A “bedtime story” is a fairly succinct way to describe Lady. Of course a bedtime story being told by M. Night Shyamalan can go into any number of weird and wild directions. The writer/director says the idea for Lady was based on a story he’d told his kids which began with “Did you know that someone lives under our pool?” and revolves around Cleveland Heep (Paul Giamatti) a lowly superintendent for an apartment building who inadvertently finds Story (Bryce Dallas Howard) a mysterious nymph-like “narf ” living in the pool. She’s there to complete a task and now that it’s done she needs to go home back to the Blue World. But that’s easier said than done. She only has a small window of opportunity and apparently there’s a ferocious beast called a “scrunt” lurking in the grass around the pool waiting to kill her if she tries to leave. Now Cleveland and a few of the other tenants—who find themselves intricately tied to Story’s plight—must help her escape to freedom. Thank god for Sideways. Without it Giamatti would have gone on playing under the radar without the recognition—and juicier parts—he deserves. He is truly a wonder as Cleveland a sad little man with a stutter who is quietly trying to hide from a tragic past. It’s only when Story comes into his life does he face his personal tragedy and learn to live again. Howard on the other hand who wowed most of us with her stunning performance in The Village doesn’t have nearly as much to work with as the pale water nymph. The mystical character is fairly one note—befuddled and cheerless. But the rest of the apartment tenants shine: Jeffrey Wright (Syriana) as a single dad who has a penchant for crossword puzzles; Freddy Rodriguez (HBO’s Six Feet Under) as a weight builder who only lifts weights on one side of his body; Bob Balaban (A Mighty Wind) as a pompous film critic (and as a critic I’m not at all offended when he gets his comeuppances); Cindy Cheung as a Korean college student who is key in telling the epic bedtime story; Sarita Choudhury (She Hate Me) as a quippy young woman looking for her mission in life and Shyamalan himself as her brother the person Story is meant to inspire to write something extraordinary. There’s never a dull moment with this crew around. In a way M. Night Shyamalan has become his own worst enemy having to live up to this reputation as a master of suspense and surprise twists. His last effort The Village left many of his fans feeling unsatisfied—and unfortunately he may alienate more with Lady in the Water. But the fact of the matter is he is still one of Hollywood's more brilliant minds on par with screenwriter Charlie Kaufman for originality who has an innate talent for crafting ingenious stories filled with genuine human emotions. So maybe this time around he’s made a movie more for those most ardent of his fans who simply revel in the way his mind works no matter how incomprehensible and frivolous it may seem. So what? The diehards might feel compelled to defend Shyamalan’s choices with Lady—how he has come up with an entire universe where things like “scrunts” and the “Tartutic” (simian-like creatures who form an invincible force that maintains law and order in the Blue World) and “Madam Narfs” interact with humans in the real world. If the story actually took place in the Blue World then maybe it’d be easier to swallow. But that’s sort of the genius of Shyamalan. It’s as if with Lady in the Water he’s crafted a child-like movie for those adults who remember being told wildly creative bedtime stories who then in turn tell the stories to their kids.
Former James Bond villain Irvin Allen was cleared of the murder of his estranged wife in a London court yesterday.
The 71-year-old actor, who played bad guys in On Her Majesty's Secret Service and The Spy Who Loved Me, was found not guilty of the murder of Chamlong Allen in the British capital's Old Bailey, due to lack of evidence.
Thai-born Chamlong, 49, was found brutally murdered in a garage in west London in April 2005—only days before she was set to battle the actor in a court hearing for custody of their three children.
Allen's lawyer Sucheta Sarkas read a statement from the retired boxer and actor, saying, "I am thankful that this terrible ordeal has come to an end and I am found not guilty of the sad death of my wife.
"My thoughts at this moment are with my children that have stood with me throughout the long months that have taken to reach this moment.
"I now hope the police will reopen their inquiries and redouble their efforts to find my wife's killers."
Article Copyright World Entertainment News Network All Rights Reserved.
Former NFL star quarterback Paul Crewe (Sandler) doesn't really like himself much these days. Unproven accusations of points shaving have sent Crewe into a downward spiral of drunkenness and self-destructive behavior. It all comes to a very bad end one night when he takes a wild joyride in his girlfriend's Bentley with cops in pursuit. Crewe is sent to a Texas penitentiary where he figures he'll just quietly ride out his time in hopes of leaving a changed man. The sadistic warden (James Cromwell) however has other plans for Crewe. He forces the quarterback to transform a diverse group of inmates into a football team so that they can play his elite semi-pro team of guards. You know to make the guards look good when they crush the convicts. What the warden doesn't expect is how far Crewe--with the help of fellow inmates Nate Scarborough (Burt Reynolds) and Caretaker (Rock)--takes his task. He recruits his unlikely but somewhat talented teammates with the promise that they'll get a chance to exact revenge on the guards during anything-goes bone-crushing showdown. This is Crewe's one chance to redeem himself. Can he do it? You can do it Paul!
Seems like when Adam Sandler puts his mind to it he really can't lose. And The Longest Yard proves to another perfect Sandler vehicle. As Paul Crewe the comedian returns to his sports roots (Happy Gilmore The Waterboy) and basically plays the same unassuming slightly sardonic straight man. Crewe though is perhaps a little less angry and more resigned about his circumstances. Sandler also displays a fairly convincing flair for quarterbacking. The thing is Sandler doesn't need to stretch to be successful. He tried it in Punch-Drunk Love--and actually pulled it off quite nicely I might add--but if he's making billions of dollars playing himself why mess with a good thing? It's who he surrounds himself with that counts. Reynolds who played Crewe in the 1974 original looks like he's just as pleased as punch to be there as he relive some glory days as the grizzled coach Scarborough. He even gets in a little playing time on the field. What fun for him. The always-hysterical Rock complements his longtime SNL pal to a tee and with his petite frame next to all these hulking men naturally delivers all the funniest lines ("I'll teach you anything just don't eat me!"). Hip-hopper Nelly in his acting debut brings a certain MTV quality to the proceedings (and has a few songs on the soundtrack). And as far as the rest of the cast of ex-football players and professional wrestlers well they are there for a reason.
The 1974 The Longest Yard is apparently one of Sandler's favorite films and it's easy to see why. First of all it has Burt Reynolds who is so cool as the beleaguered Crewe. Then there's the classic underdog theme in which the good guys are actually bad guys--they are all convicted felons--but who we see systematically beat down by the "Man." You want them to thrash the holy crap out of those mean and nasty guards. I mean cons are people too right? Plus there are some great football sequences. So Sandler along with his Happy Madison Productions decides to pay homage assembles another crack team--including director Peter Segal who worked with Sandler on 50 First Dates and Anger Management--and produces a very worthy remake. They stay close to the original material--comedy tinged with sentiment--but of course can't help but add the requisite Sandler-isms. Those over-the-top "isms"--the bathroom humor the lame prison-sex jokes Rob Schneider yelling "You can do it!" et al.--is what all die-hard Sandler fans want to see so I guess it's expected. It's just not my cup of tea.
Former James Bond baddie Irvin Allen will be charged with the murder of
his wife May 3.
The 70-year-old retired actor played evil henchman Che Che opposite George
Lazenby in On Her Majesty's Secret Service (1969) and was credited as Stromberg
Sailor in the Roger Moore film The Spy Who Loved Me (1977).
The body of Allen's Thai-born wife Chamlong Allen, 49, was found in a lock-up
garage close to their Notting Hill, London, home on April 27. Chamlong had been stabbed several times.
Allen is set to appear at West London Magistrates' Court later today.
Article Copyright World Entertainment News Network All Rights Reserved.
Looney Tunes: Back in Action revisits an age-old Tunes question: Why does the affable Bugs reap all the fame and glory while the egocentric Daffy gets shafted again and again? Our duck friend quite frankly has had it up to his skinny neck playing second fiddle to the carrot muncher. All Daffy wants is a little recognition from the studio but the brothers Warner (actual twin brothers as we come to find out) decide instead to let Daffy out of his contract on the advice of their no-nonsense VP of comedy Kate Houghton (Jenna Elfman). Bugs however knows they're making a mistake. Even though Daff bears the brunt of the abuse Looney Tunes would fail without him and Bugs convinces the powers that be they need the nutty mallard. If the plot had only followed this thread--perhaps showing Daffy on the skids--then maybe the film wouldn't have spiraled into Looneyville. Unfortunately Daffy ends up hooking up with the hunky D.J. Drake (Brendan Fraser) a studio security guard who finds out that his famous movie star father Damian Drake (Timothy Dalton) is really a secret agent hunting for a mysterious diamond known as the Blue Monkey a supernatural gem that can turn the planet's population into monkeys. The evil head of the Acme Corporation Mr. Chairman (Steve Martin) wants the diamond for his own diabolical plans and he's kidnapped D.J.'s dad in an effort to get it. Now the gang has to get the diamond save D.J.'s dad and of course save the world.
It might be a little hard to act subtly around cartoon characters but these aren't your ordinary cutesy Mickey Mouse types. Bugs Daffy Porky Yosemite Sam and Foghorn Leghorn are pros at comic timing able to spar with the best of them throw out zingers without a second thought and slay you with a droll glance at the camera. It isn't really necessary for the human actors to match their madcap-ness; just reacting would have sufficed. Fraser comes off the best of the human bunch; since he's had practice (Monkeybone) he easily interacts with his animated co-stars and deftly handles the doubletakes and jabs at pop culture. Elfman on the other hand sputters and goes bug-eyed every time she encounters silliness. She looks uncomfortable doing the green screen thing especially when she's trying to look natural when peeling a distraught duck from around her waist. Martin's highly anticipated turn as Mr. Chairman turns out to be the biggest disappointment. The over-the-top character is reminiscent of Martin's hysterically funny Rupert the Monkeyboy in 1988's Dirty Rotten Scoundrels but Martin turns Mr. Chairman--an angry schoolboy with knee socks and matted-down hair who never grew up--into a caricature of ridiculous proportions and unlike Rupert who came in small hilarious doses Mr. Chairman gets very tiresome very quickly.
Back in Action's animation is well done more engaging and ambitious than its 1996 predecessor Space Jam in which the action mostly took place in Looney Tunes land; here animated characters go the Who Framed Roger Rabbit? route and Bugs Daffy and the rest coexist harmoniously with humans in the real world. But despite its aspirations Back in Action leaves out vital elements that made Space Jam appealing. While the earlier film stuck to a simple plot Back in Action guided by director Joe Dante (Small Soldiers The 'Burbs) tries too hard to keep things wild and wacky while incorporating elements of '60s heist pics and action-adventure scenes and in the process loses sight of the most important ingredient in any kids movie: the story. Tykes may have limited attention spans but if the story's good they will watch. Granted some individual bits are laugh-out-loud funny particularly the scene in the Warner Bros. commissary where a stuttering Porky Pig complains about being politically incorrect with Speedy Gonzales while an animated Shaggy and Scooby-Doo berate actor Matthew Lillard for playing Shaggy as such a bonehead in the live-action Scooby-Doo. These scenes prove that if any cartoon characters could pass themselves off as real celebrities in the entertainment industry the gang from Looney Tunes could but moments like these simply can't overcome a contrived plot and juvenile antics.