Every time a box office cash register rings, a movie gets a sequel. So just a short 67 years after its original release, a follow-up to It's A Wonderful Life is in development. Yes, you read that correctly. The film, which will be titled It's a Wonderful Life: The Rest of the Story will star Karolyn Grimes, who played George Bailey's daughter Zuzu and made the iconic proclamation that "every time a bell rings, an angel gets their wings," will reprise her role. However, instead of a precocious child, Zuzu is now an angel herself, tasked with showing George Bailey's grandson — also conveniently named George Bailey — how much better the world would be had he never been born. Despite the bleakness of the plot description, the film's writers Bob Farnsworth and Martha Bolton will "retain the spirit" of the original film, which argues that every person's life is significant and important.
Whether or not you're a fan of the holiday classic, which stars Jimmy Stewart and Donna Reed, there's not a lot about sequel that will help to inspire confidence. Putting aside the fact that it has not only held up over the years as a touching Christmastime story about valuing the impact your make on the world, but has also gotten better with time. this is simply not a film that needs a sequel. Like Buddy the Elf, Ralphie Parker and Rudolph the Red Nosed Reindeer himself, George Bailey has become a beloved holiday character, and It's a Wonderful Life is an important part of family traditions across the globe. And frankly, if Will Ferrell knows when to turn down a sequel so should the team behind this film.
Although The Rest of the Story will retain a member of the original cast, Grimes hasn't acted since 1952, which isn't a good sign for a film that will require her to be the emotional center of its story. She does, however, have a strong bond with her most famous character, and she continues to tour around the country and make appearances at screenings of It's A Wonderful Life. But her familiarity with the original film doesn't mean that she will be able to carry its sequel, and, depending on how experienced the new George Bailey is, there is a very good chance that she will need to do so.
Which brings us to our next issue: George Bailey. Any actor taking on a role so famously associated with Stewart is in for a challenge, and his absence will no doubt loom large over the film. There's also no indication of how old the new George is supposed to be, which means that though the film will follow a grown-up who is unhappy with the person he has become, there's still a chance that this could be a film about a misbehaving kid who needs to change his attitude before he grows up to be a horrible person. Although the former will make for a much more compelling story, it would also make it more difficult for the actor playing George to escape being compared to Stewart. Plus, based on the synopsis that has been released, it sounds as if the new George is already a terrible guy, who has caused harm and heartbreak to the people around him, and needs to change his ways — you know, just like in A Christmas Carol. The only thing worse than making a terrible sequel to It's A Wonderful Life would be making a terrible sequel to It's A Wonderful Life that somehow drags another beloved Christmas tale down with it.
The challenge of making the new story work, however, falls to the screenwriters, Farnsworth and Bolton. Unfortunately, the bulk of Bolton's writing credits are for Bob Hope television specials and movies, which also doesn't bode well for the film. Like Grimes, she has a great deal of experience with Christmas stories, but It's A Wonderful Life requires a lot more depth and heart than most television movies do. It's likely that Bolton was responsible for adding some humor to the proceedings, as thing can easily take a dark turn with that particular plot, but there's nothing present on Bolton's resume that would make dedicated fans of the film feel at ease with the idea of a sequel.
And if that weren't enough to doom the project, there have already been several attempts to make a new version of the famous tale, and none of them were particularly successful. In 1977, a television movie told from the perspective of Mary Bailey called It Happened One Christmas aired, starring Cloris Leachman and Orson Welles. The film initially got positive reviews, but it hasn't been broadcast since 1979. There was also a spinoff, Clarence, made in 1990, which followed George Bailey's guardian angel in his attempts to save another soul. It was a made-for-TV movie starring Robert Carradine, which pretty much tells you everything you need to know. The story of It's A Wonderful Life has also been used to inspire the Christmas episodes of television shows from Married... With Children to Raising Hope to Cheers, and has become such a cultural touchstone that a sequel isn't needed to keep its lessons relevant.
It's A Wonderful Life: The Rest of the Story is set for a December 2015 release, which gives you plenty of time to try and forget that it's being made and re-watch the original over and over during the holiday season.
Saying that s**t in Westeros (and Qarth) has officially hit the fan is a massive understatement. All Ned Stark executions aside, at the end of last season, most of our main characters seemed to be on the up and up. Jon Snow and his brothers in black were headed for adventure beyond The Wall. Daenerys had a khalasar and three dragons on her side. Tyrion would maintain order as the Hand of the King. Arya was headed back to safety, Bran and Rickon were safe at Winterfell, and Joffrey ruled Westeros with an obnoxious velvet-gloved fist.
By the end of tonight's episode, all of these characters were struggling to hold on to any remaining semblance of stability. Winterfell was in shambles, King's Landing was rioting, Arya was seconds away from certain death, and Dany LOST HER FREAKING DRAGONS. That's right: The Dragon Queen is now just a regular sort-of-Queen, with almost no subjects to speak of. (More on that later.)
There was a silver lining in tonight's episode, in that we officially learned that Jon Snow has no game. Also, Joffrey was slapped in the face by both Tyrion and a steaming pile of cow dung. Let the gifs begin.
Winterfell: Even though he's an idiot, Theon's plan to take Winterfell went off without a hitch, since there was no one there to defend it. Way to go, buddy! You defeated a bunch of peasants and a crippled kid. Only one tiny problem still remained: He had to convince Bran to publicly hand over the reigns. Theon burst into the sleeping lordlings room, high on power (and Adderall?). "I've taken Winterfell," he said. "I took it. I am occupying it. I sent men over the walls with grappling claws, and ropes."
"Why?" Bran asked, as he stared at the "man" who had saved him from wildlings only months before. Oh it's simple, Bran: Theon hates himself. Theon pushed and prodded until he got his way, stressing that he be called Prince Theon whenever Bran called him by his name. Alfie Allen and Isaac Hempstead were both brilliant in this scene, making the juxtaposition of the tragically deranged brat on a power trip with the stoic, physically-not-mentally broken child incredibly powerful. When Bran said, "Did you hate us the whole time?" it became clear just how much the boy has grown since we met him last season.
Down in the yard, Bran told his subjects that he had yielded Winterfell to Theon, with the agreement that Theon would not harm them. Of course, Theon's first command as Lord Winterfell was to have ravens sent out, informing his father and his sister that he had succeeded at a task that he was never given. A couple of Theon's men entered the yard, dragging an angry and bloodied Ser Rodrik. Theon demanded fealty from Winterfell's trusted knight, and Rodrik spit in his face. Theon's first response was classic Winterfell: He ordered that Rodrik be taken to the cells, to be reprimanded at a later date. But one of his men quickly convinced him that he would gain more respect if he did things the Iron way -- with a public execution.
The following sequence was both tragic and disturbing, and it quickly set the chaotic tone for the rest of the episode. Bran, Rickon, and the citizens of Winterfell screamed and cried in horror as Rodrik was sentenced to death by beheading. A good man to the end, Rodrik offered the Stark boys some comforting words in his last moments: "I'm off to see your father." Of course, since this was Winterfell, Theon had to honor Ned's custom of doing the deed himself -- but Theon Greyjoy is no Ned Stark, and his sword was definitely not made of Valyrian Steel. He asked the loyal and honorable Rodrik for his last words ("Gods help you, Threon Greyjoy. Now you are truly lost.") then delivered the most poorly executed execution since the guy who married Courtney Stodden messed up the electric chair scene in The Green Mile. It took several whacks for Rodrik to die, and the head just wouldn't come off. To finish the deed, Theon feverishly kicked it like it was a f***ing soccer ball. So, who do we hate more this week: Joffrey, or the newly self-crowned "Prince" of Winterfell?
Luckily, the brothers Stark wasted no time in getting away. That night, the slave Osha came to Theon's chambers, offering him her "service" in exchange for eventual freedom. She slowly and seductively disrobed, much like Margaery a few weeks back, showing off a gorgeous body that absolutely no one was expecting. They did the deed, sending Theon off to a blissful sleep. Osha made her exit in the dead of night, and managed to kill one of Theon's men before escaping with Bran, Rickon, Hodor, and the direwolves.
Phew. I think that was the most time we've spent in Winterfell all season.
Harrenhal: I'm noticing a trend where the scenes involving Arya are consistently the most awesome -- especially when they also include Lord Tywin. Someone get these two a spin-off, stat. Peter Baelish had arrived from the camp formerly known as Renly with news, and a proposition: Margaery Tyrell was just dying to be queen, and a marriage between she and Joffrey would unite two of the most powerful families in Westeros. Twyin agreed to nothing, but their exchange was not the most vital interaction happening in this scene. Arya struggled to avoid Baelish's gaze as he and Tywin schemed, yet his one true glimpse at her face suggested recognition. She was probably terrified, but I would argue that Baelish's love for Catelyn would dissuade him from screwing over one of her daughters.
But this little scare was nothing compared to the disaster she faced later. Arya noticed that a newly-arrived raven's note contained information about Robb, but Tywin stood in the way of its contents. He had already noticed that she knew how to read, and asked her about it as she performed her duties. She said she had learned from her father, who was a self-taught stone mason. Surprisingly, Twyin actually seemed interested. "You're a sharp little thing, aren't you?" he asked. Bravely, Arya used this rare, detailed exchange as an opportunity to seize the note. She asked Tywin about his own father, then snatched it behind his back and he answered.
She read its contents -- details of Robb's movements -- on the steps, then ran right smack into the vicious Amory Lorch. Amory tried to grab her to take her back to Tywin, but the Syrio-trained Arya darted away, cat-like, to find Jaqen H'ghar. She gave him her second name, and demanded a hasty delivery. "A man cannot make a thing happen before its time," Jaqen replied. But clearly a man can, because Amory dropped dead the second he entered Tywin's door.
Beyond The Wall: Beyond The Wall, it was still very cold. The famed ranger Qhorin Halfhand offered warm and fuzzy words of encouragement to Jon Snow, who was finally starting to feel at home in the hellish arctic tundra. "You will die a meaningless death, and no one will notice," he said, basically. Later, the rangers came across a gaggle of unsuspecting wildlings and slew them all -- except for the pretty one, of course. World, meet Ygritte! Ygritte is a major player in the books, and before she roamed the north as a sex-crazed wildling, she dreamt of becoming a secretary in the halls of Downton Abbey.
Ygritte told the rangers that hundreds of thousands of free folk were gathered in the mountains, and for her troubles she was sentenced to death. That's two so far this episode! Jon offered to do the deed himself, but despite Ygritte's taunting, ("Bastard! Do it!) he just couldn't pull the plug. Jon Snow is a lady-killer, just not in that way. She ran away, leading to an epic chase sequence that ultimately led to Jon's sword at her throat, again. It was basically the most adorable meet-cute ever.
But much to Ygritte's chagrin, there would be no romantic advancement between the two this week, unless you count some innocent spooning. Jon and Ygritte found themselves separated from the rangers, but Jon refused to call attention to themselves with a fire. To stay warm and alive, Ygritte suggested that they cuddle together on the snow. In a rapid role-reversal, Ygritte began grinding her behind against Jon's nether-regions -- but the super-virginal bastard was annoyed, and ordered her to stop. Obviously, Jon didn't hang out with Theon very much back at Winterfell.
King's Landing: Down in King's Landing, Cersei looked on as a crying Myrcella was finally whisked away to Dorne. She kept her cool in public, but kindly let Tyrion know that she was looking forward to taking someone he loved from him. Prince Tommen wept sweetly near Sansa and Joffrey, who perfectly and pettishly proclaimed that princes don't cry. Sansa bravely rebutted, saying that crying was normal, as her brothers cried when she left Winterfell. Surprisingly, she didn't get slapped in the face. "Is your little brother a prince?" Joffrey asked. "Not really relevant then, is it?" All kidding aside, I want to thank Jack Gleeson for giving the public someone fictional and therefore harmless to hate. He's the perfect combination of pathetic and pure evil, which is not an easy role to play, and he certainly doesn't have many fans.
On the walk back to the castle, it became shockingly clear that the Lannister family no longer held control of the public. Starving and war-torn, the peasants shouted cries of "bastard!" and "freak!" when Joffrey, Tyrion, Sansa and co. walked by. The danger built up slowly until one brave (and awesome) soul flung cow dung in Joffrey's face. Then, all hell broke loose. "Kill them all!" Joffrey proclaimed, and both sides responded with shocking violence. A mob of peasants surrounded one of Joffrey's men, and literally tore his arm off. (Is this Game of Thrones, or The Walking Dead?) Poor Sansa was whisked away by a group of hateful, vicious men, who moved her to a private location in order to properly gang-rape her.
"You blind, dirty fool," Tyrion said to Joffrey when they were out of harm's way. "We've had vicious kings, and we've had idiot kings, but I don't know if we've ever been cursed by a vicious idiot king." Tyrion had a good point: If Sansa didn't survive her attack, any peace with Cat would be gone, and they would never see Jaime again. Joffrey didn't seem to mind: "Let them have her!" he spat, in a voice reminiscent of Gollum's worse-half. So Joffrey didn't learn a thing from all of this chaos, but it was worth it to see Tyrion bitch-slap him in the face.
Thankfully, Sansa and her virginity remained intact. Right as the head raper got around to pulling it out, the Hound arrived to nonchalantly pull out the man's entrails, kill his cronies, and throw Sansa over his terrifying shoulders. Seriously, he did this with the blank facial expression of someone who is mindlessly cooking dinner, or watching TV. That's sort of terrifying. Tyrion thanked him for his troubles, and the Hound replied: "I didn't do it for you."Oh, it would seem that Joffrey's number one pet has a little crush on Sansa! It's doubtful that she'll reciprocate, but there's no denying that The Hound is a good one to have on your team.
Later that night, Sansa aired her grievances to another member of her team -- Tyrion's whore, Shea. She wondered why anyone would hate her like her would-be-rapers did, as she hated Joffrey more than anyone. Shea warned her not to say such things out loud, and Sansa asked her why -- as she could clearly trust her own handmaid. "Don't trust anybody," Shea replied, with a guilty look on her face. "Life is safer that way." So it's settled: Shea is spilling Sansa's beans to somebody, because nothing good ever happens to Sansa.
Camp Robb: There wasn't too much movement over on the Robb front, but his obvious flirtations with Lady Talisa had the returned Cat worried. She reminded her son of one of the downsides of being king -- he had no choice in his own love life. If you remember, last season Robb was promised to an unnamed daughter of Walder Frey, the crotchety old man who ruled over The Twins. To break that vow would make an enemy out of Frey, which is never a good time.
When word arrived of Winterfell's fall, Robb was in shock. How and why would a man he once called brother betray him so deeply? "Because the Greyjoys are treasonous whores," his man explained. Robb wanted to head to Winterfell immediately, but this would destroy their war effort. Lord Bolton -- one of Stark's bannermen -- would send his son in Robb's stead.
Qarth: In direct contrast to all of the violence in Westeros, Qarth seemed refreshingly calm at first glance. Xaro escorted Dany as she made her rounds, propositioning the wealthy men of The Thirteen for various riches. Unfortunately for Dany, Westerosi birthright meant nothing in Qarth, and no one was feeling particularly generous. Especially terrible was the Spice King -- the bald, vampy trader who taunted Dany and her starving khalasar in front of the gates. Dany came to him for ships, and he responded by verbally degrading her. "Retake?" he asked, when Dany explained her plans for the Iron Throne. "Did you once sit on the Iron Throne? If you did not sit on it yourself, would it not be correct to say 'take' the Iron Throne?" Ugh, grammar police. He went on: "Forgive me little Princess, but I cannot make an investment based on wishes and dreams."
Dany's behavior in this scene seemed a bit out of place -- she was almost Theon-esque in her ramblings about her birthright and her status as the mother-of-dragons. Her almost whiny arguments may have been appropriate for the weaker Dany of yesteryear, but not for the strong, sensible Khaleesi she has ultimately become. Yes, the Spice King was obviously gunning to humiliate her, but she shouldn't have made it so damn easy.
In the final moments of the episode, Xaro and a defeated Dany returned to his Qartheen McMansion -- only to find Dany's beloved khalasar in pieces in the front yard. In shock, Dany ran up to her chambers to find her handmaid, Irri, killed -- and her entire plan for seizing the throne missing. "WHERE ARE MY DRAGONS?" she screamed in despair. Well, someone has them -- but we didn't see his face, so that one will have to wait for next week.
Follow Shaunna on Twitter @HWShaunna
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After 20 years with the LAPD Det. Mitch Preston (Robert De Niro) just wants to catch the crooks finish the paperwork and retreat to his mundane life at home where he eats TV dinners and pursues his hobby of making bad pottery. Patrolman Trey Sellars (Eddie Murphy) really wants to be an actor--he's only a cop because he made a lousy waiter. When Sellars bungles Preston's undercover case and media hounds catch it all on tape the irate Preston shoots up a news camera that gets in his face. Over-caffeinated network exec Chase Renzi (Rene Russo) upon seeing the damning evidence that could have killed her cameraman is captivated by Preston's complete lack of charm and convinces her superior she can save his crappy network by pairing Preston and Sellars up on a reality show. As expected Preston is reluctant--and even more so when he's forced to take the mugging Sellars as his partner. The two take impromptu acting lessons from iconic actor/director William Shatner (playing himself) and set off to attract an audience boost the ratings become celebrities and get the bad guys in a televised reality christened Showtime. Meanwhile the evil Cesar Vargas (Pedro Damian)--whom we know is evil 'cause he hides in the shadows he's flashy and well groomed and he mumbles in an unfathomable Third World/ European accent--is stockpiling guns powerful enough to knock down houses and blow the doors off a Brinks truck.
The movie offers a few good yuks--a coke-sniffing dog an unprecedented cameo by jive-rhyming lawyer Johnnie Cochran and William Shatner satirizing William Shatner (who does this better than anybody else satirizing William Shatner). Unfortunately we've seen a lot of his funniest stuff like the scene in which he demonstrates how to roll over a car hood cop-style in the previews. Rene Russo gives an effective souped-up Lethal Weapon-type performance with her hyper pushy fast-talking network exec desperate to make her name in the industry. De Niro's straight-man comedy is in his facial expressions--or lack thereof--and Murphy is…well Murphy. It's their first outing together and they play off each other like a foul-mouthed version of Abbott and Costello (guess who plays who?). We've seen De Niro play grumpy (Midnight Run) and Murphy play obnoxious (almost everything) before. But as you may suspect it's their grade-A chemistry that holds this badly stitched predictable though occasionally funny flick together--especially in regards to the jokes on Hollywood and the current bounty of reality TV.
You can smell the gags and The Odd Couple-versus-Goldfinger plot unfolding a million miles away. You just know Preston is hiding a gun inside that Big Gulp when he goes undercover to investigate a pawn shop and you know Vargas will make bad-guy errors in judgment like staging a robbery in downtown L.A. the day after he's confronted by our star cops in a populated disco. But that may lead you to wonder why the police--who are likewise not presented as being particularly bright in this movie--weren't trailing him as Vargas is the prime suspect in the gun-trafficking subplot. Some of the comedy borders on satire but isn't played up enough for you to tell if it was meant that way or not. The action scenes are so badly edited it's hard to tell who's chasing whom until the camera cuts back to Murphy's toothy grin and a cement-faced De Niro shooting out his car window. And speaking of commercial-laden reality TV the product placement in this movie is shameless--we get a full-length commercial for Apple Computers played not once but twice.