WENN/Chris JepsonThose eleven artists who will walk away from London's The Roundhouse empty-handed on Wednesday night shouldn't feel too disheartened as while the Mercury Prize remains arguably the most prestigious award in British music, it's by no means a guarantee for a long-lasting career. Indeed, although the likes of Arctic Monkeys, Dizzee Rascal and two-time winner PJ Harvey have only gone from strength to strength since picking up the £20,000 cheque, the history of the ceremony is littered with artists who disappeared off everyone's radar virtually the moment their name was read out. Here's a look at five forgotten recipients.Roni SizeInstrumental in drum 'n' bass' mainstream breakthrough, Roni Size's win over Radiohead's OK Computer and The Prodigy's The Fat Of The Land with his 1997 debut, New Forms, may have come as a shock but certainly wasn't undeserved. However, the dreadlocked producer then appeared to scurry back into the underground almost as quickly as he'd escaped from it. Talvin SinghArguably the most leftfield winner, Talvin Singh's re-interpretation of Indian classical music on 1999's OK beat the likes of Blur's 13 and The Chemical Brothers' Surrender to the prize. A William Orbit-esque career path appeared to await when Madonna recruited the tabla player for 2000's Music but his contribution only appeared as a Japanese bonus track and his subsequent releases sank without trace.Ms DynamiteHailed as the voice of her generation, Ms Dynamite's blend of hip-hop, R&B and socially-conscious lyrics enamoured the judges enough to award her inventive debut, A Little Deeper, the prize back in 2002. However, preachy 2005 follow-up Judgement Days forgot to include any semblance of a tune, while her peace-loving reputation took a bit of a battering a year later when she pleaded guilty to punching a male police officer.KlaxonsThe leading figures of the mid-'00s nu-rave scene, The Klaxons triumphed over Amy Winehouse's Back To Black in 2007 with their trippy debut, Myths Of The Near Future. But originally rejected by their label for being too experimental, second album Surfing The Void was released to near total apathy in 2010.Speech DebellePerhaps the reason for the panel's play-it-safe approach in recent years, Speech Debelle was a virtual unknown before she was unexpectedly handed the prize ahead of Florence + The Machine and La Roux with 2009's Speech Therapy. Responsible for the lowest-selling Mercury Prize winning album ever (just 15,000 copies), she still remains a virtual unknown.
Holy crap, you guys. I don't know how it happened or why this is real life but, somehow, John Stamos has turned 50 years old. When you actually stop and do the math, this makes sense: Full House went off the air in 1995, 18 years ago (!!), at which time Stamos would have been a perfectly crushable 32 years old. Man, there's nothing like a childhood crush aging to make you feel like an old lady.
To celebrate his journey over the hill, Stamos rounded up some of San Francisco's finest. No, not Rice-a-Roni, the cast of Full House (duh!). Former co-stars Bob Saget, Lori Loughlin, Candace Cameron Bure, and — wait for it — the elusive Ashley Olsen made appearances at Uncle Jesse's bash. And we've got the pics to prove it.
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Things are going very badly over at ABC, where they haven't been able to launch any of their mid-season shows into the stratosphere (who on this earth ever thought that their only hit this season would be alien schlockfest The Neighbors). On Sunday night, the show debuted to only 6.9 million viewers and a sad 1.4 rating in the 18-to-49 demographic that advertisers crave like San Franciscans crave Rice-A-Roni. It didn't get much help in its two-hour debut from lead in Once Upon a Time, which hit a series low of 7.2 million.
RELATED: Zero Hour Cancelled After Three Episodes
That is 40% lower than the premiere of the ill-fated GCB ("Good Christian Biatches" for those who don't remember their abbreviations) and on par with the debut of Zero Hour a few weeks ago. At the time Zero Hour (named after the number of viewers the show had and the length of the progam) was the lowest in-season series debut in the network's history. At least this misery now has company. But not for much longer; Zero Hour was canceled after three episodes. I have a feeling our Red Widow is going to be weeping before the month is out as well.
Follow Brian Moylan on Twitter @BrianJMoylan
[Photo Credit: ABC]
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Sandler is arguably one of the smartest movie moguls in Hollywood. As a writer/star/producer he knows exactly who his audience is and gives them exactly what they want and expect--for better or worse. In this case it’s slightly better than most. He is Zohan a super-skilled super-buff--and many times super-naked--Israeli Mossad agent who can stop the bad guys with one swift kick and woo the ladies with his amazing butt muscles. But he’s tired of fighting and secretly wants to be a hair stylist so he fakes his death and heads to New York under the alias “Scrappy Coco” to live out his dream. Of course his past catches up with him especially after he gets a job at a salon run by the beautiful Dalia (Emmanuelle Chriqui) who also happens to be Palestinian. No matter he is soon a huge success with the older lady clientele for his er unique sensual hairstyling techniques if you get my meaning. But Zohan’s past eventually catches up to him just as he realizes he can’t make the “bang boom” with anyone else but Dalia. Adam Sandler can just add Zohan to his repertoire. Actually it’s been awhile since we’ve seen Sandler play someone this over-the-top--and it’s kind of refreshing. The actor obviously had to really work out to get the Zohan physique and he puts himself out there quite literally in more ways than one. (Disco dancing while barbequing fish in the nude is gutsy!) Sandler also enlists the help of some of his cronies particularly Rob Schneider who plays a Palestinian cab driver of all things. Nah that shouldn’t piss off anyone. Chriqui from HBO’s Entourage is very cute and a worthy love interest but it’s really all the older ladies who get the true benefits of Zohan’s mojo including Lainie Kazan playing the mother of one of Zohan’s friends. And then there’s John Turturro who sheds all seriousness as a known terrorist and Zohan’s nemesis The Phantom. I guess after he did Transformers Turturro figures he can keep up the silly antics. Sandler also teams up once again with his old director pal Dennis Dugan--the same guy who has guided Sandler in his hit comedies Big Daddy and Happy Gilmore. Obviously it’s a synergy that works but Dugan usually doesn’t have to do much more than point the camera. With Zohan however Dugan has to incorporate some special effects (Zohan flying through the air for example) as well as some action stunts. It looks like they had more fun this time around. But of course with any Sandler movie it’s all about the comedy so Sandler doesn’t hedge any bets collaborating with another old friend and SNL alum Robert Smigel along with the master of comedy these days Judd Apatow. Zohan has many signature Sandler moments and true-blue fans should be pleased. If you’re not a fan however you might still enjoy some of it--even if you roll your eyes.
It’s the story of America's youth. It's the story of outcasts who band
together with the beat serving as their common bond in a "communal
experience." It's the story of tireless rave scenesters savvy promoters
and idealistic artists. If you're part of the scene you'll see all the
familiar phenoms and faces; if you're over 30 and don't have a clue
this is a good intro course to the techno world and from now on you'll
be able to love or hate this music with a more informed opinion.
Who the hell are all these people with names such as Frankie Bones DJ
Spooky Loop Guru Moby Scanner and so on? They're the DJs and computer
nerds who make those booming beats on their Macs and turntables and
some of their stories are pretty fascinating. With their do-it-yourself
ethic and their quest to create a new music art form these folks
actually come off as real human beings (like the guy who got into
deejaying by spinning his dead father's record collection).
If you've ever been to a rave you know that there are a few
fundamentals: A darkened empty building (usually a warehouse); loud
thumping and incessant music; weird lights and images streaming across
the walls; and of course the DJ. Director Jon Reiss who used to make
videos for Nine Inch Nails brings the party to the screen without
polishing the grit to an MTV-style gloss. See it in a theater with good