate Housewives
Felicity Huffman, Desperate Housewives
Patricia Heaton, Everybody Loves Raymond
Jane Kaczmarek, Malcolm in the Middle
Outstanding Supporting Actor in a Comedy Series
Jeffrey Tambor, Arrested Development
Jeremy Piven, Entourage
Peter Boyle, Everybody Loves Raymond
Brad Garrett, Everybody Loves Raymond
Sean Hayes, Will & Grace
Outstanding Supporting Actress in a Comedy Series
Jessica Walter, Arrested Development
Doris Roberts, Everybody Loves Raymond
Holland Taylor, Two and a Half Men
Conchata Ferrell, Two and a Half Men
Megan Mullally, Will & Grace
Outstanding Lead Actor in a Drama Series
James Spader, Boston Legal
Ian McShane, Deadwood
Hugh Laurie, House
Hank Azaria, Huff
Kiefer Sutherland, 24
Outstanding Lead Actress in a Drama Series
Jennifer Garner, Alias
Mariska Hargitay, Law & Order: Special Victims Unit
Patricia Arquette, Medium
Glenn Close, The Shield
Frances Conroy, Six Feet Under
Outstanding Supporting Actor in a Drama Series
William Shatner, Boston Legal
Oliver Platt, Huff
Naveen Andrews, Lost
Terry O'Quinn, Lost
Alan Alda, The West Wing
Outstanding Supporting Actress in a Drama Series
Sandra Oh, Grey's Anatomy
Blythe Danner, Huff
Tyne Daly, Judging Amy
CCH Pounder, The Shield
Stockard Channing, The West Wing
Empire Falls, HBO
The 4400, USA
The Lost Prince (Masterpiece Theatre), PBS
Outstanding Made for Television Movie
Lackawanna Blues, HBO
The Life and Death of Peter Sellers, HBO
The Office Special, BBC America
Warm Springs, HBO
The Wool Cap, TNT
Outstanding Lead Actor in a Miniseries or a Movie
Jonathan Rhys Meyers, Elvis
Ed Harris, Empire Falls
Geoffrey Rush, The Life and Death of Peter Sellers
Kenneth Branagh, Warm Springs
William H. Macy, The Wool Cap
Outstanding Lead Actress in a Miniseries or a Movie
Blythe Danner, Back When We Were Grownups (Hallmark Hall Of Fame
Debra Winger, Dawn Anna
S. Epatha Merkerson, Lackawanna Blues
Halle Berry, Their Eyes Were Watching God
Cynthia Nixon, Warm Springs
Outstanding Supporting Actor in a Miniseries or a Movie
Randy Quaid, Elvis
Paul Newman, Empire Falls
Philip Seymour Hoffman, Empire Falls
Christopher Plummer, Our Fathers
Brian Dennehy, Our Fathers
Outstanding Supporting Actress in a Miniseries or a Movie
Camryn Manheim, Elvis
Joanne Woodward, Empire Falls
Charlize Theron, The Life and Death of Peter Sellers
Jane Alexander, Warm Springs
Kathy Bates, Warm Springs
Outstanding Variety, Music or Comedy Series
Da Ali G Show, HBO
The Daily Show with Jon Stewart, Comedy Central
Late Night with Conan O'Brien, NBC
Late Show with David Letterman, CBS
Real Time with Bill Maher, HBO
Outstanding Reality Program
Antiques Roadshow, PBS
Extreme Makeover: Home Edition, ABC
Penn & Teller: Bullshit!, Showtime
Project Greenlight, Bravo
Queer Eye For The Straight Guy, Bravo
Outstanding Reality-Competition Program
The Amazing Race, CBS
American Idol, Fox
The Apprentice, NBC
Project Runway, Bravo
Couples therapy is for the birds. Trying to annihilate one another with high-tech weaponry is the best
way to spice up a dull marriage. So say John (Brad Pitt) and Jane Smith (Angelina Jolie) a seemingly ordinary suburban couple stuck in a six-year lifeless marriage. They learn this helpful marriage tip firsthand after discovering each other's "little" secret. Seems they are actually two of the world's most deadly assassins but they work for competing companies. Yeah you'd think something like that would have come up at some point while eating at the breakfast nook. Of course once the secret is out there's no turning back. Now hired to assassinate each other the fun really begins as the once-bitter Smiths discover a newfound source of excitement in their marriage. Oh boy do they ever. So does one of them kill the other to keep their job? Or should the two hottest people on the planet--after shooting up their house and beating the holy whaley out of each other--reconcile and get blood all over each other while having steamy sex? You decide.
OK let's just get it over with. Whatever may have happened off set between Jolie and Pitt there's no denying that they indeed have an immediate palpable connection on screen. From the moment they appear as Mr. and Mrs. Smith sitting in a therapist's office discussing their marriage you can feel the chemistry oozing off of them even in their estrangement. Maybe it's real but it may also be a
testament to their talent. Sure Jolie and Pitt can play professional assassins exchanging rapid gunfire in their sleep. But painting a convincing picture of a strained marriage? That's a different story. Between the bickering the long silences the tense politeness even finishing each other's sentences these highly capable actors rise to the occasion as the married Smiths. And to think Nicole Kidman was originally slotted to play Mrs. Smith. That would have been an entirely different film. For a little extra comic relief there's the always hilarious Vince Vaughn as John's colleague. He's a mild-mannered fellow who lives with his mother because she's the only woman he's ever "trusted." The quippy exchanges between Vaughn and Pitt are classic. "Women. They all try to kill you slowly painfully cripplingly… " he warns John. I wouldn't say all that. Hand me that gun please.
First-time writer Simon Kinberg came up with Mr. & Mrs. Smith for his Master thesis at Columbia University Film School. Several drafts later and with a little help from the Academy Award-winning screenwriter Akiva Goldsman and director Doug Liman
(The Bourne Identity) the real Smith was born. Liman has a good handle on all the action especially in choreographing the penultimate confrontation between the Smiths in their beautifully manicured home. Firing guns throwing punches and knives and blowing stuff up just feels good doesn't it? But you do have to throw logic out the window when you're in the Smith world. Come on the fact that these two highly trained über-killers never knew each other's secret professions seems more than a little farfetched especially if we are to believe they--and the competing companies they work for--are as high tech professional and deadly as they say they are. No matter. The implausibility of it all rarely detracts from watching two of the sexiest movie stars around pound the living crap out of one another--and then kiss to makeup. Good stuff.
Years after Earth is destroyed by a hostile alien race (when aren't they
hostile?) a strapping young buck named Cale (Matt Damon) is recruited
for a mission to locate a spaceship that holds the key to human
survival. With the alien baddies on their tail Cale and company are in
a race against time to secure a new home for the Earthlings who have
been left homeless by the Drej.
This brilliant animated sci-fi adventure has the added benefit of a
stellar cast. Other than John Leguizamo who renders a whimsical voice
for the nonhuman navigator Gune the cast refrains from altering their
normal voices instead injecting their regular speech with the type of
emotion sincerity and charm you'd expect from a live-action feature. In
addition to Damon Drew Barrymore is Akima the pilot who catches Cale's
eye; Bill Pullman is the authoritative captain; Nathan Lane is the
suspicious first mate; and Janeane Garofalo is a weapons specialist with
(surprise!) a bad attitude.
In addition to producing "Anastasia " veteran animators Don Bluth and
Gary Goldman are known for creating some of the most popular laser disc
interactive video games and it shows in "Titan A.E." The brilliant
graphics and sophisticated animation here will prompt more than one
double take as you wonder whether what you're seeing is real or
animated. The tapestry that surrounds the characters -- particularly in
the final moments of Earth -- is nothing short of the best animation
ever to hit the big screen. Just one question: What's up with Cale's
naked butt scene and Akima's shower sequence? We haven't seen this much
animated skin since Shelley Winters evacuated the Poseidon.