In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
Within the whole sports genre we really haven’t seen a Ping-Pong movie before—especially one portayed in such a spectacularly goofy way. Former child Ping-Pong prodigy Randy Daytona (Dan Fogler) who was unceremoniously defeated decades ago is now reduced to performing ball tricks on stage at a local bar. But Randy’s luck changes when FBI Agent Rodriguez (George Lopez) recruits him for a secret mission: to ferret out FBI’s Most Wanted arch-villain and Ping-Pong connoisseur Feng (Christopher Walken) the man who killed Randy’s father. But times have changed since Randy choked and Ping-Pong is now played in an unsanctioned underground and extreme kind of way. Randy has to get into shape with the spiritual guidance of a blind Ping-Pong master named Wong (James Hong) and his kickass niece Maggie (Maggie Q) in order to make it to Feng’s mysterious jungle compound to play in the most unique Ping-Pong tournaments ever staged. Randy has his work cut out for him though if he’s going to wield his paddle and triumph over rampant wickedness. Who is this Dan Fogler guy and why haven’t we seen him before? Apparently he’s been on stage winning a Tony Award for his work in the Broadway play The 25th Annual Putnam County Spelling Bee among other things. Now Hollywood is beckoning—and it looks like Fogler has the chops to stick it out. Sort of a cross between Jack Black and Meatloaf the actor totally makes Balls of Fury’s campiness work. He also has lots of help from his fellow players: Lopez is hilarious as the FBI agent who has been working a desk job but fancies himself a James Bond; veteran Asian actor Hong gets to use chopsticks in some interesting ways as the sage but cantankerous Wong; the hard-bodied Maggie Q (wonder what the "Q" stands for) who up to this point has only kicked butt in action movies like Live Free or Die Hard and Mission: Impossible III plays it light in Balls; and of course Mr. Walken as the evil Feng doing his own impression of any Bond villian you can think of while still being Christopher Walken. That man has WAY too much fun in this film. Also look for loads of cameos by recognizable folks. Director/co-writer Robert Ben Garant and his screenwriting partner actor Thomas Lennon (who plays Randy’s hysterical uber-Nazi Ping-Pong rival Karl Wolfschtagg) certainly have a peculiar sense of humor something they created while working on MTV’s The State’s sketch comedy back in the ‘90s and then cultivated on their Comedy Central show Reno: 911!. They’ve gone PG with writing credits such as Night at the Museum and The Pacifier but have gotten R-rated especially with the Reno 911: Miami big-screen effort. Balls of Fury falls somewhere in between (that would be PG-13)--a mixture of James Bond bad martial-arts films Matrix-like slow-mo effects and just about any sports movie starring Will Ferrell. In other words for as many tiny balls that get batted around in any number of silly ways if you buy into their particular brand of comedy (like me) Balls of Fury will keep you in stitches. Oh and if you're a Def Lepperd fan you'll also be pleased with the soundtrack.