Out of IMDb's Top Fifty Westerns of all time, only five of the ranked movies were made after the year 1990. Kind of amazing, considering the genre was one of America's staples back in the early half of the 1900s, capable of spitting out a few dozen titles in a single year. But either audiences lost interest or Westerns lost their luster, as these days, the horse-riding, pistol-toting adventures only make their way into theaters when they're mixed with "blockbuster friendly" genres (Cowboys & Aliens, Rango, Jonah Hex) or directed by auteurs with Oscar potential (The Coen Bros' True Grit).
But thanks to the world of independent film, the spirit of the Western is being kept alive—and, frankly, it might be the best way to do it.
Limiting the scope is what makes Blackthorn—a new film out now on VOD and in theaters October 7—a compelling, tension-filled Western. Forget large-scale set pieces—this isn't 3:10 to Yuma or any of the other action-driven cowboy stories of late. Instead, Blackthorn unfolds a character-driven quest across a sprawling backdrop, centered on one of the more infamous bandits in history: Butch Cassidy (played by rugged writing/acting legend Sam Shepard). The movie follows Cassidy—now living under the alias Blackthorn—as he wraps up a twenty-year stint in Bolivia and prepares for his journey back to America. With a horse, a gun and his life savings in hand, Cassidy makes his way across the Bolivian desert, a journey rudely interrupted by an on-the-run criminal, Eduardo (Eduardo Noriega). After a brief skirmish, Cassidy's horse runs off, leaving the two warring men to work together for survival.
Westerns are at their most familiar (and often cartoonish) when they let the plot do the talking. How many times can we really watch X rescue Y so he can Z without having an ounce of emotion invested in the scenario? Blackthorn rectifies the issue, not by conjuring up a crazy, never-before-seen plot, but by filling it with characters we care about. Whether intended or not, it plays like a spiritual sequel to the classic Butch Cassidy and the Sundance Kid, including some flashback scenes starring a young Butch (courtesy of Game of Thrones actor Nikolaj Coster-Waldau).
What really transforms Blackthorn into a fresh take on an archetypical story is Shepard's Cassidy, a man burdened by his outlaw past. Through Shepard's weathered exterior, we understand Cassidy seeks redemption—which he believes will come after reuniting with The Sundance Kid's son. Blackthorn is at the end of is life and with only one goal, so while he's OK taking the life of anyone that stand's in the way of his mission (and, boy, does he do so), he's also accepting and warm to those who may have crossed him. He befriends Eduardo and contemplates the life pursuit of his lawmen hunter Mackinley (Stephen Rea). He reflects on the memories of his past that continue to haunt him, all while crossing the dangerous landscapes of Bolivia and escaping enemy fire.
Director Mateo Gil, writer of Abre Los Ojos (the original Vanilla Sky) and Oscar-nominee The Sea Inside, sets his film in a lush, unique setting and puts all his chips on Shepard. The gamble revitalizes the genre. Whereas HBO's Deadwood didn't feel anything like Stagecoach, Blackthorn's gritty, intimate tale maintains the most important part of the Western: the soul.
In the new film Blackthorn, director Mateo Gil ponders what might have happened if Butch Cassidy didn't die in a hale of bullets at San Vincente. Magnolia today released a new trailer for the film, which stars Sam Shepard in the role made famous by Paul Newman:
Blackthorn co-stars Eduardo Noriega and Stephen Rea. The film debuts on VOD on October 2 and in theaters on October 7.
Check out our Paul Newman gallery:
The late actor played the real life outlaw opposite Robert Redford in the Oscar-winning movie, which appeared to show both of their characters die in the final shoot-out.
But movie bosses are reviving Newman's Cassidy character for a sequel, which will show the gun-toting cowboy as an old man, played by Sam Shephard.
The follow-up, titled Blackthorn, will pick up the story several years after the end of the first film and will follow Cassidy's attempts to pull off one last robbery.
Oscar-winning writer/director Mateo Gil will tackle the project and admits he's delighted to be reviving his favourite movie genre - the Western. He says in a statement, "One of the things that I like best about Westerns is that it's a truly moral genre. The characters face life and death and other very important matters (freedom, commitment and loyalty, courage, treachery). It's a genre that helps us look at our own life and find a way to face it."
David Ames (Tom Cruise) lives a charmed life the ultimate golden boy. He's got looks charisma and money--lots of money. David has inherited a multimillion-dollar publishing business from his late father and he could care less about it. He has women buzzing around him like flies including one actress Julie Gianni (Cameron Diaz) who has more than a crush on him. One fateful night David meets the girl of his dreams Sofia (Penelope Cruz) and has an amazing all-nighter with her where she tells him profound things like "Every minute that passes is an opportunity to turn things around." David finally understands what it means to fall in love and to commit but then abruptly his luck runs out. In the morning David flushed with exhilaration as he leaves Sofia's apartment makes a near-fatal mistake: he gets into a car with Julie who has been following him to smooth things out with her. In one tragic moment his whole life radically changes. He desperately tries to piece things together to get Sofia back but the more he tries the stranger the circumstances become around him especially when he's accused of murder. Soon he's not sure whether what's happening to him is a dream or reality.
Cruise is a great actor when given the right material. His performances in movies such as Born on the Fourth of July and Magnolia show that Cruise has the acting chops to dig in and make it work. Unfortunately Vanilla Sky wasn't the right vehicle for him. Cruise is actually somewhat compelling as the superficial rich guy who falls in love and then deals with his tragic deformity but his performance falls apart halfway through the film as the character spirals into his own private abyss. His co-star Cruz who played the same character in the 1997 Spanish film on which Sky is based Abre Los Ojos is truly a beauty on screen but the chemistry between the two was pretty tame. Somehow Sofia's transition into the English-speaking world lacks passion. In fact the only time Sofia is truly passionate is when she yells at David in Spanish. Diaz does a serviceable job playing the stalker Julie but doesn't really have much screen time. Even the usually good Jason Lee as David's best friend seems wasted. Only Kurt Russell's supporting turn as David's prison therapist hangs together and rings true.
It's painfully obvious writer/director Cameron Crowe did not make this movie from his heart like his other films. Instead he adapted the material from Abre Los Ojos a film about the world of casual sex and young adults taking responsibility for their actions and turned it into this convoluted mess. Sky starts with some promise as Cruise's shallow playboy deals with the increasingly wacky Julie and then falls in love with the beautiful Sofia. The long night David and Sofia spend together is filled with sexual energy (more from their banter though than any real sparks between the actors) and the characters seem alive--just the stuff Crowe thrives on. Even the pain David first goes through after the accident is moving. The wonderful thing about Crowe is he can really write unbelievable dialogue. Sofia has one of the best lines to describe Julie as she watches her pine after David: "She's the saddest girl I've ever seen holding a martini glass." Yet it is clear that if Crowe doesn't feel it in his bones the movie falls flat. Once Sky moves off into the surreal halfway through Crowe loses his touch and you're left scratching your head saying "Huh?"