The film centers on yet another over-achieving career woman Kenya McQueen (Sanaa Lathan) who is beautiful stylish and successful but can’t find the right man to save her life. You know the type. She would have given up by now if it weren’t for her three close girlfriends (Wendy Raquel Robinson Taraji P. Henson Golden Brooks) who exact a fair amount of peer pressure to keep her in the game. Kenya finally agrees to go on a blind date with Brian Kelly (Simon Baker) a sexy landscape architect who turns out to be not exactly what she'd pictured for herself. You know because she’s an uptight black woman and he’s a free-spirited white man. And there's our conflict. Should Kenya stay the straight and narrow path or follow her heart--no matter where it takes her? That’s a rhetorical question of course. Lathan has had a nice steady career making likable urban romantic comedies (Love and Basketball Brown Sugar) so she fits easily into Something New’s milieu. As Kenya the actress is effectively professional and whip-smart at work but also does a nice job playing up the character’s insecurities in her personal life. By being so very high maintenance one wonders why the almost-too-good-to-be-true Brian would even fall for her. But that’s what Something New has going for it--Baker (The Ring Two) and Lathan make their connection seem palpable and genuine. The movie really steams up when these two are on screen together. As for the rest they add flavor wherever necessary especially Donald Faison (TV’s Scrubs) as Kenya’s womanizing brother and Alfre Woodard who does a surprising turn as Kenya’s materialistic snobbish mother. Written directed and produced by women of color Something New wants to make a statement about the pressures professional women--in this case black women--have trying to find love and commitment in their lives. Successful producer Stephanie Allain (Hustle & Flow) and screenwriter Kriss Turner were both inspired by an article they read in the Detroit Free Press about how 42.4 percent of black women have never been married which then lead them to the idea that if you’re in your 30s and single are you going to open things up and look outside your race? This delicate subject matter in Something New’s is skillfully handled by first-time director Sanaa Hamri who adequately shows the fine line. But despite its sweet temperament the film ultimately lapses into ordinary and predictable rom-com fare. After all you got to have the Hollywood ending right?
November 22, 2002 5:27am EST
In the last Friday movie the Jones family won the million-dollar lotto jackpot and left the 'hood for Beverly Hills. But the money has run out in Friday After Next and the clock ticks down once again on another Friday in the 'hood. Craig (Ice Cube) wakes up in the wee hours of Christmas Eve to find a scrawny Santa stealing the contents of his and his cousin Day-Day's (Mike Epps) apartment including Christmas presents and the rent money. "The ghetto " Craig commiserates "is the only place where you can get fried by Santa Claus on Christmas Eve." To avoid getting evicted--and possibly roughed up by the landlady's newly paroled son Damon (Terry Crews)--the two get jobs as security guards at a local strip mall where their uncle Elroy runs Bros. Bar-B-Q restaurant with the slogan "Tastes so good makes you wanna slap yo' mama." Day-Day's rent-a-cop antics eventually land the duo in some hot water resulting in yet another action-packed Friday. Friday After Next has some great lines but it's mediocre compared to its predecessors. Don't expect the staple marijuana humor here either; it has been replaced with raunchy R-rated dialogue instead.
The best thing about Friday After Next is the terrific character acting by the cast. Ice Cube's Craig is still the most reasonable Jones of the clan and his character's levelheadedness strikes a nice balance between him and Epps' motor mouth character Day-Day. Epps made his first appearance as Day-Day in Next Friday after Chris Tucker who starred as Craig's original sidekick Smokey in Friday left. Together Epps and Ice Cube who also collaborated together on All About the Benjamins fit neatly like a sort of urban Laurel and Hardy. A hilarious new edition to Friday After Next is Katt Williams in the role of Money Mike who runs the Pimp N' Ho's clothing store. Williams' diminutive size doesn't hamper the stand-up comedian-turned-actor's performance as he prances around the strip mall like he's a big man on campus. While the film has some new faces it also has familiar ones like the return of John Witherspoon in the role of Craig's father. This time around Witherspoon has made his character Mr. Jones much more crass.
While all three installments of the Friday series were scripted and produced by Ice Cube Friday After Next marks video director Marcus Raboy's feature film directorial debut. So while the films have some common thematic elements such as having to come up with cash in 24 hours (usually followed by an "or else") or being terrorized by a neighborhood bully they differ in look and style. Raboy's style here is similar to a music video; that is fast paced bordering on frenetic. And while he achieves the campy '70 look he was aiming for you may leave the theater thinking too much happened between Thursday and Saturday. Craig and Day-Day for example spend too much time chasing after the ghetto Santa or being chased by hooligans and not enough smoking weed. Ice Cube and Epps have such a great rapport on screen that it would have been nice to see them sit back and exchange witty dialogue. Their was also too much focus on the older cast members including Witherspoon and Don "DC" Curry who spend the entire film being repulsively raunchy--which is disturbing in a hearing-your-parents-talk-about-sex kind of way.