|Boston Public||2004-01-01T00:00:00+0000 2000||Actor||Kevin Riley||2004-01-01T00:00:00+00007|
|Wanderlust||2006-01-01T00:00:00+0000 2005||Actor||Jim, The Director||2006-01-01T00:00:00+00007|
|Mary & Tim||Actor||Tim Melville||7|
|In My Sister's Shadow||Actor||Michael||7|
|The Great New Wonderful||2006||Actor||David McCarthy||20067|
|30 Days||2000||Actor||Brad Drazin||20007|
|Jack Goes Boating||2010||Actor||Dr. Bob||20107|
|Anne Tyler's "Saint Maybe"||1999-01-01T00:00:00+0000 1998||Actor||Ian Bedloe||1999-01-01T00:00:00+00007|
|The Situation||2007||Actor||Major Hanks||20077|
|Ed||2004-01-01T00:00:00+0000 2000||Actor||Dan Lienert||2004-01-01T00:00:00+00007|
|Meet the Parents||2000||Actor||Bob Banks||20007|
|Law & Order||2010-01-01T00:00:00+0000 1990||Actor||n/a||2010-01-01T00:00:00+00007|
|Good Night, And Good Luck||2005||Actor||Palmer Williams||20057|
|Year of the Dog||2007||Actor||Pier||20077|
|Beautiful Ohio||2005||Actor||Adult William Messerman||20057|
|The Last Shot||2004||Actor||Agent Pike||20047|
|All The King's Men||2006||Actor||Editor||20067|
|The Wire||2008-01-01T00:00:00+0000 2001||Actor||Scott Templeton||2008-01-01T00:00:00+00007|
|Flags of Our Fathers||2006||Actor||James Bradley||20067|
|The Lovely Bones||2009||Actor||Principal Caden||20097|
|Law & Order: Special Victims Unit||2014-01-01T00:00:00+0000 1999||Actor||Nick Ganzner||2014-01-01T00:00:00+00007|
|The Wire: The Last Word||2008-01-01T00:00:00+0000 2007||Actor||Interviewee||2008-01-01T00:00:00+00007|
|Crossing the Bridge||1992||Actor||Chris Adams||19927|
|Baby Mama||2008||Actor||Kate's Date||20087|
|The Wire Odyssey||2008-01-01T00:00:00+0000 2007||Actor||Interviewee||2008-01-01T00:00:00+00007|
|Spin City||2002-01-01T00:00:00+0000 1996||Actor||Priest||2002-01-01T00:00:00+00007|
|Ally McBeal||2002-01-01T00:00:00+0000 1997||Actor||Peter Hanks||2002-01-01T00:00:00+00007|
|The Practice||2004-01-01T00:00:00+0000 1996||Actor||Kevin Riley||2004-01-01T00:00:00+00007|
|The Station Agent||2003||Director||n/a||4|
|The Station Agent||2003||Screenplay||n/a||1|
|The Million Dollar Arm||2014||Screenplay||n/a||1|
|Win Win||2011||Story By||n/a||1|
|Had a recurring role on HBO's "The Wire" as Scott Templeton|
|Cast in Mike White's "Year of the Dog" starring Molly Shannon|
|Starred in the George Clooney-directed "Goodnight, and Good Luck"|
|Helmed second feature, "The Visitor"; earned a nomination from the Independent Spirit Awards for Best Director|
|Played an FBI agent opposite Matthew Broderick in the comedy "The Last Shot"|
|Played an Editor in Steven Zaillian's "All the Kings Men"|
|Had a small role as the principle in Peter Jackson's "The Lovely Bones"|
|Co-starred with Amanda Peet in Roland Emmerich's disaster film, "2012"|
|Cast in Clint Eastwood's WWII drama, "Flags of Our Fathers"|
|Directed the sports themed drama, "Win Win" starring Paul Giamatti and Amy Ryan|
|Cast as coach Kevin Riley in the FOX drama, "Boston Public"|
|Had a small role in "Meet the Parents" opposite Robert De Niro and Ben Stiller|
|First sitcom appearance, a bit part on ABC's "Spin City"|
|Had featured role in the Broadway revival of "Noises Off"|
|Contributed to the story for the animated feature, "Up"; nominated for an Oscar for Best Original Screenplay|
|Directorial debut (also scripted), "The Station Agent"|
McCarthy was born into a Roman Catholic home on Jan. 30, 1969. After graduating high school in New Providence, NJ, he attended Boston College, where he helped form the comedy improv group, My Mother's Fleabag. Started in 1980, the group consisted exclusively of BC students, though it never had any official affiliation with the school. Self-funded and self-perpetuating, the troupe performed for fun or profit in and around Boston, borrowing heavily from a bootlegged copy of The Groundling's handbook. Once he graduated from Boston College, McCarthy attended the renowned School of Drama at Yale University. He made notable stage appearances in "Noises Off" on Broadway, regional productions of Arthur Schnitzler's "La Ronde," directed by actress Joanne Woodward, and "Virgil is Still the Frogboy," by dramatist Lanford Wilson. McCarthy also performed in numerous Shakespeare productions, including "Hamlet," "The Taming of the Shrew" and "Twelfth Night."
Making the jump to television, McCarthy had landed episodes of several top shows before being cast in a regular role on the acclaimed and sometimes controversial drama, "Boston Public." McCarthy played football coach Kevin Riley, of whom one critic noted was probably the least physically intimidating coach in television history. He also appeared in a few feature films, including the comedy hit, "Meet The Parents" (2000), starring Ben Stiller and Robert De Niro, and directed by Jay Roach. It was while driving through the New Jersey countryside that McCarthy was struck by inspiration - he discovered an abandoned train depot in Newfoundland and felt it was the perfect catalyst for a movie. After a bit of research, McCarthy discovered a true American subculture, railfans, a term for a group of people obsessed with the history and culture of the American railroad. Meanwhile, McCarthy commenced directing his own play, "The Killing Act," which co-starred diminutive actor Peter Dinklage, which led to a solid friendship between the two. During a night of drinks with the actor, McCarthy noticed the attention - both good and ill - Dinklage received because of his dwarfism. He immediately saw in Dinklage the perfect actor for a feature.
With Dinklage in mind for his main character, McCarthy wrote "The Station Agent" (2003), while also crafting two supporting characters in the images of Patricia Clarkson and Bobby Cannavale. The result was the story of Finbar McBride, a man born with dwarfism who sets out to find total isolation in an abandoned rail depot, but instead finds friendship with two townspeople (Clarkson and Cannavale) in desperate need of a connection. The film screened at the 2003 Sundance Film Festival, where it raked in the Audience Award, the Waldo Salt Screenwriting Award and the Special Jury Prize for Outstanding Performance for Clarkson. The film went on to earn numerous other nominations and awards, including an Independent Spirit Award for Best New Screenplay. Though "The Station Agent" earned little by industry standards at the box office, the film nonetheless became a critical darling that year and elevated Dinklage's stature as an actor.
Back in front of the camera, McCarthy had a supporting role in Heather Graham's comedic dud "The Guru" (2003), then played an FBI agent assisting in an elaborate sting operation disguised as a movie set in order to arrest infamous mobster John Gotti in "The Last Shot" (2004). A very small role in the serpentine political thriller "Syriana" (2005) was followed by a meatier part in "The Great New Wonderful" (2006), an ensemble drama weaving five stories set in an anxious post-9/11 New York City. McCarthy played a husband struggling to keep his marriage together while coping with an increasingly difficult and strangely self-possessed 10-year-old son. In 2005, McCarthy began a streak of appearances in historical - and in some cases, Oscar-worthy - features that promised to raise the actor's profile and prestige. He appeared in George Clooney's excellent "Good Night, and Good Luck" (2005), a tense and unflinching look at CBS anchor Edward R. Murrow's lone fight against the fear-mongering of Senator Joseph McCarthy and his bullying tactics in ridding the government of supposed Communists.
After a small part as a newspaper editor in "All the King's Men" (2006), Steve Zaillian's poor attempt to readapt Robert Penn Warren's acclaimed novel, he appeared in "Flags of Our Fathers" (2006), director Clint Eastwood's World War II epic that focused on the three surviving U.S. servicemen (Ryan Phillippe, Adam Beach and Jesse Bradford) who were photographed raising the American flag during the nightmarish battle of Iwo Jima. McCarthy was the adult son of John "Doc" Bradley (Phillippe), who attempts years later to tell his father's true story; one that contradicts the heroic persona propagated by a government that used the famous picture and a sanitized storyline to sell war bonds.
Following supporting roles in "Year of the Dog" (2007) and "The Situation" (2007), McCarthy was memorable among an excellent ensemble cast during the last season of the gritty social drama, "The Wire" (HBO, 2002-08), playing a morally conflicted reporter for The Baltimore Sun who earns a Pulitzer Prize despite fabricating several stories. Back in the director's chair, he filmed his second directorial effort, "The Visitor" (2008), a comedic drama about a widower (Richard Jenkins) whose mundane existence is turned upside-down when he tries to help two illegal aliens (Haaz Sleiman and Danai Gurira) on the run from U.S. immigration authorities. After its premiere at the 2007 Toronto International Film Festival, "The Visitor" earned many enthusiastic reviews, as well as nominations at the 2008 Independent Spirit Awards, including for Best Director. He found himself in award contention once again after co-writing the story for the animated feature, "Up" (2009), with directors Pete Docter and Bob Peterson. The amusing tale of curmudgeonly elder widower, Carl Fredrickson (voiced by Edward Asner), who flies his house to South America with the aid of thousands of balloons and Russell, an unwanted stowaway (voiced by Jordan Nagai), earned widespread critical acclaim as well as almost $300 million in domestic box office, making "Up" yet another giant success for Pixar. Credited for contributing to the story, McCarthy shared an Oscar nomination for Best Original Screenplay with Docter and Peterson.
|New Providence High School|
For every great Emmy stunt, like Jimmy Fallon's delightful opening number, there's others that make us want to do the unthinkable and turn off the TV. (Ahem, Emmytones!) As we gear up for the 2012 Primetime Emmys, we look back at the show's best and worst stunts.
From classic movie palaces to the state-of-the-art IMAX screens.