WHAT IT’S ABOUT?
When all-American girl Susan Murphy is inadvertently hit by a falling meteor on her wedding day she grows to be nearly 50 feet tall. The U.S. military gets wind of this renames her Ginormica and locks her away with a slacker group of other “monsters” in a top-secret compound. But when a mysterious alien robot lands on Earth and begins wreaking havoc these good-hearted but inept creatures are called into action by the President and must band together as a team to save the world from certain catastrophe.
WHO’S IN IT?
As usual Dreamworks has assembled a stellar A-list voice cast led by Reese Witherspoon as Susan/Ginormica. Playing one of the rare female animated heroes Witherspoon’s sweet/confused demeanor — in light of her highly unusual status as a fearsome freakazoid — hits just the right tone generously letting her zanier colleagues steal scenes from right under her (a long way down by the way). Chief among these are a not-so-bright gelatinous blue mass named B.O.B. hilariously voiced by Seth Rogen; the genius Dr. Cockroach Ph.D in the capable hands of House doc Hugh Laurie; and Will Arnett’s half-ape half-fish The Missing Link. In the human roles there’s Stephen Colbert as the idiotic U.S. President Kiefer Sutherland as the monster’s prison guardian Paul Rudd as the ego-driven weatherman fiancé of Susan; and a deliciously villainous Rainn Wilson as Galaxhar the alien determined to take over Earth.
Superb 3-D effects aren’t overdone and add immeasurably to the ginormous fun of the film but even seeing it in theaters that only show it in regular 2-D doesn’t spoil the pure joy of this cartoonish War of the Worlds. Throw in parodies of every cheap '50s sci-fi movie you can think of and you have the ingredients for a silly monster mash sure to appeal to just about anyone who wants to laugh. Despite the impressive production elements it’s the smart and clever script that really sets it apart from its competitors — and that even includes the similar Monsters Inc. from Pixar.
Like any kid-oriented comic ‘toon today the action can be a bit too frenetic and Monsters vs. Aliens piles a lot of it on in its trim 95 minutes. Still the lovable characters carry the day and somehow make it all palatable.
When Susan now Ginormica brings her new friends home to meet her parents chaos ensues and so do the laughs. Also impressive are the large action scenes that make fine use of CGI animation breakthroughs.
BEST SUPPORTING BLOB:
It's easily the one-eyed lame-brained blue lug of a people hugger named B.O.B. perfectly matched to the talents of Rogen. He rolls away with the movie and inevitably the merchandise tie-ins.
This long-delayed fantasy film touted as the most expensive film in South Korean history is some kind of mess. As the title implies dragons do go to war--but the real casualty of this endeavor is the patience of even the most undiscriminating viewer. Here is a movie absolutely overstuffed with exposition and backstory but none of it adds up to anything remotely cohesive or comprehensible. An ancient prophecy about Korean serpents becoming dragons and laying waste to the world is about to come true--some 500 years after it first came to pass. Pressed into service to save the world (or a computer-generated facsimile thereof) are a young TV reporter (Jason Behr) and a girl named Sarah (Amanda Brooks) both of whom are destined to play a pivotal part in the ultimate salvation--or destruction--of mankind. It’s only a matter of time before downtown Los Angeles becomes a war zone. Both Behr and Brooks play their roles with absolute conviction. Unfortunately in this unintentionally outrageous context they come off as laughably stiff as a result. Their obligatory onscreen romance comes off as just that--obligatory. If they’re humanity’s last hope then we’re in big trouble. Chris Mulkey and Elizabeth Pena turn up as FBI agents. Nice to see them getting work but it would be even nicer if they--being the talented actors they are--were given something anything to do. By default Robert Forster comes off best as Jack a wise antiques dealer who definitely has a vested interested in the fantastic goings-on. It’s a stock role and not a particularly good one loaded with senseless dialogue. But Forster manages unlike his co-stars to inject just a little bit of humanity and humor into the proceedings. Writer/director Hyung-rae Shim relies totally and wholly on CGI effects to tell the story but because the story is so unabashedly stupid that reliance comes off as seriously misguided. Dragon Wars is not remotely credible even by fantasy-film standards and it’s not fun enough to encourage audiences to suspend disbelief. There’s never a sense of wonderment or fun and that’s deadly in a film like this. As befits the filmmaker behind such a one-dimensional a film Shim is basically a traffic cop. The actors go here. The effects go here. And despite the endless CGI effects the rest of the cinematography is murky and dark. Dragon Wars (or D-War as it was originally known) does qualify as a movie: It has a beginning a middle and an end--and all of them are useless.