P.J. Hogan's Peter Pan follows J.M. Barrie's story almost to the letter. A girl on the brink of womanhood Wendy Darling (newcomer Rachel Hurd-Wood) loves telling her brothers John (Harry Newell) and Michael (Freddie Popplewell) stories of dastardly pirates as they sit in their nursery under the watchful eye of their St. Bernard Nana. Her 19th-century Londoner parents however believe the time has come for the young girl to grow up especially her father. Then a cheeky wild-haired boy named Peter Pan (Jeremy Sumpter) flies through the nursery window one night with his trusted yet jealousy-prone fairy Tinkerbell (Ludivine Sagnier) telling Wendy he can take her to a place full of adventure where no one ever has to grow up. She readily accepts the offer and with a few happy thoughts some fairy dust and her two brothers in tow she flies off to Neverland. (Not the ranch…the real place.) Once there Wendy encounters mermaids Indians and the Lost Boys (who refer to her as "mother") and gets the whole pirate experience in Peter's ongoing feud with arch-nemesis Captain Hook (Jason Isaacs). But Wendy soon becomes conflicted because on the one hand she likes hangin' with hottie Peter but on the other she misses her mother. She decides it's probably best to go back and grow up but in her hurry to leave she ends up in Hook's clutches. A rescue ensues. Swords clash ticking crocodiles are fed and fairies are saved as our clever fly boy zooms Wendy and company back to London on a giant pirate ship. But does he stay and grow up himself? Hell no he's a Toys 'R Us kid forever!
All the kid actors in Peter Pan are highly watchable and appealing with angelic faces peaches-and-cream complexions and pouty cherry lips. This is the first time Peter is being played by a real-life boy a fact much hyped by the filmmakers and 12-year-old Sumpter (Frailty) does his best to live up to the expectations. (He's soon to be swoon-worthy material for sure.) He's got a mischievous gleam in his eye and a great sly smile but he really lights up when he's looking into Wendy's adorable face. Hurd-Wood the first-time actress who plays the spirited girl earned her role after a long and involved casting process it's well deserved; she fits the typical English-girl profile perfectly and gets the hang of her craft quickly infusing the character with a natural cheerful energy. It's also refreshing to see the young actors play up Wendy and Peter's feelings of first love which prior films always hinted at but never fully realized. Isaacs in a dual role as the firm-but-loving Mr. Darling and the frightening comical lonely charming needy reprehensible Captain Hook draws on his experience at playing exquisitely awful baddies (The Patriot Harry Potter and the Chamber of Secrets) and really sinks his claws into Hook. In a stand out supporting role French actress Sagnier (Swimming Pool) is really fantastic as the vivacious non-speaking Tinkerbell portraying the fairy's conflicted emotions with a silent-film over-the-top technique.
Director/writer P.J. Hogan (My Best Friend's Wedding) and his team try to distinguish their film from the other Peter Pans of the world by using all the technical and special effects wizardry at their disposal. Hogan says his Peter Pan is the way its author Barrie intended to be when he wrote it as a play over a 100 years ago--full of fantasy and wonder. In a way he's right and production designer Roger Ford and visual effects supervisor Scott Farrar take his vision and run with it giving audiences a very lush Neverland with waterfalls fluffy pink clouds crystal-blue waters and a gorgeous fairy world. But despite the bells and whistles there really isn't anything original and different in this Pan. Even its look at the dark side of Neverland has been done in Steven Spielberg's 1991 semi-sequel Hook which showed the dangers of Neverland. In this version lives really are at stake and the pirates are not cute and fun. Even the mermaids are mysterious and malevolent with scary faces and murderous intentions a far cry from the beautiful if somewhat mean-spirited creatures of the 1953 classic Disney animated adaptation another inescapable influence on the audience. When the crocodile draws near for example tick-tocking away the croc's signature tune from the Disney film comes immediately to mind. People may love those Disney films for those cutesy catchy songs but Peter Pan really is a good story. Heck it's a great story. But it's just been done.
A promising young playwright Sidda Lee Walker (Sandra Bullock) lives in New York far enough away from her Louisiana hometown. After she gives a damaging interview to Time magazine--damaging mainly to her mother Vivianne Abbott Walker (Ellen Burstyn) who doesn't take lightly to her daughter's intonations that she was not a good mother--the two women begin a feud. It threatens to destroy not only their relationship but Sidda's own plans to marry her longtime boyfriend Connor (Angus MacFadyen). Enter the Ya-Ya Sisterhood--Caro (Maggie Smith) Teensy (Fionnula Flanagan) and Necie (Shirley Knight) Vivi's lifelong best friends. To bring mother and daughter back together the women decide it's time for Sidda to learn about the Divine Secrets of their little clique--and about her mother's painful past. They tell Sidda stories about the young Vivi (Ashley Judd) who was full of promise and hope but how certain tragic events damaged her. The bond between these four older women is unshakable and the most honest element to the film. The sad news for the novel's fans however is that while the script manages to convey the true spirit of friendship it can't quite capture the magic of the book.
In a cast of many the film is chock-full of wonderful performances but it's the matured Ya-Yas who steal the show. Smith plays the tough Caro a lifelong smoker now saddled with emphysema with all the biting wit the actress is best known for while Knight plays the sweet no-nonsense Necie with just a hint of sarcasm. Flanagan the best of the three shines as the wealthy Teensy a recovering alcoholic who has faced demons herself. Her exchanges are some of the more memorable especially when after being told by an angry Vivi that she could knock Teensy into next week Teensy tells her friend "And I'll kick your ass on Thursday." Yet the film truly belongs to Burstyn and Judd as the different faces of Vivi. Burstyn is all at once the highly dramatic Southern beauty who has come to terms with (or remained steeped in denial about however you look at it) her painful past while Judd gets to show us the nitty-gritty of what actually happened to Vivi to harden her. Unfortunately the weakest member of this ensemble cast is Bullock as Sidda. She never quite convinces us she grew up in such an eccentric and terribly Southern environment. And not to leave out the men completely--James Garner plays Sidda's father Shep with quiet patience having survived life with his lady love who never loved him quite the same in return. The devoted Connor mirrors Shep but MacFadyen plays him with a lot more backbone.
Oscar-winning screenwriter Callie Khouri (Thelma & Louise) couldn't have chosen a better film to make as her directorial debut. Sure she might be pigeonholed forever as the "chick flick" girl but she probably doesn't care much. Khouri had been approached to adapt Wells' novel a few times over the last couple of years but never had the time to do it. When the right time came along Khouri wisely decided it was also time to take on the directing chores. Even as a novice the writer/director shows us she knows her way around a camera. The film captures that Southern feel lush and languid as the moss drips down from the trees. She also knows how to handle her actors too and is able to elicit great performances (although with the likes of Burstyn and Smith this isn't hard to do). The soundtrack also is an added bonus with a variation of music from jazz to Louisiana Cajun. Yet even with all this going for it Divine Secrets misses a beat. In a novel it's great to read stories about an eccentric Southern family but to have vignettes told to you as a framework for a movie it can slow a film down. You probably won't be able to drag your husband to go see this one.