Australian actor Vince Colosimo has escaped bankruptcy after proceedings were dropped. The 46 year old, who shot to fame Down Under in TV show Underbelly and has appeared in films The Great Gatsby and Body of Lies, was alleged to have owed law firm Dandanis & Associates $34,400 (£22,267).
The company launched bankruptcy proceedings against Colosimo in May (13), but in court in Australia on Tuesday (01Oct13) a judge heard the petition had been dismissed with the consent of both parties.
Although its Mideast trappings have become terribly familiar in any number of recent movies from Syriana to The Kingdom to director Ridley Scott’s own Black Hawk Down William Monaghan’s (The Departed) tight script still has pertinent things to say about the lies and deceptions inherent in our covert operations in the region. Cloaked in a cat and mouse thriller format the story centers on Roger Ferris (DiCaprio)--a top CIA operative fluent in the Arab language-- who roams from country to country trying to penetrate top secret terrorist cells and uncover plans for mayhem. In trying to smoke out a shadowy terrorist who has been directing a series of key bombings against civilian targets in Europe Ferris comes up with the ingenious idea to create a phony rival group that appears to be taking credit for the “real” Al Qaeda-type organization’s business. Complicating matters for Ferris is his boss Ed Hoffman (Russell Crowe) back at CIA headquarters who sees the world in black and white and believes there is no such thing as going too far to achieve goals in the best interest of the U.S. Both must also deal with the head of Jordanian Intelligence Hani Salaam (Mark Strong) who recognizes that each is useful for his own counter-terrorism efforts. There are a LOT of explosions that keep getting in the way of the dramatics--and much of the Crowe/DiCaprio teaming is played out on opposite sides of a phone line. But Body of Lies incorporates a first-rate cast including many local Middle Eastern performers who make strong impressions. Crowe--adopting some sort of quasi-southern accent (apparently from Arkansas)--creates an amusing CIA boss who sees the world from one perspective--his. Juxtaposing his duties to family as well as America Crowe creates a full blooded portrait of a husband father and CIA lifer who thinks he knows all the answers. His few scenes when he is face to face with co-star DiCaprio are worth the wait and both stars play off each other with ease. DiCaprio is back in Blood Diamond territory here as a rogue operative using his own ingenuity to make a difference. His on-screen command of some Arabic phrases is unforced and impressive and he earns the audience’s empathy particularly when he winds up in well over his head. There are also some nice scenes opposite a Muslim nurse he strikes up a relationship with while in the hospital. Iranian star Golshifteh Farahani is beautiful and nicely understated in these moments. Strong who also is very fine in another of the week’s new releases RocknRolla is suave and powerful as the shrewd Jordanian Crowe and DiCaprio cross swords with. Other regional actors fill out their roles with uncommon authenticity. There can be no question Ridley Scott is a master of the film medium. Body of Lies moves very well and thanks to the Scott style manual has lots of urgency. Employing his usual use of multiple cameras getting simultaneous angles in every scene Scott doesn’t rely on actors having to do a lot of takes and in the process manages to give the film a documentary kind of feel. Although the filmmaking approach sometimes leads to more confusion than we would like it also puts us right in the center of the action. And there’s plenty of that. Working for the fourth time with Crowe the two clearly have a rapport and similar seat-of-the-pants way of working which DiCaprio seems to have picked up nicely. If this isn’t as impressive an overall achievement as Black Hawk Down it’s still an entertainment that is a cut above some of the other recent spate of Middle East-set thrillers. Locations are well used too with Northern Africa and specifically the Moroccan environs filling in for the some dozen countries identified on the screen.
Set in Sydney Australia the story revolves around Leon (Anthony LaPaglia) a police detective in his mid-40s who is married with two teenage sons. He struggles to keep his life under control but feels it slipping away from him especially after he has a fling with a woman Jane (Rachael Blake) whom he meets in a dancing class he is taking with his wife Sonja (Kerry Armstrong). Jane is also surviving the breakup of her marriage to Pete (Glenn Robbins) and is simply lonely. She lives next door to Nik (Vince Colosimo) and Paula (Daniela Farinacci) a young couple with three children who seem to have a strong and happy marriage even after certain events nearly tear it apart. Sonja on the other hand suspects her husband is cheating and talks to her therapist Valerie (Barbara Hershey) about it. Valerie urges Sonja to confront Leon and tell him her feelings. Meanwhile Valerie and her husband John (Geoffrey Rush) are having problems of their own trying to come to grips with the murder of their young daughter a few years before. Somehow the lives of these eight people intersect when Leon becomes embroiled in a missing persons investigation.
For the most part the ensemble cast of mostly Australian actors is quite excellent. Many might not know the fact that LaPaglia who usually plays tough Italian New York types (One Good Cop So I Married an Axe Murderer) is actually a native Australian. Hearing his lilting and natural accent is refreshing and he gives his best acting effort yet as a man in the throes of a midlife crisis. Armstrong also turns in a quiet and subtle performance as the wife Sonja who eventually understands her husband's turmoil even though it wounds her deeply. Hershey and Rush play well off of one another as the damaged couple knee-deep in the grieving process particularly Hershey who gives an interesting twist on a successful therapist spiraling into her own self-doubt and despair. She proves once again how great an actress she really is. The other supporting characters lend depth to the story with Colosimo and Farinacci as Nik and Paula standing out the most. Their intense love affair starkly contrasts the messed-up lives of the rest of the couples.
Lantana refers to a type of plant which is filled with beautiful and exotic flowers but hides a thick thorny growth underneath. The opening shot takes us from the middle of this thorny bush where we see what appears to be a body entangled in it and pans out in a strange and slow way to show a great vista (reminiscent of David Lynch's opening to Blue Velvet). This pretty much sums up the feel of the movie--strange and slow--but not always in a positive light. While the performances are all good the pacing and subject matter brings the film down. The actions of the characters aren't always enough to keep up the momentum and the only compelling parts are when the actual mystery of the investigation start to unfold. You aren't sure who's guilty and who's not and the movie keeps you guessing until the very end. Yet the meandering personal dramas begin to get stagnant. Watching dysfunctional people deal with their marriages is something we've seen many times before.