The Amazing Spider-Man would prefer if you didn't call it the fourth Spider-Man movie. See this ain't the Spider-Man your older brother knew from ten years ago — it's a reboot. The latest adventure to feature the comic book webslinger throws three movies worth of established mythology straight out the window swapping the original cast with an ensemble of fresh faces and resetting the franchise with a spiffy new origin story. "New" in the loosest sense of the word — the highlights of ASM mainly a sleek new design and spunky reinterpretation of Peter Parker (Andrew Garfield) and gal pal Gwen Stacey (Emma Stone) are weighed down by overpowering sense of familiarity. Nearly a beat for beat replica of the 2002 original with some irksome twists of mystery thrown in Amazing Spider-Man fails to evolve its hero or his quarrels. The film has a great sense of cinematic power but little responsibility in making it interesting.
We're first introduced to Peter Parker as a young boy watching as his parents rush out of the house in response to a hidden danger. Mr. and Mrs. Parker leave their son in the care of his Aunt May (Sally Fields) and Uncle Ben (Martin Sheen) who raise him into Andrew Garfield's geeky cool spin on the character. Parker's a science whiz but faces the challenges of every day life — passing classes talking to girls the occasional jock with aggression issues — but all of life's woes are put on hold when the teen discovers a new clue in the mystery behind his parents' disappearance. The discovery of his dad's old briefcase and notes leads Peter to Dr. Curt Connors (Rhys Ifans) a scientist working for mega-conglomerate Oscorp and his Dad's old partner. When they cross paths Connors instantly takes a liking to the wunderkind and loops him into the work he started with his father: replicating the regeneration abilities of lizards in amputee humans (Connors is driven to reform his own missing arm). But when Parker wanders into Oscorp's room full of spiders (a sloppily explained this-needs-to-be-here-for-this-to-happen device) he receives his legendary spider bite that transforms him into the hero we know.
Director Marc Webb (500 Days of Summer) desperately wants Amazing Spider-Man to work as a high school relationship movie but with the burden of massive amounts of plot and mythology to introduce the movie sags under the sheer volume of stuff. Stone turns Parker's object of affection Gwen Stacey into a three-dimensional character. Whenever they happen upon each other an awkward exchange in the hallway a flirtatious back-and-forth in the Oscorp lab (where Stacey is head…intern) or when the two finally begin a romantic relationship the two stars shine. They're vivid characters chopped to bits in the editing room diluted by boring franchise-building plot threads and routine action sequences. Seriously Amazing Spider-Man another mad scientist villain who uses himself as a test subject only to become a monster? And another bridge rescue scene? Amazing Spider-Man desperately wants to disconnect from the original trilogy but it's trapped in an inescapable shadow and does nothing radical to shake things up. Instead it settles for the same old same old while preparing for inevitable sequels instead of investing in its dynamic duo.
There's a sweet spot where the film really hits his stride. After discovering his spider-abilities Peter hits the streets for the first time. He's superhuman but still a headstrong teen full of obnoxious quips and close calls with shiv-wielding thugs. The action is slick small and playful Webb showing us something new by melding his indie sensibilities with big scale action. If only it lasted — the introduction of Ifans reptilian half The Lizard implodes Amazing Spider-Man into incomprehensible blockbuster chaos. A gargantuan beast wreaking havoc around New York City promises King Kong-like escapades for the friendly neighborhood Spider-Man but the lizard man has other plans: to rule the world! Or something. Whatever it takes to get Lizard and Spider-Man fighting on the top of a skyscraper over a doomsday machine — logic be damned.
Amazing Spider-Man peppers its banal foundation with great talent from Denis Leary as Gwen's wickedly funny dad and the police captain hunting down Spider-Man to Fields and Sheen as two loving adults in Peter's life to Garfield and Stone whose chemistry demands a follow-up for the sake of seeing them reunited. But it's all at the cost of putting on the most expensive recreation of all time with new demands imposed by the success Marvel's other properties (except that franchise teasing worked). Amazing Spider-Man introduces too many ideas that go nowhere undermining the actual threat at hand. No one wants to be unfulfilled but that's the overriding difference between the original movie and the update. You need to pay for the sequel to know what the heck is going on in this one.
Based on the best-selling book of the same name Fast Food Nation has three intertwined stories revolving around the fast food industry. Don Anderson (Greg Kinnear) is a corporate marketing guy assigned to put a positive spin on the bad news that fecal traces has been found in the meat. He goes to the meat factory to investigate and doesn’t like what he sees but no one offers him a viable solution. Then there’s Raul (Wilmer Valderrama) and Sylvia (Catalina Sandino Moreno) Mexican immigrants who cross the border illegally. The only job they can get is in the meat factory. She bears with demeaning sexual advances while he faces the unhealthy and dangerous conditions to try for the American Dream. Finally we meet Amber (Ashley Johnson) who works in a local franchise. She’s just a high school girl trying to pay for her car insurance. This isn’t her future but it dominates her present. The corporate story is a comedy about ineffective management and media spin. The immigrants’ story is a hard drama about a bad life. Amber’s story straddles both lines--a slacker teen comedy but also introspective about what the job is doing to her soul. It may be no secret these days but it’s still fascinating. There is plenty of juicy dialogue for actors to sink their teeth into (pun intended). Kinnear plays the corporate suit as lovably as possible. He’s the put-upon business cog similar to his characters in The Matador and Little Miss Sunshine but funnier because it’s the system that’s futile not his own dreams. Valderrama has a smaller part just supporting his wife going through a horrible life with noble determination. Moreno is as heartbreaking as she was in her Oscar-nominated performance in Maria Full of Grace. You sense so much potential in her and she’s stuck in the factory demeaned by sexual harassment and unable to save her sister from succumbing to it. She adds new colors of despair to the immigrant experience. Johnson is careful not to make her character too wise beyond her years. She really is just a normal kid. High school sucks so do counter jobs. It’s not about being unique just relatable. Cameos stand out too. Ethan Hawke plays the coolest uncle ever. He comes to town for two scenes spouts off his cool-uncle advice and then leaves. Even though he’s a self-confessed loser he’s convincing. And he buys her beer. Bruce Willis gives a speech on the meat industry with his David Addison smirk while chomping into a burger. We’re sold. Director Richard Linklater does a good job keeping the comedy and drama balanced. He cuts back and forth between stories at sensible intervals. Towards the end Greg Kinnear disappears for a long time but Ashley Johnson’s story beefs up to compensate. Showing the inner workings of the meat factory is pretty powerful. Cow guts falling out and bodies mangled by machinery are not fun things to watch but they are important to remember. It’s all up there on the screen but not gratuitous—and doesn’t have to ruin meat forever. Just think how all foods have processes that we don’t see and still taste good. There are plenty of scenes in which the characters are talking a real Linklater specialty (Before Sunset Before Sunrise for example). Whether they’re talking about meat or minimum wage jobs or life ambitions the conversations have a catchy flow. The satire of corporate America and slacker lifestyles juxtaposed against the drama of immigrant life makes Fast Food Nation both ridiculously funny and appropriately uncomfortable.
Dreamer is another one of those family films--based on a true story no less--that makes you feel guilty for not liking it because it means so well. The film revolves around the Cranes who have worked on their Kentucky horse farm for generations. But gifted horseman Ben Crane (Kurt Russell) loses his love for the job when the farm hits hard times. His estranged father Pop (Kris Kristofferson) feels like his son has given up unnecessarily. Even Ben’s young daughter Cale (Dakota Fanning) can’t get through to her dad. The only way this family can heal is by helping an injured horse named Sonya get ready for a seemingly impossible goal: to win the Breeders' Cup Classic. Say it together: “Awww!” At least the film gets it half right in its casting. Russell is perfect as the beleaguered Ben a man who needs a little inspiration to get back on track and he thankfully never takes it over the top. Same goes for Kristofferson who is aptly crusty and unwilling to give his son an inch--that is until his granddaughter and that darned horse melt his heart. And the family resemblance is uncanny; apparently the two actors have been told quite often how much they look like each other. The one misstep here is Fanning. Yes she is an extraordinarily gifted actress for her age but Cale should have been played by a happy sunny child. The oh-so-serious Fanning doesn’t really qualify. Also Elisabeth Shue as the mom is all wrong. A horse farmer’s wife? Please. Writer-director John Gatins takes a big gamble making his directorial debut with a movie about an underdog horse. First there’s the underdog part. This year seems a bit saturated with the plot device what with films like Cinderella Man and most recently Greatest Game Ever Played. Second there’s the whole horse thing. It’s just going to be hard to top the Oscar-nominated Seabiscuit--the quintessential true horse-racing movie to beat them all. True Dreamer is based on a true story and is nicely--albeit conventionally--framed. But the film isn’t unique in any way. It’s the same feel-good family stuff we’ve been swallowing all year. See? I told you I’d feel guilty for knocking it.
Seems like actress Minnie Driver isn't able to hold onto a long-term relationship.
The exotic actress has broken off her 5 ½ month-old engagement to actor Josh Brolin, Driver's publicist said Wednesday in a brief statement.
"Minnie Driver and Josh Brolin have decided to cancel their wedding plans. Their decision is mutual and amicable,'' the statement said.
Brolin, however, should be used to the on and off again relationships. Brolin became a stepson to singer-actress Barbara Streisand after she married his father, actor James Brolin, in July 1998.
Driver, 31, and Brolin, 33, began their romance in 1998 on the set of Slow Burn and had planned to marry in mid-April but no date was ever set, Driver's publicist stated.
Driver previously has dated co-stars Matt Damon (Good Will Hunting) and John Cusack Grosse Pointe Blank), but has yet to make the trip down the aisle.
This would have been the second marriage for Brolin, who has two children from a former marriage to actress Alice Adair.
Brolin's film credits include the Kevin Bacon thriller Hollow Man, 1999's The Mod Squad and 1996's Flirting with Disaster.
Brolin and Driver to wed
Jews are angry
Smile, Mrs. Dirty Harry
Moore birthday bash
Pryor turns street
Beastie Boys are back
Brando takes ill
Brolin and Driver to wed
Actor Josh Brolin (Hollowman, The Mod Squad) and actress Minnie Driver (Return To Me, Good Will Hunting) are engaged to be wed, People magazine reports.
This is the third wedding for Brolin, who was married previously to Deborah Adair. Brolin's first wife, Jane, died in 1995. Brolin has two children, Trevor, 12, and Eden, 8.
This will be the first trip down the aisle for Driver, who previously dated Matt Damon and John Cusack.
Brolin -- son of famed actor James Brolin and stepson of Barbra Streisand -- and Driver became romantically involved when they costarred in Slow Burn.
"It's obvious they are very much in love," Danny McKeever, Brolin's auto-racing instructor, told reporters.
No wedding date has been set yet, People reported.
Comic strip "BC" defames Jews, says Jewish group
The Simon Weisenthal Center, a nonprofit Jewish civil rights organization, is asking newspapers that carry the syndicated comic strip BC not to run Sunday's cartoon.
The strip portrays a Menorah, a Jewish symbol, in the first panel, under a quote by Jesus: "Father, forgive them: for they know not what they do." Succeeding panels then show the Menorah morphing into a cross, with more of Jesus' last words atop each panel. The final panel's quote, "Do this in remembrance of me," frames a picture of a cave, presumably Jesus' final resting place.
The founder and director of the Weisenthal Center, Rabbi Marvin Heir, said that newspapers have a duty not to run the strip, as it describes Judaism being "subsumed" or encompassed by Christianity, Reuters reported. The strip "will promote hatred rather than tolerance and diversity," Heir said.
A statement released by Johnny Hart, creator of BC, defends his work, saying that during a week that is holy for both Christians and Jews this year, he was trying to honor both.
The Simon Weisenthal Center, located in Los Angeles, is named in memory of Nazi hunter Simon Weisenthal.
Dirty Harry's wife on "Camera"
Smile, you're on Candid Camera.
Dina Ruiz Eastwood, wife of Hollywood legend Clint Eastwood, will be saying that more often, having joined Candid Camera's team as the show's co-host.
Starting with the new fall season, Eastwood will co-anchor the show with Peter Funt, The Associated Press reports. Eastwood will take over for Suzanne Sommers, former star of Three's Company.
The Eastwoods, who appeared together in True Crime, have been married since 1996. Prior to taking her new gig as Camera's co-host, Eastwood was a news anchor for KSBW-TV (NBC) in Salinas, Calif. Prior to taking the gig as Camera's co-host, Eastwood was a news anchor for KSBW-TV (NBC) in Salinas, Calif.
Candid Camera airs Sunday evenings on Pax TV.
Former "Survivor" contestant gives deposition
America hasn't heard the last from the first season's cast members of the TV hit Survivor.
As part of ex-cast member Stacy Stillman's $70,000 lawsuit against CBS, fellow South Pacific islander Dirk Been delivered a videotaped deposition -- six hours in length -- to lawyers, according to a report by People magazine. Been's deposition will remain under wraps due to confidentiality agreements that each cast member signs before taping begins.
Stillman contends that the TV series rigged the vote that kicked her off the island. Stillman reportedly asked the questions during Been's deposition.
"We're very pleased with what Dirk said today," Donald Yates, Stillman's lawyer, told the New York Post.
For its part, CBS filed a counter-suit against Stillman, claiming she broke her nondisclosure agreement when she brought her suit against Survivor last February.
Moore to celebrate birthday with TV bash
To celebrate Dudley Moore's 66th birthday, his family and friends are throwing him a small party -- at Carnegie Hall.
Michael Caine and Julie Andrews will chair the televised event, An All-Star Tribute To Dudley Moore, People magazine reports. Mary Tyler Moore, Barbara Walters, Amy Irving, Lauren Bacall, Eric Idle, Chevy Chase, Jimmy Fallon and Bo Derek are scheduled to give praise in person, while Robin Williams and John Cleese have taped video messages for Moore.
Dudley Moore, star of such films as 10, Arthur, and the original Bedazzled, suffers from a rare brain disorder called Progressive Supranuclear Palsy, a relative of Parkinson's disease. The ailment has severely limited Moore's ability to work as Moore is confined to his wheelchair. Moore has curtailed his public appearances.
Net proceeds from the evening go to two of Moore's pet charities, Music for All Seasons and the Dudley Moore Research Fund for PSP. The tribute will take place on Monday.
Pryor's name to headline street sign in Illinois
Peoria, Ill., will try for the second time to honor hometown hero, comedian Richard Pryor, USA Today reports.
Peoria City Council members rejected on March 27 the renaming of South Sheridan Street in honor of Pryor, but that apparently did not sit well with certain council members. The proposal has reappeared on the docket, and the council will once again vote on the matter in two weeks.
Councilman Eric Turner said that the city has received a black eye for failing to honor Pryor. According to Turner, he and Pryor were childhood friends while growing up on the south side of Peoria.
Pryor is a controversial choice for such an honor, given his past penchant for profanity-filled routines and his well-documented battles with drugs. In 1980, Pryor nearly killed himself accidentally in a fire related to his freebasing cocaine.
Pryor, currently living in California, suffers from Multiple Sclerosis.
Beastie Boys' Grand Royal reappears
Out of print since 1997, the Beastie Boys' cult magazine Grand Royal has been licensed by Harper Collins to reappear in the guise of a coffee-table book. The book would comprise the best of the old magazines and incorporate fresh new articles, according to a story filed by online portal Yahoo!
The Beastie Boys produced just six editions of Grand Royal, from 1993 to 1997, which were all instant hits. The magazine, which linked skateboarding and politics and music and pop culture, sold out three of the six print runs. The magazine featured articles with then-obscure musicians, such as a Kid Rock interview in the fourth edition.
According to the report, Josh Behar, a senior editor at Harper Collins, said that the Beastie Boys "really love this project. Their dedication is amazing." Beastie Boy Mike D is working closely with Behar to finish the book. The book is scheduled to appear in bookstores in April 2002.
Actor Steve Buscemi reportedly knifed in fight
Actor Steve Buscemi has flown from the North Carolina set of Domestic Disturbance to his home in New York to recover from knife wounds, according to The Associated Press.
Police arrested a local man and will charge him for assault with a deadly weapon with intent to kill after allegedly stabbed Buscemi in the head, throat, and arms, AP said. Buscemi was released from a local hospital and flew home to recuperate.
The fight happened early Thursday at the Firebelly Lounge, a local bar, in Wilmington, N.C.
Domestic Disturbance costar Vince Vaughn also was arrested for his alleged involvement in the fight. AP said Vaughn was trying to come to the aid of Buscemi.
Buscemi's agents, the William Morris Agency, said they had no information at this time. Domestic Disturbance's studio, Paramount Pictures, refused to comment.
John Travolta and Teri Polo also star in the film.
Marlon Brando hospitalized
Screen legend Marlon Brando, 77, has reportedly been hospitalized for pneumonia, days before he was due to shoot the opening scene for the upcoming comedy Scary Movie 2 this week.
The actor is said to be undergoing treatment at a Los Angeles-area hospital. Neither Brando's agent, Dimension Films nor Scary Movie 2 producer Brillstein-Grey Entertainment have commented on details about his illness, or how long he is expected to be in the hospital.
The filmmakers still want Brandon to be in the film and, even though production wraps this month, his scenes could still be filmed after he recovers, according to Variety.
Scary Movie 2 is the sequel to last year's summer blockbuster directed by Keenen Ivory Wayans. It costars Chris Elliot, Tim Curry, Tori Spelling and Andy Richter.
The sequel, also directed by Wayans, is due in theaters for the July 4 holiday weekend.
Brando's next project is working alongside Robert DeNiro and Edward Norton in the crime drama The Score.