Miley Cyrus is attached to an adaptation of Lisa McMann's young-adult paranormal thriller novel Wake, the Risky Business blog reports.
Paramount Pictures and MTV Films are picking up film rights to the property. Christopher Landon will adapt the book for the screen.
Ellen Goldsmith-Vein and Lindsay Williams are producing along with Jodi Zuckerman and Tish Cyrus of Hope Town Entertainment and Steven Schneider and Jason Blum.
Says BIZ, Wake is the first of three novels written by McMann about a 17-year-old girl named Janie with the unwanted ability to become sucked into people's dreams. When she gets pulled into a terrible nightmare, Janie dangerously goes from mere witness to participant.
Paramount and MTV Films are taking rights to the entire book series with a view to a franchise.
Cyrus' ultimate commitment to Wake rests on the finished script.
February 22, 2010 4:32am EST
Lionsgate has won the bidding for Shawn Christensen's script Abduction, which has Taylor Lautner attached.
Deadline.com reports the screenplay sold for nearly $1 million in a sluggish spec script market. Lautner's Tailor Made production company is producing as an equal partner with Vertigo Entertainment's Roy Lee and The Gotham Group.
The project was developed on spec by Gotham and Vertigo.
Lionsgate will reportedly hurry to select a director and get a script polish in order to meet Lautner's July availability, or Tailor Made will still produce but hire another actor for the lead.
The script has Lautner playing a teen who has long felt disconnected from his parents. When he figures out why, it unleashes a chain of violent events and enters Bourne territory.
Producers include Gotham Group's Ellen Goldsmith-Vein and Lee Stollman, Lee and Doug Davison and Tailor Made's Dan Lautner. Gotham Group's Bell and Vertigo's Gabriel Mason are exec producing, says Variety.
It can’t just ALL be about a boy wizard named Harry Potter. There have to be other fantasy-driven stories grounded in reality that are just as exciting. And so there is: The Spiderwick Chronicles a series of short books by Tony DiTerlizzi and Holly Black which tells us about the magical creatures who live around us but who remain invisible so we humans won’t freak out. Probably a wise choice for most but there are a few who want to see the creatures. One such person is Arthur Spiderwick (David Strathairn) a turn-of-the-century naturalist who has witnessed the likes of sprites goblins hobgoblins ogres and trolls at work. He has documented their secrets and habits in his Field Guide--a book that if placed in the wrong hands could make some fantastical beast maliciously omnipotent. Jump ahead some 80 years when we meet Spiderwick’s descendents the Grace family who have moved into his dilapidated house in the woods. Newly divorced mom Helen (Mary-Louise Parker) has uprooted her kids--teenage Mallory (Sarah Bolger) and twins Jared and Simon (both Freddie Highmore)--to start a new life with Jared being the one protesting the loudest. That is until he finds Spiderwick’s field guide and quite literally opens Pandora’s box giving evil ogre Mulgarath (Nick Nolte) who has desperately wanted the book since its inception the window of opportunity he’s been waiting for. The Grace kids have to band together--with a few otherworldly allies of course--to protect the book at all costs. Although Highmore (Charlie and the Chocolate Factory) struggles at times with the American accent the young British lad continues to prove his worthiness in the acting department--and joins the ranks of playing twins onscreen that dates back to Patty Duke on The Patty Duke Show (yes they were just cousins but they were identical cousins). Highmore does a nice job distinguishing between the two boys but he seems to have the most fun playing Jared. And rightly so since Jared is the true hero of the story. He is deeply wounded by his parents’ divorce blaming his mother for it all but in discovering this magical and dangerous world that goes way beyond his personal problems he quickly snaps to it. Bolger (In America) too takes her clichéd older-sister-who-knows-everything role and freshens it up adding a fierce determination to protect her family--with an expressive face that makes her very watchable. The adult cast isn’t nearly as important but they all fit in nicely especially Joan Plowright as Great Aunt Lucinda Spiderwick’s 80-something daughter who saw her father taken away by sylphs the keepers of the faeries’ secrets when she was 6 and has been trying to explain it ever since. Then there are the voices of some of the creatures the Graces meet including Martin Short as the ever-faithful house brownie Thimbletack; Seth Rogen as the hobgoblin Hogsqueal a piggish and friendly fellow whose spit in the eye gives you the Sight; and Nolte as the horrible villainous Mulgarath. OK all those who believe in faeries raise your hand! The Spiderwick Chronicles is just the kind of story that gets an imaginative kid to run out to the garden to start looking for sprites and director Mark Waters inherently understands this. Better known for his comedies such as Mean Girls and Freaky Friday Waters nonetheless grabs hold of the Spiderwick’s mythology and firmly plants it in reality with normal modern kids encountering a whole magical realm. Taking from the illustrations of co-author Tony DiTerlizzi Waters also gives us new versions of magical creatures we’ve read about for ages. Goblins for example look like giant frogs and act like attack dogs in this film as opposed to the more civilized view of them in the Harry Potter books--and goblins in Spiderwick can be killed by tomato sauce which melts them. Nice touch. Trolls too aren’t great big lumbering fellows but more dinosaur-like in Spiderwick. And let’s just say ogre Mulgarath looks nothing like Shrek but more so a devilish creature with yellow eyes and great big horns. Spiderwick is indeed scary at times maybe too scary for the younger kids but the action sequences and chase scenes are thrilling enough to keep everyone else’s attention.