Modern Family sure knows how to bring in the special guests. Off the top of my head I recall Edward Norton, Elizabeth Banks, Fred Willard, and Benjamin Bratt (among many others) made appearances last season. Now we can add 24’s Mary Lynn Rajskub to the list, if you are so inclined to have made such a list. Not that I have or anything like that. No this piece of paper with a bunch of names on it is completely unrelated.
Anyway, in the show she will play the ex-girlfriend of Mitchell who comes back into his life for (presumably) just this episode. What’s the big deal you ask? Obviously you don’t watch the show because Mitchell is gay and has a husband, Cam, with whom they have an adopted daughter Lily (adorable) and obviously having an ex-girlfriend in the equation will cause hijinks to ensue! Will Cam get jealous? Will Mitchell be awkward? You better believe it. Fingers crossed that Modern Family grows a pair and makes a threeway joke.
I’m not a fan of 24, but my parents are so I asked them about Rajskub and apparently my entire extended family was there for some reason. Either way my mother said she thought the character was smart and good foil for Jack Bauer but she definitely got prettier through the seasons. Then some aunts chipped in that she was annoying and a brat. Then they started yelling at each other and I hung up. Gotta love the family.
Source: TV Guide
Don Johnston (Murray)--yes he often gets the allusion to Melanie Griffith's ex but he's tired of hearing it by now--has just been left by yet another girlfriend (Julie Delpy). He doesn't really mind one way or the other. In fact he doesn't have much emotion towards any aspect of his life except for perhaps lying on the couch watching his TV and listening to his offbeat music. Even when receives an anonymous letter in the mail from an ex-lover telling him that he has a now-grown son he shrugs it off. But once his quasi-sleuth neighbor Winston (Jeffrey Wright) gets wind of this he spurs Don on to investigate further. And so the journey begins with Don embarking on a cross-country trek to find the writer of the letter. He revisits his old flames: a widow (Sharon Stone) who's raising a daughter (aptly) named Lolita; an animal communicator (Jessica Lange) with a thriving "practice"; a rather sterile real estate agent (Six Feet Under's Frances Conroy) who's loath to recall her past; and a country bumpkin (Tilda Swinton) resistant to Don's inquiries. Fed up and weary Don returns home to his comfortable misery much to Winston's dismay. But a chance encounter around town sends Don spinning in circles waking him up for the first time in eons.
Much has been said about the minimalist acting in Flowers. That could be because there is actually minimal acting in the film. Instead the focus is on what's not spoken. What's between the lines the dynamics between the characters and what's going on internally--and Murray is brilliant at it. The actor is at his deadpan-best. The neo-Murray embodies everything this man's past has reduced him to--without having to actually rehash said past. Of course we hate to say this since we've been disappointed in the past but Murray may get another good shot at winning his sought-after Oscar. As his partner in crime the always dazzling Wright (HBO's Angels in America)--the Stanley Kubrick of actors who chooses roles that will not compromise his artistic integrity--provides all the overt comedy and interactions we might have expected from Murray. It's a flawless performance. As Don's four ex-flames the actresses' collective screen time are short but necessarily succinct. Most noteworthy among them is Swinton a native Brit who is utterly unrecognizable as Don's backwoods ex.
Writer-director Jim Jarmusch is truly in a class of his own. The auteur with highly eclectic tastes who is also revered in the indie cult community puts out movies few and far between. But he's always prided himself on the fact his films such as Coffee and Cigarettes and Stranger Than Paradise are limited only to his arthouse devotees. Yet with Flowers there has been some trepidation from even his most faithful that this film may be his most mainstream to date. Heaven forbid! It still doesn't detract from the film's brilliance. As with most of Jarmusch's pieces Flowers' central core is discovering the beauty in the mundane. And anyone who thinks Jarmusch may have sold out will be put into their places after seeing the film's most-divisive climax--an ending that is far from the cut-and-dry sweetness to most audiences are accustomed. The writer-director also demonstrates an uncanny ability to tap into Murray's dry sense of humor and cynical outlook on life better than other director. Having previously worked together in Cigarettes we can only hope that the collaboration of Murray and Jarmusch becomes the Johnny Depp/Tim Burton of indie world.
And then there was 12. The Oscar camp has announced the dozen second-round qualifiers for the Best Documentary prize. And judging by the lineup, it doesn't look like the deciding committee is experiencing its usual "forgetfulness" when it comes to potential nominees.
The list is a virtual hit parade, including some of the year's most talked-about films -- from the absurd ("Mr. Death" ) to the sublime ("Buena Vista Social Club") and the farcical ("American Movie") to the serious "On The Ropes."
The following is the complete list:
"Amargosa" "American Movie" "Beyond the Mat" "Buena Vista Social Club" "Genghis Blues" "Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr." "On the Ropes" "One Day in September" "Pop & Me" "Smoke and Mirrors: A History of Denial" "The Source" "Speaking in Strings"
A committee of Academy members selected the docs. Final voting is currently taking place in Beverly Hills, New York and San Francisco where voters will screen the flicks before voting for five that'll earn official nominations. Overall, 55 feature-length docs were eligible for the 1999 competition.
Nominees for all 22 Academy Award categories - including Best Documentary -- will be announced Feb. 15 at 5:30 a.m. PST.
ALL HAIL NERDS: The unsung heroes of the movie business - tech heads, hardware geniuses, overworked engineers, etc. -- are getting their moment in the so-called limelight, too.
The Academy Awards folks are set to honor the behind-the-sceners for outstanding scientific and technical achievement in ceremonies March 4 in Beverly Hills. (Of course, unlike the movie-star types, the nerds will receive plaques and certificates, not shiny statues.)
Also, unlike the movie-star types, the nerds won't have to wait to find out if they've won. The Academy released its list of 12 techie awards Tuesday.
The following is a list of the recipients and their achievements.
Scientific and Engineering Awards:
Nick Phillips, for the design and development of the three-axis Libra III remote control camera head.
Fritz Gabriel Bauer, for the concept, design and engineering of the Moviecam Superlight 35mm Motion Picture Camera.
Iain Neil, Rick Gelbard and Panavision Inc., respectively, for the optical design, mechanical design and development of the Millennium Camera System viewfinder.
Huw Gwilym, Karl Lynch and Mark Crabtree, for the design and development of the AMS/Neve-Logic Digital Film Film Console for motion picture sound mixing.
James Moultrie, Mike Salter and Mark Craig Gerchman, for the mechanical design of the Cooke S4 Range of Fixed Focal Length Lenses for 35mm motion picture photography.
Marlowe A. Pichel, for development of the process for manufacturing Electro-Formed Metal Reflectors.
L. Ron Schmidt, for the concept, design and engineering of the Linear Loop Film Projectors.
Nat Tiffen of Tiffen Manufacturing Corporation, for the production of high-quality, durable, laminated color filters for motion picture photography.
Technical Achievement Awards:
Vivienne Dyer and Chris Woolf, for the design and development of the Rycote Microphone Windshield Modular System.
Leslie Drever, for the design and development of the Light Wave microphone windscreens and isolation mounts from Light Wave Systems.
Richard C. Sehlin, Dr. Mitchell J. Bogdanowicz and Mary L. Schmoeger of the Eastman Kodak Co., respectively for the concept, design and development of the Eastman Lamphouse Modification Filters.
Hoyt H. Yeatman Jr. of Dream Quest Images and John C. Brewer of the Eastman Kodak Company, for the identification and diagnosis leading to the elimination of the "red fringe" artifact in traveling matte composite photography.
NEW LOOK: The official poster for this year's Oscars has been unveiled -- and its so-called "exciting new look for the year 2000" is not as forward-thinking as one might expect.
The millennium-themed poster, designed by filmmaker/graphic artist Arnold Schwartzman for the fourth consecutive year, is based on the 1926 Fritz Lang classic "Metropolis," a flick set in the dystopian future (translation: bad days) of the 2000.
The inspiration for the poster (the encircling numerals, to be exact) can apparently be traced back to a sequence in the silent classic where a robot is brought to life by circles of electricity. No word from Schwartzman if the anti-authoritarian values of the Lang's film also informed his design.
Audiences can judge for themselves when 50,000 posters hit theaters and video retailers this week.