While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
Hollywood's summer, which came in like a lion with Spider-Man in early May, went out like a lamb over Labor Day weekend with ticket sales down nearly 12 percent from last year.
Nonetheless, there were strong holiday weekend ticket sales for two of the summer's big successes -- Signs and My Big Fat Greek Wedding. Both pictures have performed very considerably better than insiders ever expected.
Signs, the summer's last mega-blockbuster to arrive, remained posted in first place with $15.8 million for four days. It is this summer's only film to place first for three weeks. Although no film did it consecutively, Signs was number one its opening weekend and then returned to the top spot in weekends four and five. With its cume now over $194 million and heading for $225 million,Signs ranks as Mel Gibson's biggest grossing film ever, eclipsing What Women Want with $182.5 million.
My Big Fat Greek Wedding, the summer's sleeper hit, added 290 engagements and soared to second place with $14.1 million. Made for only about $5 million, its cume is now $81.5 million and on its way to an enormously profitable $100 million.
XXX nailed down third place with $12.6 million. feardotcom logged on quietly in fourth place with $6.6 million. Austin Powers in Goldmember rounded out the top five with $6.5 million.
With no new openings to drive ticket sales, key films -- those grossing $500,000 or more -- fell 11.8 percent from last year with $100.1 million for four days versus $113.5 million last Labor Day weekend. This was the seventh consecutive weekend in which the marketplace was down compared to last year.
Hollywood was happy to see that Sunday's weather map showed rain up and down the East Coast as well as along the Gulf Coast and in parts of the mid-west. That could give Sunday ticket sales across the board a boost and help raise today's estimates a notch when they are fine tuned Monday.
THE TOP TEN
Today's grosses are for the four day holiday period from Friday through Monday and reflect industry estimates circulating Sunday morning. Studios will announce their four day estimates Monday and will release final figures Tuesday. Percentage comparisons are not indicated today because the prior weekend was a regular three day weekend.
Buena Vista/Touchstone's PG-13 rated supernatural thriller blockbuster Signs held solidly atop the chart in its fifth week with an ESTIMATED $15.8 million at 3,437 theaters (-16 theaters; $4,597 per theater). Its cume is approximately $194.2 million, heading for $225 million. (Its three day gross was an ESTIMATED $12.9 million.)
Directed by M. Night Shyamalan, it stars Mel Gibson and Joaquin Phoenix.
"By the way, the last movie to be number one in its fifth week was The Sixth Sense," a spokesperson for BV pointed out Sunday morning. Sixth Sense, of course, was also directed by Shyamalan.
"It's remarkable to think we finally have a picture this summer that was number one for three weeks," Buena Vista Distribution president Chuck Viane said Sunday morning. "Everything else seems to have had two weeks and then got bumped off. We only had one week (in first place) and then we came back and picked up two more. The legs of this picture really speak volumes for how much the public likes the movie.
"Yesterday (Saturday), the picture became Mel Gibson's highest grossing film ever. And we still have probably $30 million worth of gross left. What Women Want did (about) $182 million. That as Mel's biggest picture."
Focusing on Signs' success, Viane observed, "It's the movie. The movie is playing great and the audience is responding that way. There's not many pictures that come into a Labor Day weekend and actually go up in gross over the previous weekend and this is one of them."
IFC Films' release of Gold Circle Films and HBO's PG rated romantic comedy sleeper hit My Big Fat Greek Wedding continued to expand in its 20th week, rising two pegs to second place with an amazingly hot ESTIMATED $14.13 million at 1,619 theaters (+290 theaters; $8,727 per theater). Its cume is approximately $81.9 million, heading for $100 million or more in domestic theaters. (Its three day gross was an ESTIMATED $11.1 million.)
Wedding's average per theater was the highest for any film playing in wide release this weekend.
Directed by Joel Zwick, it stars Nia Vardalos and John Corbett.
Revolution Studios and Columbia's PG-13 rated action adventure thriller XXX slipped one notch to third place in its fourth week with a still muscular ESTIMATED $12.6 million at 3,536 theaters (+19 theaters; $3,550 per theater). Its cume is approximately $123.3 million. (Its three day gross was an ESTIMATED $10.2 million.)
Directed by Rob Cohen and produced by Neal H. Moritz, it stars Vin Diesel, Asia Argento and Marton Csokas.
MDP Worldwide's R rated horror film feardotcom opened in fourth place to a weak ESTIMATED $6.6 million at 2,550 theaters ($2,588 per theater). (Its three day gross was an ESTIMATED $5.6 million.)
Directed by William Malone, it stars Stephen Dorff, Natascha McElhone and Stephen Rea. It was produced by Moshe Diamant and Limor Diamant and executive produced by Elie Samaha, Andrew Stevens, David Saunders, Mark Damon, Rudy Cohen, Frank Hubner and Romain Schroeder.
feardotcom is being distributed by Warner Bros. through its overall rent-a-system deal with Samaha's Franchise Films.
New Line's PG-13 rated comedy sequel Austin Powers in Goldmember rose two rungs to fifth place in its sixth week with a less amusing ESTIMATED $6.5 million at 2,506 theaters (-299 theaters; $2,594 per theater). Its cume is approximately $202.9 million. (Its three day gross was an ESTIMATED $5.2 million.)
Directed by Jay Roach, it stars Mike Myers, Beyonce Knowles and Michael Caine.
Miramax/Dimension Films' PG rated family comedy sequel Spy Kids 2: The Island of Lost Dreams slipped three pegs to sixth place in its fourth week with a slow ESTIMATED $6.3 million at 3,250 theaters (-57 theaters; $1,938 per theater). Its cume is approximately $68.1 million. (Its three day gross was an ESTIMATED $5.3 million.)
Directed by Robert Rodriguez, it stars Antonio Banderas and Carla Gugino.
Universal and Imagine Entertainment's PG-13 rated romantic surfer girl comedy Blue Crush fell two waves to seventh place in its third week with a less sexy ESTIMATED $5.23 million at 2,820 theaters (-195 theaters; $1,855 per theater). Its cume is approximately $34.4 million.
Directed by John Stockwell and produced by Brian Grazer and Karen Kehela, it stars Kate Bosworth, Michelle Rodriguez, Matthew Davis, Sanoe Lake and Mika Boorem.
Paramount and Mandalay's PG-13 rated comedy Serving Sara dropped two posts to eighth place in its second week with an unfunny ESTIMATED $4.4 million at 2,174 theaters ($2,045 per theater). Its cume is approximately $12.0 million.
Directed by Reginald Hudlin, it stars Matthew Perry and Elizabeth Hurley.
Fox Searchlight Pictures' R rated comedy The Good Girl went wider in its fourth week and placed ninth with a still impressive ESTIMATED $3.5 million at 667 theaters (+479 theaters; $5,247 per theater). Its cume is approximately $7.1 million. (Its three day gross was an ESTIMATED $2.7 million.)
Directed by Miguel Arteta, it stars Jennifer Aniston, Jake Gyllenhaal and John C. Reilly.
"It's a terrific expansion," Fox Searchlight distribution president Stephen Gilula said Sunday morning. "The film is playing very well across the country in large and small cities, suburban and urban areas. I think people are intrigued by the nature of the story. It has hilarious moments and it also has some dark moments and some very touching family and very personal moments.
"It's a very distinctive film that people have interest in. The ensemble performances of Jennifer Aniston, Jake Gyllenhaal and the rest of the cast really have generated a lot of word of mouth."
Based on Sunday morning estimates there was a close race for tenth place. DreamWorks and 20th Century Fox's R rated adult appeal drama Road To Perdition, which was 11th last week, tied for tenth place in its eighth week with an okay ESTIMATED $3.1 million at 1,763 theaters (-100 theaters; $1,758 per theater). Its cume is approximately $98.1 million. (Its three day gross was an ESTIMATED $2.4 million.)
Directed by Sam Mendes, it stars Tom Hanks, Paul Newman and Jude Law.
Fox Searchlight Pictures' R rated thriller One Hour Photo, which began expanding in its second week, tied for tenth place with a very encouraging ESTIMATED $3.1 million at 163 theaters ($19,018 per theater). Its cume is approximately $3.6 million. (Its three day gross was an ESTIMATED $2.5 million.)
Written and directed by Mark Romanek, it stars Robin Williams.
"This is another very distinctive film, a very singular vision of the writer-director Mark Romanek," Fox Searchlight's Stephen Gilula said. "He got a terrific performance out of Robin Williams. It has clearly captivated the public and was done largely with word of mouth. We haven't done much in advertising. But I think that (its success reflects) Robin Williams' performance, which has been talked about a lot, combined with a very, very compelling concept -- that the man that develops your photos could be watching you and looking at your life. Everyone understands that concept. It's a very mesmerizing performance and a very chilling, creepy movie.
"Both The Good Girl and One Hour Photo really stand out at the end of summer. The big movies have all played and if you want to go out and see something that's more stimulating and thought provoking, (these are perfect choices). We're very, very pleased and very fortunate how well these films (have been embraced by moviegoers)."
TOP SUMMER GROSSING FILMS
This summer's top grossing films -- releases that have either grossed $100 million-plus or are clearly on the track to do so shortly -- are ranked below according to their approximate cumes through Labor Day weekend:
(1) Spider-Man - Columbia Pictures - $403.7 million
(2) Star Wars: Episode II -- Attack of the Clones - 20th Century Fox and Lucasfilm - $300.6 million
(3) Austin Powers in Goldmember - New Line Cinema - $202.9 million
(4) Signs -- Buena Vista/Touchstone - $194.2 million
(5) Men In Black II - Columbia Pictures - $190.2 million
(6) Scooby-Doo - Warner Bros. - $151.9 million
(7) Lilo & Stitch - Buena Vista/Disney - $141.6 million
(8) Minority Report - 20th Century Fox and DreamWorks Pictures - $130.6 million
(9) Mr. Deeds - Revolution Studios and Columbia Pictures - $124.2 million
(10) XXX - Revolution Studios and Columbia Pictures - $123.3 million
(11) The Sum Of All Fears - Paramount Pictures - $118.3 million
(12) The Bourne Identity - Universal Pictures - $118.0 million
(13) Road To Perdition - DreamWorks Pictures and 20th Century Fox - $98.1 million
(14) My Big Fat Greek Wedding - IFC Films - $81.9 million
This summer produced a dozen films that cracked $100 million and two others that are about to do so. Last summer 10 films hit $100 million and three films wound up grossing in the low $90 millions. Last summer's top grossing film, DreamWorks' animated feature Shrek, grossed $262.9 million.
Notably lacking from the list of summer successes starring superstars is Paramount and InterMedia Films' costly budget action adventure K-19: The Widowmaker, starring Harrison Ford, one of the summer's biggest disappointments. After opening to negative reviews, the Russian nuclear submarine drama sank immediately at the box office. Its cume is approximately $34.4 million.
Also not making the superstar success list is Warner Bros.' The Adventures of Pluto Nash, starring Eddie Murphy. It, too, was slaughtered by the critics and opened poorly. Its cume is approximately $4 million.
TOP TEN SUMMER OPENINGS
This summer's Top Ten films ranked by their opening weekend grosses were:
(1) Spider-Man - Columbia Pictures - $114.8 million
(2) Star Wars: Episode II -- Attack of the Clones - 20th Century Fox and Lucasfilm - $80.0 million
(3) Austin Powers in Goldmember - New Line Cinema - $73.1 million
(4) Signs -- Buena Vista/Touchstone - $60.1 million
(5) Scooby-Doo - Warner Bros. - $54.2 million
(6) Men In Black II - Columbia Pictures - $52.1 million
(7) XXX - Revolution Studios and Columbia Pictures - $44.5 million
(8) Mr. Deeds - Revolution Studios and Columbia Pictures - $37.2 million
(9) Minority Report - 20th Century Fox and DreamWorks Pictures - $35.7 million
(10) Lilo & Stitch - Buena Vista/Disney - $35.3 million
This weekend also saw the arrival of Sony Pictures Classics' R rated Spanish drama Mad Love to an okay ESTIMATED $29,000 at 3 theaters ($9,798 per theater).
Directed by Vicente Aranda, it stars Pilar Lopez de Ayala.
There were no national sneak previews this weekend.
On the expansion front this weekend Focus Features' romantic drama Possession went wider in its third week to a promising ESTIMATED $2.4 million at 612 theaters (+269 theaters; $3,985 per theater). Its cume is approximately $6.4 million.
Directed by Neil LaBute, it stars Gwyneth Paltrow and Aaron Eckhart.
Buena Vista/Disney's PG rated animated family appeal feature Lilo & Stitch widened again over Labor Day weekend in its 11th week to mop up an ESTIMATED $1.2 million at 1,653 theaters (+1,175 theaters; $765 per theater). Its cume is approximately $141.6 million.
Written and directed by Chris Sanders, it was produced by Clark Spencer.
Paramount Classics' PG rated German romantic comedy Mostly Martha went wider in its third week with an okay ESTIMATED $0.5 million at 66 theaters (+39 theaters; $7,245 per theater). Its cume is approximately $0.8 million.
Written and directed by Sandra Nettelbeck, it stars Martina Gedeck.
United Artists' R rated comedy 24 Hour Party People, released through MGM, continued to widen and hold well in its fourth week with an ESTIMATED $0.18 million at 32 theaters (+9 theaters; $5,595 per theater). Its cume is approximately $0.6 million.
Directed by Michael Winterbottom, it stars Steve Coogan.
Key films -- those grossing more than $500,000 -- took in approximately $100.05 million for the four day weekend, down 11.82 percent from last year when they totaled $113.46 million for four days.
Key films cannot be compared to the previous weekend of this year, which was a regular three day weekend.
Last year, MGM's opening week of Jeepers Creepers was first with $15.83 million at 2.944 theaters ($5,378 per theater); and New Line's fourth week of Rush Hour 2 was second with $11.71 million at 2,825 theaters ($4,146 per theater). The top two films one year ago grossed $27.5 million. This year, the top two films grossed an ESTIMATED $29.9 million.
A complete list of 44th Annual Grammy Award winners, announced Wednesday night:
Record of the Year: Walk On, U2
Rap Album: Stankonia, OutKast
Song of the Year: "Fallin'," Alicia Keys
Album of the Year: O Brother, Where Art Thou? soundtrack, Various Artists
Rock Performance By A Duo Or Group With Vocal: "Elevation," U2
New Artist: Alicia Keys
Country Collaboration with Vocals: "I Am a Man of Constant Sorrow," Dan Tyminski, Harley Allen and Pat Enright (The Soggy Bottom Boys), from the O Brother, Where Art Thou? soundtrack
Female Pop Vocal Performance: "I'm Like a Bird," Nelly Furtado
R&B Album: Songs in A Minor, Alicia Keys
Rock Song: "Drops of Jupiter," Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford and Scott Underwood (Train)
Pop Collaboration with Vocals: "Lady Marmalade," Christina Aguilera, Lil' Kim, Mya and Pink
Pop Performance by a Duo or Group with Vocal: "Stuck in a Moment You Can't Get Out Of," U2
Rock Album: "All That You Can't Leave Behind," U2
Male Pop Vocal Performance: "Don't Let Me Be Lonely Tonight," James Taylor
Pop Instrumental Performance: "Reptile," Eric Clapton
Dance Recording: "All For You," Janet Jackson
Pop Instrumental Album: No Substitutions--Live in Osaka, Larry Carlton and Steve Lukather
Pop Vocal Album: Lovers Rock, Sade
Traditional Pop Vocal Album: Songs I Heard, Harry Connick Jr.
Female Rock Vocal Performance: "Get Right With God," Lucinda Williams
Male Rock Vocal Performance: "Dig In," Lenny Kravitz
Hard Rock Vocal: "Crawling," Linkin Park
Metal Performance: "Schism," Tool
Rock Instrumental Performance: "Dirty Mind," Jeff Beck
Alternative Music Album: Parachutes, Coldplay
Female R&B Vocal Performance: "Fallin'," Alicia Keys
Male R&B Vocal Performance: "U Remind Me," Usher
R&B Performance by a Duo or Group With Vocal: "Survivor," Destiny's Child
R&B Song: "Fallin'," Alicia Keys (Alicia Keys)
Traditional R&B Album: "At Last," Gladys Knight
Rap Solo Performance: "Get Ur Freak On," Missy "Misdemeanor" Elliott
Rap Performance by a Duo or Group: "Ms. Jackson," OutKast
Rap/Sung Collaboration: "Let Me Blow Ya Mind," Eve Featuring Gwen Stefani
Female Country Vocal Performance: "Shine," Dolly Parton
Male Country Vocal Performance: "O Death," Ralph Stanley, from the O Brother, Where Art Thou? soundtrack
Country Performance by a Duo or Group With Vocal: "The Lucky One," Alison Krauss + Union Station
Country Instrumental Performance: "Foggy Mountain Breakdown," Earl Scruggs, Glen Duncan, Randy Scruggs, Steve Martin, Vince Gill, Marty Stuart, Gary Scruggs, Albert Lee, Paul Shaffer, Jerry Douglas and Leon Russell
Country Song: "The Lucky One," Robert Lee Castleman (Alison Krauss + Union Station)
Country Album: Timeless--Hank Williams Tribute, Various Artists
Bluegrass Album: New Favorite, Alison Krauss + Union Station
Contemporary Jazz Album: M2, Marcus Miller
Jazz Vocal Album: The Calling, Dianne Reeves
Jazz Instrumental Solo: "Chan's Song," Michael Brecker
Jazz Instrumental Album: This Is What I Do, Sonny Rollins
Large Jazz Ensemble Album: Homage To Count Basie, Bob Mintzer Big Band
Latin Jazz Album: Nocturne, Charlie Haden
Rock Gospel Album: Solo, DC Talk
Pop/Contemporary Gospel Album: CeCe Winans, CeCe Winans
Southern, Country or Bluegrass Album: Bill & Gloria Gaither Present A Billy Graham Music Homecoming, Bill and Gloria Gaither and The Homecoming Friends
Traditional Soul Gospel Album: Spirit of the Century, The Blind Boys of Alabama
Contemporary Soul Gospel Album: The Experience, Yolanda Adams
Gospel Choir or Chorus Album: Love Is Live!, LFT Church Choir, Hezekiah Walker, choir director
Latin Pop Album: La Musica De Baldemar Huerta, Freddy Fender
Latin Rock/Alternative Album: Embrace the Chaos, Ozomatli
Traditional Tropical Latin Album: Dejame Entrar, Carlos Vives
Salsa Album: Encore, Robert Blades
Merengue Album: Yo Por Ti, Olga Tanon
Mexican/Mexican-American Album: En Vivo ... El Hombre y Su Musica, Ramon Ayala y Sus Bravos del Norte
Tejano Album: Nadie Como Tu, Solido
Traditional Blues Album: Do You Get the Blues?, Jimmie Vaughan
Contemporary Blues Album: Nothing Personal, Delbert McClinton
Traditional Folk Album: Down From the Mountain, Various Artists
Contemporary Folk Album: Love and Theft, Bob Dylan
Native American Music Album: Bless the People--Harmonized Peyote Songs, Verdell Primeaux and Johnny Mike
Reggae Album: Halfway Tree, Damian Marley
World Music Album: Full Circle/Carnegie Hall 2000, Ravi Shankar
Polka Album: Gone Polka, Jimmy Sturr
Musical Album for Children: Elmo and the Orchestra, Sesame Street Characters
Spoken Word Album for Children: Mama Don't Allow, Tom Chapin
Spoken Word Album: Q: The Autobiography of Quincy Jones, Quincy Jones
Spoken Comedy Album: Napalm and Silly Putty, George Carlin
Musical Show Album: The Producers, Original Broadway Cast with Nathan Lane and Matthew Broderick, lyricist and composer Mel Brooks
Compilation Soundtrack Album For a Motion Picture, Television or other Visual Media: O Brother, Where Art Thou?, Various Artists
Score Soundtrack Album for a Motion Picture, Television or other Visual Media: Crouching Tiger, Hidden Dragon, composer Tan Dun
Song Written for a Motion Picture, Television or Other Visual Media: "Boss of Me," (They Might Be Giants from Malcolm in the Middle), songwriters They Might Be Giants
Instrumental Composition: "Cast Away (End Credits)," Alan Silvestri (Alan Silvestri)
Instrumental Arrangement: "Claude Debussy 'Doctor Gradus Ad Parnassum' from Children's Corner," Bela Fleck and Edgar Meyer (Bela Fleck with Joshua Bell and Gary Hoffmann)
Instrumental Arrangement Accompanying Vocalist(s): "Drops of Jupiter," Paul Buckmaster (Train)
Recording Package: "Amnesiac (Special Limited Edition)" (Radiohead)
Boxed Recording Package: "Brain in a Box--The Science Fiction Collection," (Various Artists)
Album Notes: (tie) Richard Pryor ... And It's Deep Too! The Complete Warner Bros. Recordings (1968-1992), (Richard Pryor); Arhoolie Records 40th Anniversary Collection: 1960-2000 The Journey Of Chris Strachwitz, (Various Artists)
Historical Album: Lady Day: The Complete Billie Holiday on Columbia 1933-1944, (Billie Holiday)
Engineered Album, Non-Classical: The Look of Love, (Diana Krall)
Producer of the Year, Non-Classical: T Bone Burnett
Remixed of the Year, Non-Classical: Deep Dish, "Thank You (Deep Dish Vocal Remix)" (Dido)
Engineered Album, Classical: Bernstein (Arr. Brohn & Corigliano): West Side Story Suite (Lonely Town; Make Our Garden Grow, Etc.) (Joshua Bell)
Producer Of The Year, Classical: Manfred Eicher
Classical Album: Berlioz: Les Troyens, James Mallinson, producer
Orchestral Performance: "Boulez Conducts Varese (Ameriques; Arcana; Deserts; Ionisation)," Pierre Boulez (Chicago Sym. Orch.)
Opera Recording: "Berlioz: Les Troyens," Sir Colin Davis; Michelle De Young, Ben Heppner, Petra Lang, Peter Mattei, Stephen Milling, Sara Mingardo, Kenneth Tarver; James Mallinson, producer (Various Artists; London Sym. Orch.)
Choral Performance Award: "Bach: St. Matthew Passion," Nikolaus Harnoncourt (Arnold Schoenberg Chamber Orch. and Wiener Sangerknaben; Concentus Musicus Wien)
Instrumental Soloist(s) Performance: "Strauss Wind Concertos (Horn Concerto; Oboe Concerto, etc.)," Dale Clevenger, horn; Larry Combs, clarinet; Alex Klein, oboe; David McGill, bassoon; Daniel Barenboim, piano/conductor (Chicago Sym. Orch.)
Instrumental Soloist Performance (without Orchestra): "Britten Cello Suites (1-3)," Truls Mork, cello
Chamber Music Performance: "Haydn: The Complete String Quartets," The Angeles String Quartet
Small Ensemble Performance (with or without Conductor): "After Mozart (Raskatov, Silvestrov, Schnittke, Etc.)," Kremerata Baltica; Gidon Kremer, violin
Classical Vocal Performance: "Dreams & Fables--Gluck Italian Arias (Tremo Fra' Dubbi Miei; Di Questa Cetra in Seno, etc.)," Cecilia Bartoli, mezzo soprano
Classical Contemporary Composition: "Rouse: Concert De Gaudi for Guitar and Orch.," Christopher Rouse, composer
Classical Crossover Album: Perpetual Motion (Scarlatti, Bach, Debussy, Chopin, etc.) Bela Fleck, banjo (Joshua Bell, violin; Evelyn Glennie, marimba; Gary Hoffman, cello; Edgar Meyer, bass and piano; Chris Thile, mandolin; John Williams, guitar)
Short Form Music Video: "Weapon of Choice," Fatboy Slim featuring Bootsy Collins
Long Form Music Video: "Recording the Producers--A Musical Romp With Mel Brooks," Mel Brooks (with Various Artists including Nathan Lane and Matthew Broderick)
New Age Album: A Day Without Rain, Enya