After months of rumours, he confirms Martin Freeman will play hero Bilbo Baggins and Richard Armitage will portray Thorin Oakenshield, the leader of the Dwarves.
And the director is thrilled about his lead actor, calling Freeman "exactly like Bilbo and I feel incredibly proud to be able to announce that he is our Hobbit."
Jackson insists Armitage is among "the most exciting and dynamic actors working on screen today."
The film, like Jackson's Lord of the Rings trilogy, is based on the writings of J.R.R. Tolkien.
Woody Allen’s neurotic-speak works wonders coming from a New Yorker but coming from a Brit? Not so much. The British could very well be just as phobic as anyone else but they are also repressed and trying to force the neurosis out just doesn’t ring as true. Nevertheless Allen is bound and determined to film abroad these days and thus once again sets Cassandra's Dream in contemporary London where we meet two brothers struggling to better their lives financially. The more blue-collar Terry (Colin Farrell) has a gambling problem and is in debt up to his eyeballs while enterprising Ian (Ewan McGregor) dreams of leaving his family’s restaurant and moving to California with his newfound love Angela (Hayley Atwell) an ambitious actress. Their only hope is their wealthy uncle Howard (Tom Wilkinson) but the boys quickly find out you can’t get something for nothing. You see Uncle Howard is also in a bit of trouble and he asks his nephews to help him out of his jam--with sinister consequences. First of all Farrell and McGregor look about as related as a dog and cat. Secondly they don't seem at ease in the film partly because their characters are anxious but also partly because they don’t mesh as well with Woody Allen’s sensibilities. Farrell fares a bit better since his natural Irish tendencies towards emotional outbursts fit the character well. His Terry is the one with the conscience and murdering someone just doesn’t sit well with him. McGregor on the other hand plays Ian almost robotically saying the words with as little emotion as possible which doesn’t do Allen’s dialogue any justice. Wilkinson falls under the same category as McGregor but his character is the one most morally challenged so playing it cold sort of works. The women in Cassandra's Dream are fairly wasted including newcomer Atwell as the manipulative actress and Sally Hawkins as Terry’s sweet and concerned girlfriend. Even the boys’ mother played by veteran stage actress Clare Higgins (The Golden Compass) comes off screechy. The cast must have all been thrilled to be in a Woody Allen movie to be sure but it just seems like Allen didn’t get them. Cassandra's Dream suffers from some of the same hang-ups as Match Point. Even though many heralded that 2005 movie as Woody Allen’s return the film had the same problems namely the ill-fitting British cast. At least Match Point had an American Scarlett Johansson whom Allen could pour all his tried-and-true fixations into--the paranoia the obsessiveness and the ultimatums. But Cassandra's Dream really proves that as a filmmaker Allen has become a stick-in-the-mud. He really hasn’t changed his tune in 25 years exploring the same themes over and over again and it’s finally getting old. When his films turn dark it’s usually about how murder can corrupt the soul. Natch. Sometimes the murderers however bothered they are by their deeds get away with it; sometimes they don’t. But rarely does Allen veer from this path making Cassandra's Dream a now very stale rehash of Crimes and Misdemeanors without the benefit of having at the very least some good old-fashioned Allen-styled American-acted neurosis to back it up.
Box office figures were Served this Super Bowl weekend.
The youthful hip-hop dance film You Got Served, starring the defunct boy band B2K, took the top spot with $16 million*, knocking last week's champ, the Ashton Kutcher thriller The Butterfly Effect, down to the third spot with $9.9 million.
"[You Got Served] is one of those movies that flies beneath the radar, then suddenly, it's at No. 1," Paul Dergarabedian, president of box-office tracker Exhibitor Relations, told The Associated Press. "It just shows when you go after that teen audience, it's an audience that definitely has power."
Second place belonged to the raucous romantic comedy Along Came Polly, which took in a decent $10 million, while the regal The Lord of the Rings: The Return of the King came in fourth with $5.2 million.
Rounding out the top five was another newcomer, the SAT heist flick The Perfect Score with $5 million, while the other heist flick opening this week, The Big Bounce, failed to make it to the top 10, scraping by with a measly $3.3 million.
With the Academy Award nominations announced on Tues. Jan. 27, the box office also saw a few familiar faces return in re-release, including Best Picture nominees Master and Commander: The Far Side of the World, which earned $2.3 million in 1,118 theaters, and Lost in Translation, which grossed $2.1 million in 632 theaters. Both joined Mystic River, which expanded last week. The indie drama Monster, which stars Best Actress nominee Charlize Theron, also saw a 49 percent jump, with a healthy $3 million in 668 theaters.
The overall Super Bowl weekend figures of $75.2 million, were slightly down, 5.93 percent, from the same Super Bowl weekend last year (which came a week earlier), at $79.9 million.
THE TOP TEN
Screen Gems' PG-13 rated hip-hoppin' You Got Served opened in the No. 1 slot with an ESTIMATED $16 million, which comes somewhat as a surprise since it only opened in 1,933 theaters. Still, its $8,277 per theater average was the highest of any film playing wide this week.
The former boy band B2K hits the big screen as an urban dance crew competing for a big cash prize.
Directed by Chris Stokes, it stars Marques Houston, Omarion, Jarell "J-Booq" Houston and Dreux "Lil Fizz" Frederic.
Universal Pictures' PG-13 rated romantic comedy Along Came Polly stayed in second place in its third week with an ESTIMATED $10 million (-38%) in 3,052 theaters (+57 theaters; $3,300 per theater). Its cume is approximately $66.7 million.
Directed by John Hamburg, it stars Ben Stiller, Jennifer Aniston, Philip Seymour Hoffman and Debra Messing.
Last week's champ, New Line Cinema's R rated supernatural drama The Butterfly Effect, dropped to third place in its second week with an ESTIMATED $9.9 million (-42%) in 2,605 theaters (unchanged; $3,820 per theater). Its cume is approximately $32.4 million.
Directed by Eric Bress and J. Mackye Gruber, it stars Ashton Kutcher, Amy Smart, Elden Henson and Ethan Suplee.
New Line Cinema's PG-13 rated fantasy epic The Lord of the Rings: The Return of the King actually moved up a spot to fourth in its seventh week with an ESTIMATED $5.2 million (-22%) at 2,556 theaters (-302 theaters; $2,338 per theater). Its cume is approximately $345.2 million.
Directed by Peter Jackson, it stars Elijah Wood, Viggo Mortensen, Orlando Bloom, Ian McKellen, Sean Astin, Liv Tyler, Miranda Otto, Billy Boyd and Dominic Monaghan.
Paramount Pictures' PG-13 rated dramedy The Perfect Score opened in fifth place, scoring $5 million in 2,208 theaters with a $2,264 per theater average.
A group of high school seniors conspire to steal the answers to the SAT test.
Directed by Brian Robbins, it stars Chris Evans, Scarlett Johansson, Erika Christensen, Bryan Greenberg and Leonardo Nam.
*Box office estimates provided by Exhibitor Relations, Inc.
Sony's PG-13 rated drama Big Fish dropped two notches to fourth place in its eighth week with an ESTIMATED $4.6 million (-35%) in 2,280 theaters (-158 theaters; $2,018 per theater). Its cume is approximately $55.3 million.
Directed by Tim Burton, it stars Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Helena Bonham Carter and Alison Lohman.
Miramax Films' R rated Civil War drama Cold Mountain held on to seventh place in its sixth week with an ESTIMATED $4.5 million (-9%) at 2,500 theaters (-302; $1,813 per theater average). Its cume is approximately $78.8 million.
Directed by Anthony Minghella, it stars Jude Law, Nicole Kidman and Renee Zellweger.
Dropping considerably, DreamWorks' PG-13 rated romantic comedy Win a Date With Tad Hamilton! came in at No. 8 in its second week with an ESTIMATED $4.5 million (-39%) in 2,808 theaters (+97; $1,603 per theater). Its cume is approximately $13.4 million.
Directed by Robert Luketic, it stars Kate Bosworth, Josh Duhamel and Topher Grace.
Warner Bros.' dramatic R rated Mystic River moved up a spot to ninth place since expanding to more theaters last week with an ESTIMATED $4.4 million (+31%) at 1,370 theaters (+43 theaters; $3,215 per theater). Its cume is approximately $64.8 million.
Directed by Clint Eastwood, it stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Laura Linney and Marcia Gay Harden.
Twentieth Century Fox's PG rated family comedy Cheaper by the Dozen rounded out the top 10 in its fifth week with an ESTIMATED $4.1 million (-36%) in 2,396 theaters (-416 theaters; $1,711 per theater). Its cume is approximately $127.8 million.
Directed by Shawn Levy, it stars Steve Martin, Bonnie Hunt, Hilary Duff and Tom Welling.
Warner Bros. PG-13 rated Hawaiian heist caper The Big Bounce didn't have much spring in its step in its opening weekend, taking in an ESTIMATED $3.3 million in 2,304 theaters with a $1,439 per theater average.
Directed by George Armitage, it stars Owen Wilson, Charlie Sheen, Morgan Freeman, Sara Foster and Gary Sinise.
This week, the Top 12 films grossed an estimated $75.2 million, down 8.75 percent from last week's $82.4 million, as well as down 19.65 percent from last year's $93.6 million.
Last year, Buena Vista's PG-13 rated The Recruit debuted at the No. 1 spot with $16.3 million at 2,376 theaters with a $6,861 per theater average; New Line Cinema's R rated horror sequel Final Destination 2 opened in second with $16 million in 2,834 theaters with a $5,652 per theater average; and DreamWorks' PG-13 rated actioner Biker Boyz premiered in third with $10 million in 1,766 theaters with a $5,723 per theater average.