Sure, Hollywood is full of movies like Disaster Movie, Fred Claus, and whatever new rom-com Gerard Butler is in, but every now and then a movie comes out that tries to educate the audience about a social issue via a true story. While documentaries are usually the go-to medium to convey a little-engine-that-could story, sometimes a few big-name actors are needed to help spread the word. That’s why many have realized that to tell a true story about social issues to the public -- one that may not have gotten as much attention as it deserves -- a major motion picture might be the way to go.
The most recent film to do so is Steve McQueen's 12 Years a Slave, a drama based on the 1863 autobiography of the same name that tells the story of a free black man (played by Chiwetel Ejiofor) who was kidnapped in 1841 and sold into a slavery. It is a story that, unfortunately, not many people knew of before the film was made. But thanks to those who thought the story was worth telling, the public now has the opportunity to reassess the issue of slavery and witness a story of true importance.
If a film based on a true story is done well (such as 12 Years a Slave), and if it stays closer to non-fiction than fiction, at the end of it we are more well-informed than we were when we entered the theater, and really, who wouldn’t want to be smarter?
Here are some of our favorite movies that shed light on real-life stories of importance:
12 Years a SlaveThe subject of America’s history with slavery has long been at the core of numerous movies, yet this story seemed to slip through the cracks until now. McQueen’s film tells a powerful human story of tragedy as it follows a free black man named Solomon Northup who is sold into slavery. The film reminds us of the horrors of America’s past and lets us reflect upon the unbelievable cruelty of others. It also reminds us that not every story about slavery has been told yet.
ArgoWhile this adaptation of CIA operative Tony Mendez's book The Master of Disguise and Joshuah Bearman's Wired article "The Great Escape" took flack for transgressing from the facts of the rescue of six U.S. diplomats during the 1979 Iran hostage crisis, the movie did it’s job: It brought to light an untold story of American and Iranian hostility.
Hotel RwandaBased on real life events in Rwanda during the spring of 1994, the film follows Paul Rusesabagina (Don Cheadle) as he attempts to rescue his family and thousands of refugees from the horrors of the Rwandan Genocide. It brings to life the issues of genocide, the results of violence, and the political corruption that ran rampant at the time.
The Killing FieldsThis drama is based on the experiences of two journalists (Cambodian Dith Pran and American Sydney Schanberg) during the Khmer Rouge regime in Cambodia. The film successfully sheds light on a totalitarian regime and the mass murder of millions of Cambodians.
Fruitvale StationIn another recent real-life story portrayed through film, Fruitvale Station follows the 2009 shooting of an unarmed young black man named Oscar Grant in Oakland, California, and in the process tells a powerful story of police brutality.
Erin BrockovichWhile Erin Brockovich is definitely a little lighter in tone than the other five films, it nevertheless tells a dramatization of the true story of woman (played by Julia Roberts) who went up against a big corporation, PG&E, that was knowingly harming citizens with contaminated groundwater. Plus, Roberts won an Oscar for it.
Bollywood star Pran has died at the age of 93. The actor, who made his name playing villainous roles, passed away at a hospital in Mumbai, India on Friday (12Jul13) after a battle with pneumonia.
Pran, whose full name was Pran Krishan Sikand, spent the last two weeks of his life in hospital.
He enjoyed a movie career spanning more than 60 years and starred in over 350 film projects, which included bad guy roles in Bari Behen (Elder Sister), Azaad (A Free Man) and Zanjeer (Shackles).
Pran's Zanjeer co-star Amitabh Bachchan paid tribute in a post on Twitter.com, writing, "A gentleman, most collaborative colleague. Another magnificent pillar of the film industry falls," while Indian Prime Minister Manmohan Singh, adds, "Indian cinema has lost an icon".
Pran was presented with the Indian government's highest honour for cinema, the Dadasaheb Phalke Award, in May (13).
In certain respects David O. Russell’s boxing drama The Fighter is a sports movie masquerading as an Oscar grab. It bears many of the hallmarks of awards ponies that are often trotted out this time of year: It’s set in a working-class town (Lowell Massachusetts) in the midst of demographic upheaval; one of its lead actors Christian Bale put his health at risk so that he might realistically portray the corrosive effects of crack addiction; its director took great care to stock it with an abundance of auteurist flourishes; its poster is suitably understated; and its initial theatrical release is extremely limited (only four cities). But underneath The Fighter’s prospecting facade beats the heart of a determined crowd-pleaser -- a triumphant underdog tale of an aging boxer who overcame long odds to reach the pinnacle of his sport -- that cannot be suppressed.
The structure of The Fighter which is based on the true story of doormat-turned-champion “Irish” Micky Ward reflects its director’s conflicting impulses. The film is roughly divided into two parts the first of which is fashioned almost purely as a showcase for Bale who portrays Ward’s half-brother Dicky Eklund a once-promising welterweight who long ago squandered his talent on a drug habit that none of his family members seem willing to acknowledge.
Balding emaciated and nearly toothless Dicky bristles with boundless (and no doubt chemically enhanced) energy strutting through town and boasting incessantly of his exploits -- his 1978 knockdown of Sugar Ray Leonard in particular -- in a voice made raspy by (presumably) vocal chords repeatedly singed by crack smoke. Though officially Micky’s trainer he seems less concerned with his brother’s fight preparation than with promoting his own supposed “comeback ” which he claims an HBO Films crew has been sent to chronicle. In truth they’re making a documentary on crack addiction but Dicky’s delusion is so profound -- and so impervious to reality -- that he fails to recognize it.
Russell is clearly enamored with Bale’s performance -- he all but emblazons the words “For Your Consideration” at the top of the screen during the actor’s scenes -- and as a result he grants his actor too long of a leash. Bale dominates every frame in which he appears but sometimes he overreaches and his scene-stealing antics occasionally verge on clownish. (In a pre-emptive strike against those who might dismiss the performance as a prolonged exercise in scenery chewing Russell includes a documentary clip of the real-life brothers during the film’s closing credits and true to Bale’s portrayal Dicky is an unrepentant attention hound.)
Dicky’s losing battle with crack culminates in a harebrained money-raising scheme hatched straight out of the Tyrone Biggums playbook for which he earns a lengthy penitentiary stay. But just as we begin to suspect The Fighter might morph into a gritty addiction memoir the narrative shifts its focus to Micky who after suffering quietly for years under the misguided tutelage of his junkie brother and their domineering mother/manager Alice (Melissa Leo) finally starts to assert himself. With the help of his new girlfriend Charlene (Amy Adams) a bulldog with a tramp stamp whose foul mouth and stiff upper lip provide the perfect antidote to the machinations of Micky’s mother and seven (!) catty sisters his own (genuine) comeback finally gains momentum.
So does the film. Because of its triumphant second half -- during which Micky ascends through the welterweight ranks in a series of brutal slugfests and eventually upsets a much younger Shea Neary to win his first title -- The Fighter will likely be branded hokey by some but that’s hardly the director’s fault. The story all but demands it. For the most part Russell steers clear of the sentimental tropes seen in films like Cinderella Man and the Rocky saga and he documents every pummeling Micky receives with gruesome buzz-killing detail. But the story’s feel-good aspects like Micky are astoundingly resilient and in the end Russell has no choice but to yield to them.
A U.S. court reinstated the convictions of three men July 7, who have been
imprisoned for murdering Oscar-winning actor Haing Ngor in 1996.
The three presiding judges at the Court of Appeals in San Francisco,
California over-turned a 2004 Federal Court decision to quash the convictions
following complaints from defendants Tak Sun Tan, Indra Lim and Jason Feng Chan
that the prosecution had been dishonest during their original trial.
Ngor, who endured life in Cambodia's horrific Khmer Rouge camps in the 1970s,
won the Best Supporting Actor Academy Award in 1985 for his role as journalist
Dith Pran in The Killing Fields.
Lawyers for the three men argued that the prosecution unfairly portrayed
Ngor's treatment in his homeland, and the contention he died to save a gold
locket containing his only picture of his dead wife Huoy.
But the judges said, "We regard this issue as a failed attempt to make
something out of nothing. It boils down to tempest over the meaning of a
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