|Le Grand cirque||1988||Director||n/a||4|
|Inside Llewyn Davis||2013||Director of Photography||Director Of Photography / Camera Operator||1|
|Marie, Nonna, la vierge et moi||2000||Director of Photography||n/a||1|
|Dark Shadows||2012||Director of Photography||n/a||1|
|Faust||2013||Director of Photography||n/a||1|
|Big Eyes||2014||Director of Photography||n/a||1|
|Across the Universe||2007||Director of Photography||n/a||1|
|Paris, I Love You||2007||Director of Photography||("Tuileries")||1|
|Harry Potter and the Half-Blood Prince||2009||Director of Photography||n/a||1|
|Infamous||2006||Director of Photography||n/a||1|
|A Very Long Engagement||2004||Director of Photography||n/a||1|
|Le Grand cirque||1988||Director of Photography||n/a||1|
|Amélie||2001||Director of Photography||n/a||1|
|Not For or Against||2003||Director of Photography||n/a||1|
|The Cat's Meow||2002||Director of Photography||n/a||1|
|Tout le Monde n'a pas eu la Chance d'Avoir des Parents Communistes||1993||Director of Photography||n/a||1|
|Asked by Cohn Brothers to be Director of Cinemetography for "Inside Llewyn Davis"|
|Worked as main cinematographer for director Jean-Piere Jeanot on "Amelie"|
|Director of Photography for Harry Potter and the Half-Blood Prince|
|"I don’t consider myself an artist – I wouldn’t dare say that – but I ask some of the same questions as a painter," he explains. "It’s not about the technique. We are good technicians or bad technicians. When you go to an exhibition and you stand in front of a painting, you have a feeling. You might like or dislike it without knowing exactly why. Think of an abstract painter like Mark Rothko. Sometimes it’s only squares and rectangles of color. But we feel something – enthusiasm, sadness, happiness. It’s amazing that he could achieve this with only squares of color. "That’s what I’m looking for in a movie," continues Delbonnel. "I’m far from being as brilliant as Mark Rothko. But I think that’s a good way to approach a script." - from InCamera online magazine from Kodak. Read more: http://motion.kodak.com/motion/Publications/InCamera/Hazy_Shade_of_Winter_Bruno_Delbonnel_ASC_AFC_Frames_Inside_Llewyn_Davis.htm#ixzz2wNF4f6Tn|
|"Every time I try to find an idea which I can follow through the whole move, which is a feeling. It's not a look. I'm not interesting in look. It's really a feeling. What is the feeling of this movie, which is my own personal feeling, my own interpretation of this movie?" - from hitfix.com interview|
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