Yet another in a LONG line of teenage sex comedies this one manages somehow to be fresh and appealing -- despite the formu-lay-ic premise. That’s right another horny 18 year-old boy (Josh Zuckerman) is determined to lose his virginity any way he can. Ian can’t seem to become a “man ” upstaged by a Lothario of an older brother Rex (James Marsden) and his even more successful 14 year-old younger brother. He is constantly humiliated by the giant donut costume he wears for his job at the mall and can’t even get to first base with Felicia (Amanda Crew) a girl who thinks of him only as her best friend and nothing more. With the pressure of going to college as a sexual outcast what’s a hot-to-trot young dude to do? In this case -- using encouragement from pal Lance (Clark Duke) and with Felicia along for the ride -- the threesome take off in the unsuspecting Rex’s prized Pontiac GTO for a cross-country drive Ian thinks will end with the payoff of sex with a hot blonde named Ms. Tasty (Katrina Bowden) he met on the Internet. Unfortunately the one-day outing turns into a three-day nightmare for the trio with brother Rex on their trail and friend Lance getting a little too cocksure for his own good. Oh and did we forget to mention the Amish farm they manage to work into the tour? In the obligatory Jason Biggs role Josh Zuckerman is totally winning as a sex-starved high school graduate looking desperately to tame his out-of-control libido. With sharp comic timing and no end to the ways he is willing to humiliate himself for the sake of his art Zuckerman should have a bright future. Although the casting of his friend Lance played by the pudgy Duke would seem to be an attempt to emulate the Michael Cera/Jonah Hill teaming of Superbad Duke’s go-for-the-big laughs approach feels like we are seeing this kind of goosed-up sex maniac act for the first time. As the female “best friend” Felicia Amanda Crew is very appealing and thankfully grounded in reality. Marsden is hilarious as dopey Rex who prizes his vintage GTO and his own sexual prowess even more than the love of little bro. Seth Green has some funny bits as the sarcastic Amish man who somehow seems to know how to fix hot rods. Bowden is gorgeous and devious as the Internet hottie who may not be all Ian hoped for. Special mention also to Charlie McDermott and Mark Young who as a recurring kind of geek chorus playing two inept high school girl magnets. NOT. Director and co-screenwriter (with John Morris) Sean Anders manages to infuse what could have been a stale leftover piece of American Pie with new life and that’s largely thanks to some very funny VERY raunchy situations he dreams up for these likeable and recognizable characters. The premise of a so-called Sex Drive also offers ripe opportunities in this genre and Anders gets a lot of play out of it particularly from Duke whose uninhibited acting grabs most of the big laughs. Although they crank the gross factor way up the film doesn’t lose sight that it’s mostly a coming-of-age comic look at a rite of passage most young guys -- and girls -- will identify with. Although much is predictable Sex Drive has a strong sense of what it wants to be and in the end even turns sweetly romantic something most films of this stripe rarely do.
Based on the semi-autobiographical novel by Armistead Maupin this haunting albeit slow moving mystery follows the disturbingly eerie twists and turns that unfold in the relationship between a popular late-night radio host Gabriel Noone (Robin Williams) who is in the throes of his own personal crisis and a devoted 14 year-old listener named Pete (Rory Culkin) who has written a memoir describing a terrifying childhood filled with physical and sexual abuse. What begins as a long-distance phone relationship the wounded Gabriel soon bonds with the precocious boy as a surrogate father. But things start to get dicey when Gabriel grows more and more suspicious of Pete’s overprotective adopted mother (Toni Collette). Suddenly Gabriel finds himself on a desperate quest to uncover the elusive truth on whether Pete’s stories are for real or more importantly if Pete even exists at all. Many may forget that Williams is a Julliard-trained actor. He can handle emotional range and has done so in films such as Dead Poet's Society and Good Will Hunting which won him his Oscar. Of course we still love it when he acts like a nut. In fact during certain moments in Listener when Williams is on the radio you half expect the funnyman to yell “Good Morning Vietnam!” But of course the 55 year-old Williams has obviously matured and is easily convincing as the low-key Gabriel dealing with the demise of his 10 year relationship with his lover played nicely by Bobby Cannavale (The Station Agent) as well as trying to unravel this strange mystery which grows more macabre by the minute. Matching Williams' intensity is Collette (Little Miss Sunshine) as Pete’s enigmatic mom Donna who is pretty much the center of all the creepiness. The underrated actress is one of those performers who generally throws vanity aside to dig deep and give honest portrayals no matter how twisted they are. It’s evident The Night Listener is something close to Maupin’s heart having had a similar real-life experience with his ex-partner Terry Anderson and a young devoted fan. The screenplay was adapted by the acclaimed author along with Anderson and Patrick Stettner (The Business of Strangers)—who takes the helm on this psychological thriller—so it’s no surprise how well they tap into the same nightmarish journey the bestselling page-turner takes you on. Listener explores the nature of lies and how much we are willing to believe them when in an emotional crisis. And much like a great Hitchcock thriller Stettner also keeps you on your toes by peeling away each layer the deeper Gabriel gets involved. After flying to the where Pete is suppose to live things really start to get weird until Gabriel finally asks “What the hell am I doing here?” It’s a very valid question. But that’s sort of the beauty of the film. You’re expecting any manner of bad things to happen but are surprised by the outcome nonetheless.
Ocean's Eleven made the weekend's biggest box office waves, breaking into first place with a record setting $39.3 million.
Ocean's full-speed ahead launch ended Harry Potter's three week reign, but put Warner Bros. in the enviable position of having nailed down the top two spots on the chart.
Despite Ocean's strength, ticket sales for key films -- those grossing at least $500,000 -- were only about $83 million, down marginally from this time last year despite blockbuster business for Ocean's and Harry. That decline in the marketplace was driven by sizable drops for Behind Enemy Lines, down 54 percent in its second week, and Spy Game, off 58 percent in its third week.
Between Ocean's and Harry, Warners grossed about $54 million, giving it a staggering market share of about 65 percent.
THE TOP TEN
Warner Bros. PG-13 rated casino heist dramatic comedy Ocean's Eleven opened in first place to a winning ESTIMATED $39.26 million at 3,075 theaters ($12,766 per theater).
Ocean's average per theater was the highest for any film playing in wide release this weekend.
Directed by Steven Soderbergh, Ocean's extensive cast includes George Clooney, Matt Damon, Andy Garcia, Brad Pitt and Julia Roberts.
"We're thrilled," Warner Bros. Distribution president Dan Fellman said Sunday morning. "It's the largest three day Christmas box office (gross) in motion picture history. It's the largest opening of any Christmas movie. The previous record was $33.6 million for What Women Want, which opened Dec. 15 last year.
"From a record setting point of view, it's also the largest Friday in December in history, which belonged to Scream at $12.7 million. We did $13.25 million Friday. The previous record for Saturday was What Women Want at $13.5 million. We did $15.5 million. And the biggest Sunday in the history of December was Titanic with $9.3 million and we're projecting $10.5 million."
Ocean's also set records for its many of its stars and its director. "It's the largest opening for Julia Roberts, Brad Pitt, Matt Damon and Steven Soderbergh," Fellman pointed out. "George (Clooney) was in two of our movies that opened up over the Fourth of July weekend--Batman & Robin, which did $42 million (in 1997) and The Perfect Storm, which did $41 million (in 2000)."
Moviegoers responded very well to Ocean's, Fellman added: "The good news is this film's opening exit polls scored extremely well in all (demographic) quadrants -- led by females under 25. But the composite of the audience was just slightly more female than male. The top two boxes (excellent and very good) were 85 percent, which is huge. The definite recommend was 65 percent and the norms are 50-55 percent. Young females had a 74 percent definite recommend."
Looking ahead, Fellman observed, "This is absolutely going to have a great run. We had a terrific weekend."
Warner Bros.' mega-blockbuster Harry Potter and the Sorcerer's Stone slid one slot to second place in its fourth week with a still enviable ESTIMATED $14.81 million (-37%) at 3,672 theaters (theater count unchanged; $4,032 per theater). Its cume is approximately $239.7 million, heading for the high $300 millions in domestic theaters.
Directed by Chris Columbus, Harry stars Daniel Radcliffe in its title role.
"It's nice that it's starting to stabilize itself at the moment," Warners' Fellman said. "That's a pretty good drop off of 37 percent (with other Top Ten films falling in the 40-60 percent range). The box office will continue to build as the holidays approach. I looked at Toy Story 2, which opened (via Buena Vista) on the same weekend we did a year ago. After this weekend, it had $140 million in. We have $240 million in. From this weekend on, they grossed another $105 million. Who knows where we're going? But we're going to go certainly at least in that direction. We've been out there for 24 days and we've averaged $10 million a day. Not a bad way to go!"
Reflecting on the outstanding year that Warners has enjoyed, Fellman noted, "This is the eighth film of the year that we've opened number one and it's the eleventh week that we've had a number one movie. This weekend our combined product in the marketplace represented 40 percent of all screens in North America. If you take the box office of $54 million for the top two pictures out of the Top Ten, which I have at (approximately) $82 million, you can see the domination that we had in the marketplace this weekend."
Even before Ocean's sailed into theaters, Warners ranked as the year's top distributor in terms of market share. "We passed the $1 billion barrier last week," Fellman said, "which is the second time in our company's history that we've done that. After this weekend, we will surpass our company's record of $1.06 billion and we will have an opportunity shortly to challenge the all-time box office record by a single company, which was Sony with $1.26 billion in 1997."
20th Century Fox and Davis Entertainment's PG-13 rated war drama Behind Enemy Lines got shot down in its second week, falling one peg to third place with a much slower ESTIMATED $8.11 million (-54%) at 2,884 theaters (+74 theaters; $2,852 per theater). Its cume is approximately $31.2 million.
Directed by John Moore, it stars Owen Wilson and Gene Hackman.
Buena Vista/Disney and Pixar Animation Studios' G rated computer animated feature Monsters, Inc. showed good legs in its sixth week, holding on to fourth place with a still colorful ESTIMATED $6.67 million (-27%) at 2,884 theaters (-506 theaters; $2,314 per theater). Its cume is approximately $212.5 million, heading for at least $245-250 million in domestic theaters.
To beat DreamWorks' animated blockbuster Shrek, Monsters will have to crack $268 million at this point.
Directed by Pete Docter, it was co-directed by Lee Unkrich and David Silverman and written by Andrew Stanton and Daniel Gerson.
Universal and Beacon Pictures' R rated espionage thriller Spy Game slipped two rungs to fifth place in its third week with a quieter ESTIMATED $4.58 million (-58%) at 2,770 theaters (theater count unchanged; $1,655 per theater. Its cume is approximately $54.1 million.
Directed by Tony Scott and produced by Douglas Wick and Marc Abraham, it stars Robert Redford and Brad Pitt.
20th Century Fox's PG-13 rated urban appeal comedy Black Knight dropped one peg to sixth place in its third week with a calm ESTIMATED $3.25 million (-41%) at 2,233 theaters (-301 theaters; $1,455 per theater). Its cume is approximately $27.2 million, heading for the mid-$30 millions in domestic theaters.
Directed by Gil Junger, it stars Martin Lawrence.
20th Century Fox's PG-13 rated romantic comedy Shallow Hal fell one rung to seventh place in its fifth week with a dull ESTIMATED $2.55 million (-44%) at 2,218 theaters (-210 theaters; $1,150 per theater). Its cume is approximately $64.8 million, heading for $70 million-plus in domestic theaters.
Directed by Bobby Farrelly and Peter Farrelly, it stars Gwyneth Paltrow and Jack Black.
Buena Vista/Touchstone and Spyglass Entertainment's PG-13 snowboarding adventure Out Cold fell one notch to eighth place with a cold-as-ice ESTIMATED $1.4 million (-48%) at 1.651 theaters (-360 theaters; $860 per theater). Its cume is approximately $12.3 million.
Directed by The Malloys, it stars Jason London, Willie Garson and Lee Majors.
Miramax Zoe Films' R rated French comedy Amélie held on to ninth place in its sixth week, holding well with a jolly ESTIMATED $1.1 million (-19%) at 221 theaters (+3 theaters; $4,975 per theater. Its cume is approximately $11.4 million.
Directed by Jean-Pierre Jeunet, it stars Audrey Tautou.
Rounding out the Top Ten was Paramount's PG-13 rated thriller Domestic Disturbance, down two slots in its sixth week with a calm ESTIMATED $0.95 million (-50%) at 1,471 theaters (-379 theaters; $646 per theater). Its cume is approximately $43.8 million, heading for $45 million.
Directed by Harold Becker, it stars John Travolta.
This weekend also saw the platform release of IFC Films' R rated drama The Business Of Strangers to an encouraging ESTIMATED $0.077 million at 8 theaters ($9,654 per theater).
Written and directed by Patrick Stettner, it stars Stockard Channing and Julia Stiles.
Miramax's PG rated Iranian drama Baran opened an Oscar qualifying run with an okay ESTIMATED $0.019 million at 2 theaters ($9,500 per theater).
Written and directed by Majid Majidi, the film about "an Afghan woman who defied the odds" won the best picture award at the Montreal Film Festival and the National Board of Review's Freedom of Expression Award.
United Artists' R rated Bosnian war drama No Man's Land, an MGM release, opened to a promising ESTIMATED $0.023 million at 2 theaters in New York ($11,500 per theater).
Written and directed by Danis Tanovic, it won the best screenplay award in Cannes last May and was a hit at the Telluride and Toronto film festivals. Land is Bosnia's first official Oscar entry.
Land opens Friday (Dec. 14) in Los Angeles, moves into the remaining eight top domestic markets Dec. 21 and will go broader after that.
There were no national sneak previews this weekend.
On the expansion front this weekend saw New Line Cinema go wider in its seventh week with its R rated drama Life As A House with an unexciting ESTIMATED $0.63 million (-43%) at 1,068 theaters (+118 theaters; $585 per theater). Its cume is approximately $14.8 million.
Directed by Irwin Winkler, it stars Kevin Kline and Kristin Scott Thomas.
USA Films' R rated black and white drama The Man Who Wasn't There went wider in its sixth week with a quiet ESTIMATED $0.39 million at 259 theaters (+12 theaters; $1,490 per theater). Its cume is approximately $6.0 million.
Directed by Joel Coen and written by Joel Coen and Ethan Coen, it stars Billy Bob Thornton and Frances McDormand.
Paramount Classics' R rated romantic comedy Sidewalks of New York widened in its third week to a poor ESTIMATED $0.3 million at 224 theaters (+17 theaters; $1,340 per theater). Its cume is approximately $1.9 million.
Written and directed by Edward Burns, it stars Edward Burns, Rosario Dawson, Dennis Farina and Heather Graham.
Artisan Entertainment's R rated dark comedy Novocaine expanded in its fourth week to a weak ESTIMATED $0.12 million at 164 theaters (+19 theaters; $750 per theater). Its cume is approximately $1.5 million.
Directed by David Atkins, it stars Steve Martin, Helena Bonham Carter and Laura Dern.
Alcon Entertainment's R rated period piece drama The Affair of the Necklace, released through Warner Bros., widened in its second week with an uneventful ESTIMATED $0.095 million at 40 theaters (+22 theaters; $2,375 per theater). Its cume is approximately $0.3 million.
Directed by Charles Shyer, it stars Hilary Swank.
Miramax's R rated drama In the Bedroom added a theater in its third week with a still attractive ESTIMATED $0.080 million (-19%) at 6 theaters (+1 theater; $13,300 per theater).Its cume is approximately $0.37 million.
Directed by Todd Field, it stars Sissy Spacek, Tom Wilkinson, Nick Stahl and Marisa Tomei.
In the Bedroom expands on Christmas Day to the top 20 markets.
Universal's international division reported that American Pie 2 "had outstanding openings in Australia and Spain this weekend."
In Australia, Pie 2 grossed $2.2 million on 216 screens. It's opening day was the tenth biggest opening day in Australian history and UIP's fourth biggest ever opening day. Universal said that last Thursday and Friday Pie 2 was the market's number one film, ahead of week two of Harry Potter. Saturday saw Harry take over the top spot, but only running about 12 percent ahead of Pie 2, which is now well positioned to enjoy a very successful run Down Under.
In Spain, Pie 2 also got off to a strong start, opening last Wednesday to capitalize on Thursday being a holiday there. Its cume after four days is a strong $2.3 million on 255 playdates, putting it 103 percent ahead of Jurassic Park III and 21 percent ahead of The Mummy Returns.
Universal said that Pie 2's international cume to date is $112 million with nine countries still to open, including Argentina, Brazil and Mexico.
Key films--those grossing more than $500,000--took in approximately $83.3 million, down a marginal 0.25 per cent from the comparable weekend last year when key films grossed $83.5 million.
This weekend's key film gross was down about 2.45 percent from $85.4 million for the previous weekend of this year.
Last year, Universal's fourth week of Dr. Seuss' How The Grinch Stole Christmas was first with $18.65 million at 3,182 theaters ($5,860 per theater); and Sony's first week of Vertical Limit was second with $15.51 million at 2,307 theaters ($6,722 per theater). The top two films one year ago grossed $34.1 million. This year, the top two films grossed an ESTIMATED $54.1 million.
Besides the elbow-rubbing and power mongering, let's not forget that the Sundance Film Festival is also about the films.
With that in mind, the annual indie film fest announced today its partial list of films for the 2001 powwow.
The lineup for three categories -- dramas, documentaries and the American Spectrum -- have thus far been announced, and other areas such as premiere, international films and short films will be announced Wednesday.
Films at the festival only compete in the dramatic and documentary categories. Top films coming out of Sundance in previous years include Ed Burns' "The Brothers McMullen" and last year's "Girlfight" from director Karyn Kusama.
The Sundance Film Festival takes place Jan. 18-28 in Park City, Utah.
In the meantime, here's the complete list of Sundance films in competition and in the American Spectrum.
"30 Years to Life," directed by Vanessa Middleton "American Astronaut," directed by Cory McAbee "The Believer," directed by Henry Bean "The Business of Strangers," directed by Patrick Stettner "The Deep End," directed by Scott McGehee & David Siegel "Donnie Darko," directed by Richard Kelly "Green Dragon," directed by Timothy Linh Bui "Hedwig and the Angry Inch," directed by John Cameron Mitchell "In the Bedroom," directed by Todd Field "L.I.E.," directed by Michael Cuesta "Lift," directed by DeMane Davis & Khari Streeter "MacArthur Park," directed by Billy Wirth "Memento," directed by Christopher Nolan "Scotland, PA," directed by Billy Morrissette "The Sleepy Time Gal," directed by Christopher Munch "Some Body," directed by Henry Barrial
"Chain Camera," directed by Kirby Dick "Children Underground," directed by Edet Belzberg "Dogtown and the Z-Boys," directed by Stacy Peralta "The Endurance: Shackleton's Legendary Antarctic," directed by George Butler "Go Tigers!" directed by Kenneth A. Carlson "Home Movie," directed by Chris Smith "Lalee's Kin: The Legacy of Cotton," directed by Susan Froemke, Deborah Dickson with "Albert Maysles Marcus Garvey: Look for Me in the Whirlwind," directed by Stanley Nelson "The Natural History of the Chicken," directed by Mark Lewis "Ralph Bunche: An American Odyssey," directed by William Greaves "Scout's Honor," directed by Tom Shepard "Scratch," directed by Doug Pray "Southern Comfort," directed by Kate Davis "Startup.com," directed by Chris Hegedus & Jehane Noujaim "Trembling Before G-D," directed by Sandi Simcha Dubowski "An Unfinished Symphony," directed by Bestor Cram & Mike Majoro
"Acts of Worship," directed by Rosemary Rodriguez "After Image," directed by Robert Manganelli "Dancing in September," directed by Reggie Rock Bythewood "Diary of a City Priest," directed by Eugene Martin "The Doe Boy," directed by Randy Redroad "Haiku Tunnel," directed by Jacob Kornbluth & Josh Kornbluth "Invisible Revolution," directed by Beverly Peterson "Jump Tomorrow," directed by Joel Hopkins "Manic," directed by Jordan Melamed "Margarita Happy Hour," directed by Ilya Chaiken "Miss Wonton," directed by Meng Ong "Raw Deal: A Question of Consent," directed by Billy Corben "Roof to Roof," directed by Ara Corbett "Women in Film," directed by Bruce Wagner "Tape," directed by Richard Linklater "Wet Hot American Summer," directed by David Wain.