It’s George’s birthday tonight on Suburgatory, but not everyone is having a happy celebration. That’s right, trouble’s coming to our favorite Chatswin residents, in both their relationships with their significant others and their families.
Father of the year Jeremy Sisto chatted with Hollywood.com (while his adorable daughter was chiming in in the background) about the dark times ahead for George, Dallas (Cheryl Hines), Tessa (Jane Levy), Dalia (Carly Chaikin), and Noah (Alan Tudyk)… as well as an amazing, can’t-miss musical moment coming at the end of tonight’s episode. Seriously, you really don’t want to miss this.
“It’s my birthday, and Dallas gets me this present that I think is just completely wrong," Sisto tells Hollywood.com. "It’s hideous, but it’s fine because the thing that George finds endearing is how she tries and fails. But she gets hurt when he gets really moved by Tessa’s gift — she framed something from back in the time when I was still with Tessa’s mom. Dallas has insecurities that I’ll never feel as strongly [about her] as I felt about Tessa’s mom. George probably feels that way too some degree, so she’s hurt.”
And that’s how this memorable musical moment comes into play. “I try to cheer her up," Sisto says. "Earlier in the episode, I asked if there was any song I could play her, and she says R. Kelly’s 'Bump and Grind'... I learn the song and I perform it for her at this deli, so I’m looking forward to seeing that myself.”
But that might be the only happy moment we see for awhile, as drama is about to unfold for everyone. "[Tessa and George] end [the season] very poorly," Sisto says. "I plan to move in with Dallas and Dalia, [and] there is this rivalry between [Tessa] and Dalia. They get into a crazy physical fight.”
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We’ve seen Dalia and Tessa throw verbal punches in the past, but what could possibly bring them to physical blows? “Dalia does something that in turn breaks Tessa and Ryan up, so Tessa’s got a real bone to pick with her,” Sisto says. “They eventually get into a huge fight, and that’s when I tell her, 'Oh, by the way, you’re going to be living together...' She refuses to do it. She goes into the city to find her mom, and her mom has actually moved into the Chatswin area just in case [Tessa] wanted to develop a relationship.”
While we’re excited to see the return of Malin Ackerman as Tessa’s absent mother, could we really be seeing the end of Tessa and Ryan? Say it ain’t so! “[The breakup] was going to happen anyway, since he’s going away to college and they weren’t going to do long distance,” Sisto says. “I think Tessa is coming to terms with the fact that this isn’t the guy that she’s going to be with forever. She has to let him go, but she doesn’t want to do it yet. And that’s when Dalia just rushes things along.”
Dalia is also facing some dark times ahead, especially when we find out her deep, dark secret. “Dalia’s a hoarder!” Sisto says. “We’ve seen her as vapid and vacant of human emotion, [but] what we see this season more and more is how deep that goes.”
But the person having the most issues is Noah. “Everyone’s a mess, but he’s a real mess," Sisto says. "He left his wife for his nanny, but she doesn’t want to be with him, and now he’s got to be this single dad and he has no idea how to do it.”
And Noah will not be catching any breaks anytime soon. “His daughter comes back, and you come to understand that they’ve never been alone in a room together," Sisto says. "There is just no relationship between [them], and we peek into that. We will watch him unravel." Poor guy!
Watch Suburgatory on Wednesdays at 9:30 PM ET/PT on ABC.
Follow Sydney on Twitter: @SydneyBucksbaum
[Photo Credit: ABC/Adam Taylor]
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In the cinematic desert that is the January-February movie-release schedule one gains a greater appreciation for mere competence. And that’s precisely what you’ll get with Man on a Ledge a mid-budget thriller with modest aspirations and genuine popcorn appeal. Sam Worthington (Avatar Clash of the Titans) stars as Nick Cassidy a former New York City cop wrongly convicted for the theft of a prized diamond. After exhausting all judicial avenues for exoneration he takes the unusual and seemingly desperate next step of planting himself on a ledge outside the penthouse of midtown’s Roosevelt Hotel and threatening to jump. An NYPD psychologist (Elizabeth Banks) is summoned to talk him down unaware that Nick harbors an ulterior motive. From his perch above midtown he is secretly orchestrating a scheme to take revenge against the corrupt corporate chieftain (Ed Harris) who engineered his demise and prove his innocence once and for all.
Director Asger Leth making his U.S. feature-film debut with Man on a Ledge keeps the pace brisk and never allows the tone to stray into self-seriousness which is crucial for a movie whose premise is so devoutly ridiculous. The script from Pablo F. Fenjves provides enough feints and twists to keep us engaged. Jamie Bell and Genesis Rodriguez aren’t the most believable of couples but there’s a screwball charm to their comic routine as amateur thieves charged with aiding Nick’s scheme. (Leth can’t resist inserting an entirely superfluous – but nonetheless greatly appreciated – scene of the criminally gorgeous Rodriguez stripping down to a thong in the middle of a heist.) Worthington makes for a likable populist protagonist even if his Australian accent betrays him on copious occasions and Harris’ disturbingly emaciated frame lends an added menace to his devious plutocrat villain.
The first five minutes of The Change-Up—a horrifying look into the world of late-night baby care complete with one of the more grotesque poop-to-face shots ever captured on film—sums up the movie's bait-and-switch. In most comedies this scene would be the first step towards a descent into hell that only Paul Blart: Mall Cop and Adam Sandler are capable of realizing. In The Change-Up it's a sequence that sets the bar as low as artistically possible so stars Jason Bateman and Ryan Reynolds can obliterate expectations with equally raunchy shocking and hilarious comedic stylings. Simply put The Change-Up is the funniest movie of the year.
Bateman plays Dave Lockwood a run-of-the-mill lawyer who works too hard juggles his parenting duties and struggles to find time to tell his wife he loves her. Dave's best friend Mitch (Reynolds) couldn't be more of the opposite—sleeping all day and spending his conscious hours wooing sexual partners while stoned out of his mind. The two are polar opposites making them the perfect candidates for a little bit of switcheroo magic. One particularly devastating night of alcohol and lamenting life's woes ends with the duo taking a leak into a magical fountain (go with it). Fate of course intervenes and when Dave and Mitch wake up they find themselves trapped in the one another's bodies.
There's no denying The Change-Up follows the Freaky Friday formula—but that's not a fault. The logic is already established giving Bateman Reynolds and director David Dobkin (Wedding Crashers) freedom to jump right into the crass humor hook. Bateman who's becoming a go-to straight man in Hollywood finds a refreshing opportunity in inhabiting Reynold's Mitch. The character's lack of self-censorship opens the floodgates for Bateman to poetically surface some of the English language's more horrendous sentences. A slang dictionary may be required to understand what bizarre body part synonyms are being dropped at rapid pace in this movie. Whether you comprehended them or not when they come out of Bateman's mouth they're priceless.
Same goes for Reynolds who escapes the box of fast-talking womanizer to play the uncomfortable family man. Judging an actor's versatility on a scene in which he's unwillingly placed at the center of a "lorno" (read: low-budget soft core pornography) may seem twisted but Reynolds sells it and makes it perfectly agonizing. Even obvious scenarios like "uh oh Dave's going to have to cheat on his wife in Mitch's body!" are twisted once twice three times over to pull the rug from under you.
The biggest surprise of The Change-Up is the movie's heart. Pummeling an audience with jokes is one thing but to sell genuine relationships underneath it makes it satisfying. The wavering friendship between the two lead knuckleheads is tangible and keeps an impossible plot device grounded while Leslie Mann (Knocked Up Funny People) as Dave's wife Jamie has her fair share of tender moments (as well as devilish laughs—there's a reason her husband Judd Apatow keeps casting her). In a movie that's constructed by textbook rules to have an ending that resonates with any sort of emotion is as surprising as watching a grown man toss a baby down next to a set of steak knives. Which coincidentally also happens in the movie.
In today's world where anything goes it's hard to whip up slapstick and one-liners that feel edgy and that leave your jaw on the floor. That's how The Change-Up hits—and it hits hard.
Within the whole sports genre we really haven’t seen a Ping-Pong movie before—especially one portayed in such a spectacularly goofy way. Former child Ping-Pong prodigy Randy Daytona (Dan Fogler) who was unceremoniously defeated decades ago is now reduced to performing ball tricks on stage at a local bar. But Randy’s luck changes when FBI Agent Rodriguez (George Lopez) recruits him for a secret mission: to ferret out FBI’s Most Wanted arch-villain and Ping-Pong connoisseur Feng (Christopher Walken) the man who killed Randy’s father. But times have changed since Randy choked and Ping-Pong is now played in an unsanctioned underground and extreme kind of way. Randy has to get into shape with the spiritual guidance of a blind Ping-Pong master named Wong (James Hong) and his kickass niece Maggie (Maggie Q) in order to make it to Feng’s mysterious jungle compound to play in the most unique Ping-Pong tournaments ever staged. Randy has his work cut out for him though if he’s going to wield his paddle and triumph over rampant wickedness. Who is this Dan Fogler guy and why haven’t we seen him before? Apparently he’s been on stage winning a Tony Award for his work in the Broadway play The 25th Annual Putnam County Spelling Bee among other things. Now Hollywood is beckoning—and it looks like Fogler has the chops to stick it out. Sort of a cross between Jack Black and Meatloaf the actor totally makes Balls of Fury’s campiness work. He also has lots of help from his fellow players: Lopez is hilarious as the FBI agent who has been working a desk job but fancies himself a James Bond; veteran Asian actor Hong gets to use chopsticks in some interesting ways as the sage but cantankerous Wong; the hard-bodied Maggie Q (wonder what the "Q" stands for) who up to this point has only kicked butt in action movies like Live Free or Die Hard and Mission: Impossible III plays it light in Balls; and of course Mr. Walken as the evil Feng doing his own impression of any Bond villian you can think of while still being Christopher Walken. That man has WAY too much fun in this film. Also look for loads of cameos by recognizable folks. Director/co-writer Robert Ben Garant and his screenwriting partner actor Thomas Lennon (who plays Randy’s hysterical uber-Nazi Ping-Pong rival Karl Wolfschtagg) certainly have a peculiar sense of humor something they created while working on MTV’s The State’s sketch comedy back in the ‘90s and then cultivated on their Comedy Central show Reno: 911!. They’ve gone PG with writing credits such as Night at the Museum and The Pacifier but have gotten R-rated especially with the Reno 911: Miami big-screen effort. Balls of Fury falls somewhere in between (that would be PG-13)--a mixture of James Bond bad martial-arts films Matrix-like slow-mo effects and just about any sports movie starring Will Ferrell. In other words for as many tiny balls that get batted around in any number of silly ways if you buy into their particular brand of comedy (like me) Balls of Fury will keep you in stitches. Oh and if you're a Def Lepperd fan you'll also be pleased with the soundtrack.
Total loser Gus (Rob Schneider) and his equally derelict friends Richie (David Spade) and Clark (Jon Heder) spent a lot of time in their school days sitting on the bench during baseball games. Now all grown up they decide to help a kid Nelson (Max Prado) from being bullied on the field. It turns out his father Mel (Jon Lovitz) is a billionaire who hires the guys to build confidence in his son. If they play in a tournament and help wage war against the bullies of the world Mel will promise the winning team the greatest stadium ever built. They call their team "Mel's Tournament of Little Baseballers and Three Older Guys" and hire Reggie Jackson to train them. But it turns out Gus was really a bully back in school and he now has to win the team's trust back. These guys make the Three Stooges look like Harvard grads the Dumb and Dumber dudes look like geniuses. If you thought Jon Heder was an amazing talent and Napoleon Dynamite was extraordinarily innovative then this performance may be a major disappointment wiping out any hope the actor can play more than one note. Sure he may have stretched a bit as the scene-stealing bookstore owner in Reese Witherspoon's Just Like Heaven but he's even more of a dazed dumb slacker in Benchwarmers. Schneider and Spade have already proven to be one-note talents--Spade's little bratty boy routine is running as thin as is Schneider's hairline. The only good acting comes from anyone under the age of 20 particularly Prado and the kid bullies. Even though Adam Sandler has personally moved on he still hires his old pals to do the silly movies he used to do through his production company. We have already be subjected to Grandma's Boy--and now Benchwarmers. This time around producer Sandler also drags director Dennis Dugan into the mix. He’s the guy who helped turn the comic actor into a superstar in films such as Happy Gilmore and Big Daddy. But by trying to create that old magic with the new hot-slacker-du-jour Heder and ripping off The Bad News Bears story Sandler fails. Benchwarmers is just a waste of time for anyone over 12. But hey if being humiliated smashing mailboxes and tossing hot potatoes makes you laugh then there's a seat for you on this bench.
Set in the 1970s male-dominated news world the dashing mustached Ron Burgundy (Will Ferrell) is indeed a legend as San Diego's top-rated anchorman. He and his news team--including field reporter and all-around ladies man Brian Fantana (Paul Rudd) sports cowboy Champ Kind (David Koechner) and mindless weatherman Brick Tamland (Steve Carell)--live life large as local television icons boozing and womanizing with the best of them. As Ron puts it they have been coming to the "same party for 12 years--and in no way is that depressing." But their world is about to turn upside down when an ambitious newswoman Veronica Corningstone (Christina Applegate) is hired by the managing news producer (Fred Willard) to spice things up. The guys aren't worried at first treating her like any other woman that is to say sexually harassing her--and despite that Veronica and Ron hit it off. But soon Ms. Corningstone's true agenda is revealed--she wants to land an anchor spot and she isn't about the let anything stand in her way including a perfectly coiffed slightly hairy idiot newsman named Ron Burgundy. Of course this means war.
No longer is Ferrell just a side character illuminating the proceedings with his hilarity. Along with pals Jack Black Vince Vaughn and Ben Stiller (who make strategic cameos in Anchorman--but we aren't telling how 'cause that'll ruin the fun) the former Saturday Night Live alum has become one of the new kings of cinematic comedy. People expect Ferrell to be gut-bustin' funny now and luckily he delivers once again as Ron Burgundy. With a voice that "could make a wolverine purr " Burgundy is all hot air great hair and polyester debonair a dim bulb who tries to understand the news stories he recites but gives up quickly because it requires too much thought and simply reads the teleprompter exactly as it is written. Ferrell is at his best when he is allowed to free-associate either by himself (while getting ready to go on the air) or with his co-stars Rudd Koechner and Carell (singing a strangely harmonious rendition of "Afternoon Delight"). Keep your eyes on Carell--he is a comic gem on the rise. The Daily Show co-star had a brief but memorable turn in last year's Bruce Almighty as an anchorman (ironic huh?) Jim Carrey messes with but in Anchorman Carell is absolutely side-splitting as Brick who doesn't have a single brain cell working rattling off non sequiturs like "I ate an entire red candle " when talking about a party the night before. Christina Applegate subjected to this lunacy holds her own god bless her and does an admirable job playing the straight woman to this group of wackos.
Adam McKay former SNL head writer makes his directorial and screenwriting debut with Anchorman. The story has a fairly classic and simplistic framework--Burgundy starts out on top falls to rock bottom and climbs his way back up again--but it's pretty evident early on that with the likes of Ferrell and the rest all McKay has to do is turn the camera on them and let it all happen. Watching Burgundy incoherent breaking down in a phone booth after his dog is supposedly booted off a bridge by an irate motorcyclist or the news team rumble where San Diego news rivals go at each other with nasty weapons it's funny stuff. But rather than just let the comedy come from the story á la Old School Anchorman throws in some antics that probably sounded comical on paper but end up being silly and forced. For example Veronica and Ron going to "pleasure town " (sexual bliss) with animated furry animals and rainbows instead of seeing the love act itself or the gang trying to get out of a bear pit after they've woken up the hibernating animals that's a little over the top. At least Anchorman never goes for the toilet humor--nope you won't find a vomit urine semen or poop joke in this film. You will however find gratuitous shots of Ferrell's hairy chest. Shiver.