Kanye West and Kim Kardashian spent Monday night (20Jan14) with Spanish director Pedro Almodovar and fashion designer Azzedine Alaia as they celebrated the birthday of Vogue Italia editor Franca Sozzani. The rapper and his reality TV star fiancee travelled to France last week (ends17Jan14) to attend Paris Fashion Week, where West debuted his second collection for clothing brand A.P.C., and on Monday, they were invited to dine at Alaia's home in the city.
Kardashian shared a series of photos of Sozzani's 64th birthday meal on her Instagram.com page. The bash was also attended by Colin Firth's designer wife Livia and model Afef Jnifen.
Alongside one snap of the group, the Keeping Up With The Kardashians star simply wrote, "Dinner at Mr. Alaia's".
Kardashian spent more time with Alaia on Tuesday (21Jan14) as she was given a personal tour of the Tunisian-born couturier's exhibition at Paris' Palais Galliera, Museum of Fashion.
Reports suggest West and Kardashian also took time out to visit the Palace of Versailles, where insiders claim the couple is planning to wed this summer (14).
The Almost Famous star, who is the face of Ann Taylor's new advertising campaign, already has two children, both sons, but Hudson admits she keeps all her favourite gowns in the event she and fiance Matt Belamy add a little girl to their brood.
She tells the Associated Press, "I archive a lot of my pieces - from when Stella (McCartney) was at Chloe and Tom Ford at YSL and Gucci. My mum (actress Goldie Hawn) never kept her clothes. She was big into (Azzedine) Alaia clothes and she didn't keep them!
"She also had Ossie Clark dresses from the '70s, and I never got to wear them, so I decided when and if I have a little girl in my life, maybe she'll be into them and want to go into my closet someday."
Imagine only being able to communicate through blinking. Now imagine trying to dictate your memoirs in this grueling and time-consuming fashion. That’s how Jean-Dominique Bauby had to put his life and thoughts down on paper. The editor of French Elle suffered a stroke so severe that it rendered him almost entirely paralyzed for the remainder of his short life. He died less than 18 months later just days after the publication of his 1997 memoirs. Making amends for his laughable adaptation of Love in the Time of Cholera Ronald Hardwood pays homage to Bauby’s remarkable achievement with an eloquent screenplay that examines the power of the mind over the body. The Diving Bell and the Butterfly begins on the day when Bauby (Mathieu Amalric) wakes up from a coma and is alarmed to find himself in a hospital completely paralyzed and unable to speak. But his mind is sharp as it ever was. Flashbacks reveal Bauby to be a man who lived life to the fullest and relished every challenge that came his way. So being stuck in a body that no longer functions as it once did is clearly pure hell for Bauby--until his therapist Henriette (Marie-Josee Croze) teaches Bauby to communicate by blinking his left eye. Bauby suddenly decides to honor a book contract he had signed before his stroke--and in the process he discovers his raison d’être. Like My Left Foot’s Daniel Day-Lewis before him Amalric indelibly proves that the mind can and will thrive even when the body is broken and beyond repair. Amalric though has less to work with than the wild-eyed Day-Lewis who had the luxury of drawing you into his performance by tapping into Irish author Christy Brown’s abrasive personality and larger-than-life presence. It’s mesmerizing to watch the intrepid Amalric at work even though he’s practically motionless for the entire film bar for a few flashbacks. While the rest of his face remains frozen solid Amalric eloquently expresses Bauby’s innermost hopes and fears through the mere blink of his left eye. There’s never a time when you don’t know how Bauby feels. And his narration is laced with gallows humor which helps keep Diving Bell free from drowning in sentimentality. As Bauby’s therapist Croze personifies patience dedication and resourcefulness we all expect and demand from health-care professionals but don’t always receive. Emmanuelle Seigner maintains a brave face as Bauby’s neglected wife Céline. You wait for Céline to crumble especially as Bauby never stops asking about his mistress but Seigner reveals Céline to be caring and forgiving. The most heartbreaking moments come between Amalric and Max von Sydow who plays Bauby’s father who is much trapped inside his apartment as Bauby is inside his body. There’s great sadness and regret to be found in von Sydow’s every word as he comes to the painful realization that he will outlive his rich and successful son which no father wants to do. Yes Diving Bell is the latest in a long line of inspirational fact-based films about physically and/or mentally challenged people mastering their disabilities. But director Julian Schnabel distinguishes himself and the film by shooting the first act solely from Babuy’s perspective. We see everything Bauby sees through his one good eye from the moment he comes out of his coma. What follows is confusing disorienting and taxing. And darkly humorous as evidenced by Bauby’s admiration of his females nurses. Schnabel’s approach though works to dramatic effect because we receive a greater understanding and appreciation of what Bauby’s experiencing. Stay the course and you will be rewarded for your patience. Once Bauby comes to terms with his fate and refuses to spend the rest of his days wallowing in self pity Schnabel finally turns his camera on Bauby to reveal his post-stroke physical appearance. It’s a quiet but ingenious way for us to accept Bauby as he accepts himself. Schnabel then concentrates on Bauby’s Herculean effort to dictate his autobiography which is occasionally interrupted by poignant flights of fantasy (it’s not hard to guess what the diving bell and the butterfly symbolize). Equal amounts of joy and regret are be found in Bauby’s reminiscing but Schnabel never tries to romanticize his subject or ignore to his past transgressions. Diving Bell doesn’t set to turn a flawed man into a hero but Bauby’s will and determination ultimately reinforces the notion that anything’s possible if you set your mind to it.