Without question, the biggest release at the multiplex this weekend will be Disney’s John Carter, the big screen, 3D adaptation of Edgar Rice Burroughs’ classic sci-fi novel series John Carter of Mars. The epic scale of the film is matched only by its immense and diverse cast. Along with a number of recognizable acting veterans, John Carter also features a plethora of stars on the rise. Here are a few notables…
Why not start with the star of the film, eh? Taylor Kitsch, who plays our planet-hopping hero, gleans a lot of attention amongst Austin film and TV geeks for his work on the series Friday Night Lights; based on the 2004 film by Peter Berg. Though born in British Colombia, Kitsch perfectly captures the personality and mannerisms of Texas high school football player Tim Riggins with an added, fascinating edge. The series is filmed here in town. Kitsch has also made his mark on the superhero genre by appearing in Marvel’s 2009 X-Men Origins: Wolverine. While I won’t defend the merits of the film itself, Thor knows it was far from Marvel’s best, I would like to see Kitsch’s Gambit character fleshed out a bit more. Rémy LeBeau was easily my favorite X-Men, and it was unfortunate that the only attention paid to him by the franchise was Kitsch’s brief cameo in this less-than-stellar entry.
From a Texas adoptee to a true Texas native, the gorgeous Lynn Collins plays the love interest in John Carter. She plays a Martian princess called Dejah Thoris whose beauty, grace, and adeptness with a sword will not leave your consciousness even long after you leave the theater. Coincidentally, Collins also appeared in Marvel’s X-Men Origins: Wolverine; playing Logan’s girlfriend Kayla Silverfox. More likely however, you’ll probably recognize Lynn Collins from her five-episode stint as the unfortunate Dawn in the first season of HBO’s sexalicious vampire series True Blood. She also appeared in 2009’s Blood Creek with Michael Fassbender and 2006’s Bug alongside Ashley Judd; two films we highly recommend.
John Carter runs into many strange and interesting characters during his time on the red planet. One such character is the very sympathetic Sola, a female member of the Tharks (a bizarre, green, four-armed race). Though her name may not immediately ring any bells or recall a face, Samantha Morton, who elegantly voices Sola, has been lending her impressive talents to movies and television since the early 90s. After some television work in her native England, including an appearance on the popular BBC series Cracker, Morton appeared in the 1999 Woody Allen comedy Sweet and Lowdown. But arguably her biggest break came when she co-starred in Steven Spielberg’s Minority Report alongside Tom Cruise. Morton played the female telepath Agatha who becomes the key to helping Cruise’s hero solve a decades-old mystery. Morton has since appeared in films such as In America, The Libertine, and Elizabeth: The Golden Age.
When one is facing all manner of aliens, beasts, and humanoid aggressors, it pays to have a skilled warrior by one’s side. Luckily, John Carter allied himself with the skilful and cunning Kantos Kan; a captain of the army of Helium. Portraying Kan is the very talented British actor James Purefoy. Purefoy appeared in several films, among them A Knight’s Tale, Resident Evil, and Vanity Fair, before landing the role of Mark Anthony in HBO’s celebrated series Rome. But if you only seek out one project on Purefoy’s resume, I highly recommend his 2009 actioner Solomon Kane. In the film, based on a comic book by >Conan the Barbarian creator Robert E. Howard, Purefoy plays the titular antihero who sells his soul to the devil and then lives his life trying to win it back through various acts of valor. The film is every bit as exciting and spectacular as a major Hollywood superhero film on a budget a fraction of the size.
Rounding out our list of John Carter’s talent pool is the stunning Polly Walker. Walker lends her voice and movements to the treacherous Sarkoja, another member of the Thark race. A native of Cheshire, England, Walker is a seasoned veteran of some of the most notable television series on both sides of the pond. Walker appeared in the 2003 British political thriller series State of Play, which was re-imagined as a film in 2009 starring Russell Crowe and Ben Affleck, as well as HBO’s Rome and SyFy’s Battlestar Galactica spinoff Caprica. In addition, Walker appeared as the lovely Cassiopeia in 2010’s Clash of the Titans.
Since Edgar Rice Burroughs' novel A Princess of Mars was published nearly 100 years ago his otherworldly tale story has been subsequently been reworked and riffed on by nearly every sci-fi book or movie to follow. Star Wars Dune Avatar—sift through filmmaker interviews and it's easy to find threads tying their inspiration back to Burroughs. Which makes John Carter the big screen adaptation of Princess of Mars particularly surprising. The film's epic presentation of Martian races colliding in battle could feel stale but instead blossoms with color imagination and fun. Director Andrew Stanton (Finding Nemo Wall-E) has a strong sense of what makes "adventure" adventurous helping John Carter encapsulate everything about a great time at the movies.
John Carter (Taylor Kitsch) a Civil War veteran with the entire Confederate army on his tail finds himself mysteriously transported via a magic cave (or alien technology? If you get caught up in these details John Carter may not be for you) to smack dab in the middle of a Martian desert. As Carter overcomes the planet's gravity a physical difference that allows him to leap tall structures in a single bound (sound familiar?) he runs into one of Mars' many races: the eight-foot tall four-armed green Tharks. As their prisoner/friend/specimen John Carter takes a back seat to the unique world of the Thark world full of clockwork architecture and airships archaic customs and political strife. The Tharks are in the midst of a 1 000 year battle with the humanoids of Zodanga led by the villainous Sab Than (Dominic West) who is in turn manipulated by the occasionally-invisible shapeshifter Matai Shang (Mark Strong). The Tharks have teamed up with the residents of Helium including the stunning scientist warrior Dejah Thoris (Lynn Collins) but doom is impending and quickly the Spartacus-esque Thark fighter Tars Tarkas turns to Carter for help.
Unlike Avatar which introduced its fantastical world using the safety net of a simple archetypical story John Carter has no reservations bombarding its audience with plot and intrigue. At times the specifics of the world's complex societies and strifes are complicated and confusing but similarly to info-heavy scripts—think the recent Michael Clayton or Margin Call or heck Shakespeare—Stanton Mark Andrew and Michael Chabon's screenplay feels assured of its own drama confident that no matter your understanding the theatrics will sway you. The human element of John Carter exists behind even the most CG-ified alien creature and that's what keeps us on board.
If there's any misstep it's in the casting of Kitsch a fully capable action hero unconvincing as survivor of the Civil War. Kitsch feels pulled from present day but John Carter needs to be a Confederate soldier in more than name. Kitsch is up to the task of ripping up white apes with giant steel blades or jumping over armies of raging Tharks but in scenes of introspection or humorous back-and-forths he loses footing. The real star is Collins as Dejah Thoris who nails the epic qualities of reciting enjoyably ridiculous Martian-speak. She stands out even in the blinding desert sun and even when decked out in over-the-top boobage costuming manages to deliver a compelling and rousing performance. Doesn't hurt that she knows her way around a swordfight or two.
With John Carter moving at lightning speed investing in the film's handful of characters becomes a difficult task but talented folk like Willem Dafoe and Samantha Morton bring zest to characters on par with James Cameron's Avatar creations. And with such a strong background in animation it's no surprise that Woola John Carter's scrappy space dog sidekick is as realized and tangible as the rest of the gang. The scrappy six-legged critter adds humor to John Carter born completely out of the moment. Don't confuse this with the Star Wars prequels—nothing cutesy or ham-fisted here.
A streamlined John Carter would have really popped but as a first live-action effort for Stanton the fill is still something to behold. With breathtaking design sweeping action and a score by Lost Star Trek and Pixar vet Michael Giacchino that finds perfect balance between Lawrence of Arabia and Indiana Jones the film works as an immersive cinematic experience that will have you "ooo-ing" and "aaa-ing." If you step into John Carter you'll likely find yourself transported to another world—it beats trying to find a magic cave.
WHAT IT’S ABOUT?
Based on the eponymous book by Bryan Burrough Public Enemies chronicles the exploits of legendary Chicago gangster John Dillinger a dashing figure whose daring bank robberies both captivated and alarmed a Depression-era America devastated by widespread financial ruin. Director Michael Mann (Ali The Insider) begins his narrative at Dillinger’s career high-point with the Indiana-born outlaw basking in his celebrity status as a Robin Hood figure.
But with Dillinger’s growing fame comes increased scrutiny from law enforcement agencies — particularly the Bureau of Investigation (the precursor to the FBI) and its ambitious chief J. Edgar Hoover. Eyeing Dillinger’s capture as an opportunity to boost his agency’s profile Hoover tasks elite agent Melvin Purvis with bringing the elusive gangster to justice.
WHO’S IN IT?
Toning down the often cartoonish mannerisms he exhibited in Sweeney Todd Charlie and the Chocolate Factory and the Pirates of the Caribbean trilogy Johnny Depp exudes low-key charm and self-assuredness as Dillinger a man clearly amused by his celebrity status but never consumed by it. Dillinger’s audacity and fearlessness extend beyond the criminal realm too as evidenced when he pursues a beguiling coat-check girl named Billie Frechette (Marion Cotillard). Initially appalled by Dillinger’s aggressive advances Frechette ultimately surrenders becoming his loyal companion during his final days on the run.
As lawman Melvin Purvis Dillinger’s primary antagonist Christian Bale provides a nice foil for Depp though he ultimately isn’t allowed enough screen time to fully develop his character. Bale’s Purvis is straight-laced intrepid and doggedly persistent his efforts continually stymied by the sub-par talent and resources at his disposal. His complicated relationship with highly eccentric Bureau boss Hoover (played by a gleefully uptight Billy Crudup) begs for more development but director Mann opts instead to focus more on the doomed love affair between Dillinger and Frechette. Pity.
Fans of Mann’s action work in films like Miami Vice and Heat will revel in Public Enemies’ elaborately staged shoot-out sequences each of which is lent added intensity by cinematographer Dante Spinotti’s use of high-definition digital video cameras.
But when the bullets aren’t flying Public Enemies is only intermittently interesting. Stars Depp and Bale both excel in their respective roles but neither is allowed much room to venture beyond the tight constraints imposed by Mann who clings stubbornly — and disappointingly — to type. Much more intriguing would have been for Mann to reverse the casting with Bale playing the anti-hero and Depp as his straight-arrow pursuer. Alas the director who convinced squeeky-clean Tom Cruise to play a villain (in 2004’s Collateral) was not so ballsy this time around.
The same cautious predictable approach to casting extends to the film’s tone as well. Rather than deconstruct our culture’s romanticized vision of Dillinger as a handsome populist hero Mann adds to the gangster’s puffed-up Robin Hood image photographing Depp lovingly at every turn and filling the story with unsubtle nods to the character’s altruistic side. It’s a missed opportunity.
Mann has never been one for brevity regularly churning out films that extend well beyond two hours in length. Public Enemies is no exception clocking in at nearly two-and-a-half hours. Despite the ample running time he’s allotted to flesh out his story Mann fails to create any real attachment to his characters. For a movie with such a gifted cast appealing subject matter and riveting action sequences Public Enemies is oddly boring.
A chaotic nighttime sequence in which Purvis and his crew ambush Dillinger’s forest hideout only to become mired in a protracted and bloody gunfight ranks with the very best of Mann’s action work. If only the rest of Public Enemies were this thrilling.
NETFLIX OR MULTIPLEX?
Spinotii’s superb camera work demands to be seen on the big screen so slam a few Red Bulls and catch this one at the multiplex.
On the one hand it’s a comedy. We meet Sarah Huttinger (Jennifer Aniston) a thirtysomething knee deep in a pre-midlife crisis with a way too patient fiancé (Mark Ruffalo) and a nowhere job. Her anxiety is only exacerbated when she visits her picture perfect family in Pasadena CA a place she’s never felt like she belonged especially after her mother died. But then it gets weirder when Sarah finds out her family was the inspiration for The Graduate. It seems Sarah’s grandmother (Shirley MacLaine) was the Mrs. Robinson and that her mother ran off with the same guy briefly right before she got married to Sarah’s dad. Sarah becomes obsessed with finding this “other” guy Beau Burroughs (Kevin Costner) believing he might be the key. He’s a key all right--to a night of drunken lust. But none of this is going to solve Sarah’s problems now is it? She’s got to find her own answers in her heart. Excuse me while I go throw up. Maybe Jennifer Aniston should just write this year off. Not only did she lose a husband to another woman she also hasn’t made very smart choices in her career. Derailed completely missed the track and now this comedy is no better suited to her talents. Aniston is much better playing sweet and quirky rather than messy and neurotic and honestly shines brighter when co-starring with strong comedic talents such as Ben Stiller (Along Came Polly) or Jim Carrey (Bruce Almighty). (That’s why we’re holding our breath for her next film The Break Up with [real-life boyfriend?] Vince Vaughn.) Shirley MacLaine making a habit out of being the best thing in an otherwise dull movie (In Her Shoes anyone?) is a hoot as grandma. Costner doesn’t look anything like Dustin Hoffman thank goodness but has zero chemistry with Aniston. And who knows what the hell Ruffalo is doing wasting his talents doing this romantic comedy crap. Just say no Mark. As a director Rob Reiner hasn’t had much luck lately either. This is the first movie he’s directed since 2003’s Alex & Emma--and we all remember what a success that was. To be fair Reiner apparently took over the reins from screenwriter Ted Griffin (Matchstick Men) who was making his feature film debut ten days into production and changed things quite a bit. That’s not surprising because Rumor quite simply lacks direction. It wants desperately to be a comedy with a hint of relationship drama but somehow misses the mark on both. Now the idea of a Graduate update is somewhat intriguing. Reminds me of Robert Altman’s The Player in which The Graduate’s original screenwriter Buck Henry pitches a sequel of sorts to a studio development exec. It’s meant to be a joke of course but somewhere in the spoof there might’ve been a sliver of mad brilliance. Too bad Rumor ruins it.
Based on an autobiographical novel by British author Nick Hornby about his obsession with football (soccer to us American folk) Fever Pitch gets a stateside makeover. Of course the term "sports fanatic" takes on a whole new meaning when you're talking about an avid Red Sox follower. I mean it takes a special kind of person to unconditionally love a baseball team that until last year was considered cursed because it hadn't won a World Series since 1918. This is what business consultant Lindsay Meeks (Drew Barrymore) learns when she meets and falls for Ben Wrightman (Jimmy Fallon) a charming happy-go-lucky high school math teacher who also happens to be a Red Sox nut. Since they fall in love during the winter Lindsay is already hooked once summertime rolls around and she witnesses how truly deep Ben's obsession goes. That's OK she can handle it. She's an ambitious workaholic bucking for a promotion and can relate. But really she can't. Ben's level of commitment to the team goes way beyond what she expected and Lindsay realizes she needs more from him than he seems willing to give. Can Ben give up his beloved Bosox--even as they enter into one of the most incredible seasons in baseball history--just so he can be with his beloved? Ah the course of true love never runs smooth.
It took her awhile to find her true calling but Drew Barrymore has finally cornered the market on sweet and appealing romantic comedies. The Wedding Singer Never Been Kissed 50 First Dates all hit home runs. It's because Barrymore plays it smart and finds the right leading guys to connect with and she's got her own obsession with Saturday Night Live alums. First Adam Sandler and now Fallon. For all his juvenile behavior on SNL Fallon actually pulls off Pitch's very adult romantic duties with aplomb even if he still maintains his ever-present boyish quality. The best thing about these two is that they make Lindsay and Ben's love affair and its progression genuine. From the first date during which Lindsay comes down with the stomach flu and Ben gently takes care of her to their bittersweet split after he blames her for missing the best game the Red Sox ever played against rivals the New York Yankees their relationship never rings untrue. It'd be nice to see them paired up again. Maybe they could have a love triangle with Sandler. Yeah that's the ticket!
They can do it. Peter and Bobby Farrelly can actually make a movie that doesn't include one fart joke. Wow. So what do you think it is about Fever Pitch a cute love story that curves dangerously away from their usual broad and outlandish efforts that appeals to the brothers Farrelly? Could it be that they are enormous Red Sox fans? Aha! Apparently the guys had to chase this one pretty hard before the powers that be decided to let these two pranksters handle the job. But they had help. Scripted by another well-known comedy duo City Slickers' Lowell Ganz and Babaloo Mandel Fever Pitch starts off slow but builds momentum. It keeps to the classic boy-meets-girl boy-loses-girl and boy-gets-girl-back scenario but adds in the whole baseball extremist element. To be honest it's pretty darn fascinating to learn about the Red Sox's romantic heart-wrenching superstitious history. But the most amazing thing about the making of Fever Pitch is that it actually had to be done on the fly--well at least the ending. As it turns out during the filming the Boston Red Sox actually went on to win that elusive World Series championship. No one thought it was going to happen. No one planned for it. But it sure makes for a fairy-tale ending doesn't it?
A Guy Thing's premise is standard and remarkably uneventful. Paul (Jason Lee) thinks marrying the sweet and perfect Karen (Selma Blair) and working for his tough soon-to-be father-in-law Ken (James Brolin) is the best thing he's got. Until he meets Becky (Julia Stiles) the girl he wakes up with after his wild bachelor party. Paul can't remember what happened but assumes the worst and tells Karen a little lie to cover it up. His friends tell him it's fine it's "a guy thing" and he shouldn't feel guilty but in the week before his nuptials he watches the whole thing blow up in his face. See Becky is Karen's free-spirited cousin a girl who lives life to the fullest. Even if Paul wanted to forget Becky and the apparent incident he can't especially when he realizes he is beginning to have feelings for Becky and that maybe Karen isn't the right girl for him. Oh boy he's got some s'plaining to do. This is life folks--these are the tough choices you've got to make. Or so that's what the film wants us to remember when we walk out of the theater with our sides splitting from laughing so hard. Right.
After last year's stinker Stealing Harvard one would have hoped Jason Lee learned his lesson--but apparently not. The thing is the guy is talented. He's shown great comedic flair alongside director Kevin Smith (Chasing Amy) but it's obvious his judgment has been impaired somewhere along the way. Lee looks like he is sleepwalking through most of the film as Paul does nothing more than react to all the craziness around him typically coming to his senses just in the nick of time. Blair (Legally Blonde) once again plays the country-club princess to a tee but someone please give this actress something meaty for a change. She can handle it. Yet it's Stiles who surprises you in A Guy Thing. Venturing into a balls-out comedy for the first time she just seems so out of place in the romantic comedy milieu. You think it isn't going to work but then suddenly you realize she's grown on you and Becky's gangly klutzy style becomes the only refreshing thing in this tired genre movie. Larry Miller also makes a hilarious appearance as Paul's minister neighbor who has seen the whole "guy thing" transpire. Funny stuff.
Someone really needs to tell why these vacuous romantic comedies keep getting made. A Guy Thing portends to be different claiming the comedy comes from real-life choices rather than from outlandish unbelievable situations. OK then it makes sense Paul would climb out his future in-laws' bathroom window to escape seeing Becky only to get hung up on a tree limb then get shot at by big bad daddy Ken and then have to climb back in the bathroom and wind up squirting a shampoo bottle into the toilet to make it seem like he was having gastric problems to those listening outside the bathroom door. Sure that happens all the time. Comedy works best when it's a tad outrageous and don't think A Guy Thing is anything but although it fails most of the time. Still under the guidance of director Chris Koch (Snow Day) the film has a few laugh-out-loud moments including the rehearsal dinner scene where a pharmacy technician caters the meal (don't ask) and spikes the gravy with marijuana resulting in priceless reactions from some veteran actors such as Diana Scarwid and Julie Hagerty playing the two mothers. The actual meaning of "a guy thing " which can ultimately be defined as a guy's inclination to back his buddies up also gets explained in a few hilarious ways. Overall though it's just one formulaic moment after another.