Later this summer Chris Evans will become a legitimate leading man with a little movie called Captain America: The First Avenger. However before he goes all star-spangled he’s headlining a wonderful independent film called Puncture in which he plays a troubled but talented Texas personal injury lawyer fighting the good fight in a world gone greedy.
Directed by Mark (who co-stars as Paul Danziger) and Adam Kassen this dramatization of a true story follows Mike Weiss (Evans) a functioning drug addict and crusading do-gooder who stumbles upon a major case-within-a-case while checking in with Vicky (Vinessa Shaw) a client and former nurse who contracted HIV after being accidentally pricked by a dirty needle on the job. She tells him and his partner Paul about her family friend Jeffrey Dancourt who has developed and produced a “Safety Point” syringe that retracts and locks into place after being used so that it can’t be repurposed or reused. The product could save millions of lives across the country but the domineering Healthcare Group Purchasing Organizations consider it too costly for mass implementation. The fight to inform America’s healthcare workers of the existence of Safety Point and to get these secure syringes flowing through U.S. hospitals is what Puncture is all about.
Well that’s almost what it’s all about. Writer Chris Lopata balances the narrative by focusing much of his script on Weiss struggling with his inner demons which are plentiful. A good lawyer who’d go to the grave fighting for the right cause he’s also a hard-partying cocksure womanizer who’ll do any drug on the table (an oxymoronic set of vices considering his commitment to his career and clients.) Whether this behavior is meant to turn the audience on to or off of the character is neither here nor there; in a film as bleak as Puncture often is Evans is the comic relief beating heart and magnetic MVP. His signature witty delivery and nonchalant body language contrast the overabundance of rigid legal lingo to make the movie more enjoyable for everyone (as will his abs for the female viewers and the filmmakers show plenty of them.)
Of course in most cases it takes more than just a good-looking star to carry a movie and Puncture doesn’t solely rely on one man’s performance. Kudos to Mark Kassen who shines in front of and behind the camera as Mike’s straight-laced best friend and business partner Paul and his brother Adam for making a stinging statement about a corrupt institution in an entertaining fashion. The brothers don’t show off too much in their feature debut; instead they let their actors define the film while offering occasional technical assistance to heighten or visualize the drama. Sometimes they’re a bit conspicuous like when they splice scenes together using dialogue as a through line. Others instances like over exposing lights while playing with the cameras focus to put us in Mike’s trippy state of consciousness are more subtle.
Though the directors have made a touching and relatable film it’s as much a victim of formula as you’d expect a legal drama to be. From pacing to plot points you’ll feel as though you’re watching a cross between A Few Good Men The Insider and Philadelphia as it makes its way toward an inevitable conclusion. Further it delves into a few dead-end subplots (involving some shady figures who you’re led to believe will help turn the picture in an unexpected direction) that are frustratingly out of place much like the topic of the picture at this time. Still these cons aren’t enough to bury Puncture’s quality as a whole. It’s easily Evans’ best performance to date and a hearty freshman effort from the Kassen Bros.
When Professor Utonium (voiced by Tom Kane) creates Bubbles (voiced by Tara Strong) Blossom (voiced by Cathy Cavadini) and Buttercup (voiced by E. G. Daily) he's as excited and proud as any new parent. Then they start to fly around the room. From there we're treated to several scenes of "growing up Powerpuff " from their first peanut butter and jelly sandwiches (crusts cut off using infrared vision) to their first day at the Pokey Oats School (they learn to play tag and destroy the town doing it). When the townspeople see the destruction the girls have wrought they imprison the professor print nasty newspaper headlines ("Freaky Bug-Eyed Weirdo Girls Broke Everything") and vow to get those pesky kids. Disillusioned and depressed the outcast girls find solace and sympathy in an alley with a hobo named Jojo (voiced by Roger L. Jackson) who assures them in no uncertain terms that he is in the same boat. "Alas little ones " he says "I do not rock." But Jojo does have a plan: With a little help from the girls he'll build a machine that will make everything better--and the townspeople will like them again. In a life lesson on why you shouldn't talk to strangers the girls believe him and so they end up using their powers to help him achieve what is actually a diabolical goal--to take over Townsville using an army of mutant simians. Once the girls realize the error of their ways they battle Jojo (who's now calling himself "Mojo Jojo") and his army of monkeys attempting to save the world before bedtime--and to earn the trust of the townspeople.
The squeaky-clean voices of actors playing the Powerpuff Girls seem perfectly suited to the bug-eyed fin-fingered creatures; they're somehow innocent and experienced at the same time especially Daily's Buttercup. Strong's Bubbles certainly does bubble and Cavadini's Blossom imparts the steely resolve that makes her the leader of the pack. For comic punch though the monkeys really steal the show--Jackson's Jojo is supreme evil animated and he lets you know it. Kane's ability to perfectly capture the tone of a 1950s elementary school documentary voiceover should not go unnoticed either.
When Professor Utonium set out to create some little girls he didn't mean for them to have super powers. It just kind of happened when a little "Chemical X" got thrown into the mix. The same could be said of director/screenwriter Craig McCracken's final product: It's not a great film--even by kids' film standards--especially compared to the original TV show. It's slow in key places (the game of tag is interminable and the monkey battles go on and on) and kids will probably lose interest quickly as a result. But there are a few "X" factors that make it interesting for both kids and grownups as long as they can be persuaded to keep watching. First monkey jokes. The monkey army that Mojo Jojo attempts to lead is full of sneaky tricks for obliterating the town and wresting control from Jojo including baboon butt bombs the "sauce of chaos" and a barrel that rolls over things in the street including people and a dog that looks suspiciously like Snoopy. Second Planet of the Apes references. Buttercup rails at one of the chimps to "get your hands off him you darn dirty ape!" Third a mayor with an obsession for large green pickles sold from a cart: he's bizarre and slightly disturbing but nonetheless entertaining.