We all have guilty pleasures. For some of us, it’s HGTV’s do-it-yourself home improvement shows. For others, it’s marathoning sitcoms like Arrested Development or Modern Family on online sites like Netflix from the comfort of our beds. And still for others, it’s the romantic entanglements found in old soap operas that keep us replaying them time after time. Well, earlier this year, Prospect Park’s The Online Network revealed that they would be rebooting two of our most loved soaps: All My Children and One Life to Live. And Wednesday, the network announced all of the cast members participating in both shows.
For All My Children, the following stars have been announced as members of the cast: Sal Stowers as Cassandra Foster, Eric Nelson as AJ Chandler, Denyse Tontz as Miranda Montgomery, Jordan Lane Price as Celia Fitzgerald, Ryan Bittle as JR Chandler, Eden Riegel as Bianca Montgomery, Cady McClain as Dixie Cooney, Ray MacDonnell as Dr. Joe Martin, David Canary as Adam Chandler, Heather Roop as Jane McIntyre, and Francesca James as Evelyn Johnson. Previously announced members include Darnell Williams as Jesse Hubbard, Debbi Morgan as Dr. Angela Hubbard, Vincent Irizarry as Dr. David Hayward, Lindsay Hartley as Cara Martin, Jordi Vilasuso as Griffin Castillo, Jill Larson as Opal Cortlandt, and Thorsten Kaye as Zach Slater.
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And this is who you can expect to see on One Life to Live: Robert Gorrie as Matthew Buchanan and Laura Harrier as Destiny Evans. These stars join the previously announced members (Erika Slezak as Victoria Lord Buchanan, Robin Strasser as Dorian Lord, Tuc Watkins as David Vickers, Robert S. Woods as Bo Buchanan, Kassie DePaiva as Blair Cramer, Jerry verDorn as Clint Buchanan, Florencia Lozano as Tea Delgado, Melissa Archer as Natalie Buchanan Banks, Hillary B. Smith as Nora Buchanan, Kelley Missal as Danielle Manning, Josh Kelly as Cutter Wentworth, and Andrew Trischitta as Jack Manning). Recurring actors include: Sean Ringgold as Shaun Evans, Shenaz Treasury as Rama Patel, and Nick Choksi as Vimal Patel.
New 30-minute episodes of both series will be launching each day of the week on Hulu.com, where content generally can be viewed for free. The episodes will also be available on iTunes.
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: ABC]
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Ah, prom. The single most important thing to an 18 year-old American with an active libido and a pop culture saturation. Prom is built up to be one of the best memories a high school student will make. Unfortunately, like most of the best things in life, prom is far from free (take that, Luther Vandross). Of course, when it comes to movies, prom always seems a bit more feasible financially... mostly because movies have the convenience of "skipping over" the whole financial aspect of a story, in favor of the more exciting romantic aspects. Check out the list below of some of cinema's greatest prom movies, complete with calculations about just how much these nights would cost in real life terms, and whether or not the characters could truly afford them.
10 Things I Hate About You
Character: Patrick Verona (Heath Ledger)
Expenses: Tuxedo + a guitar to make up for the whole “I’ve deceived you from the start” thing = $600
Funds: Dirty money courtesy of Joey Donner
Payoff: He tamed the shrew, and fell in love
Character: Kat Stratford (Julia Stiles)
Expenses: Dress + pearl necklace = $500
Funds: A father who, while dead-set against the idea of either of his daughters having fun, is secretly generous enough to buy her whatever she wants
Payoff: A brand new guitar... oh, also love, and a new lease on life
Character: Cameron James (Joseph Gordon-Levitt)
Expenses: Tuxedo + an ice pack for his punched nose (also courtesy of Joey Donner) = $108
Funds: Never revealed
Payoff: A whelming end to all the burning, pining and perishing
Character: Jim Levenstein (Jason Biggs)
Expenses: Tuxedo = $100
Funds: Never revealed, although he does have some generous parents
Payoff: He fulfilled his pact, met his future wife, and began the next step
Character: Michelle Flaherty (Alyson Hannigan)
Expenses: Dress + band camp (which proved to be necessary preparation) = $650
Funds: A band camp counselor's salary
Payoff: Met her future husband, which started her on a path to gradually losing that bizarre speech habit
Character: Carrie White (Sissy Spacek)
Expenses: Dress + and a whole lot of funeral arrangements = tens of thousands of dollars
Payoff: The ability to start a fire
Character: Ren McCormack (Kevin Bacon)
Expenses: Tuxedo + professional dance lessons (don't be fooled into believing that people can just dance like that) = $200
Funds: Never revealed, but he might have won a few bucks betting on tractor chicken
Payoff: Bringing joy back to the American Midwest
The Girl Next Door
Character: Matthew Kidman (Emile Hirsch)
Expenses: Tuxedo + limo, camera crew, pornographic actresses, various other film production materials = Well over $1000
Funds: Retroactive profits from his highly successful line of sex education films
Payoff: He fell in love, got to go to Georgetown, and, most importantly, had something to write in the “I Will Always Remember” section of his yearbook
Character: Cady Heron (Lindsay Lohan)
Expenses: None; she didn't even wear a dress — that tiara really jazzed up her math-lete jacket, though
Funds: Did that math competition victory come with any prize money?
Payoff: Instituting a new regime of kindness, acceptance and honesty throughout her high school
Never Been Kissed
Character: Josie Geller (Drew Barrymore)
Expenses: All the era-appropriate clothing and age-concealing makeup to make a twenty-something reporter look like a high school student = $300
Funds: A reporter's salary... so there's probably some debt
Payoff: Spoilers: she gets kissed
Pretty in Pink
Character: Andie Walsh (Molly Ringwald)
Expenses: None — she made her dress herself
Funds: Just the loving support of her father to overcome feelings of social inferiority
Payoff: The kind of unmistakable ending the world just doesn't get any more
She's All That
Character: Zack Siler (Freddie Prinze Jr.)
Expenses: Tuxedo + a soccer ball = $125
Funds: Never revealed.
Payoff: Indecent exposure that probably landed him behind bars
Character: Laney Boggs (Rachael Leigh Cooke)
Expenses: Dress = $250
Funds: Art is a frugal career, right?
Payoff: The love of a boy who, even at the end of the movie, was kind of a jerk
Character: Louise Miller (Robyn Lively)
Expenses: Dress + amulet polish = $275
Funds: When you have witchcraft, do you really need money?
Payoff: The valuable lesson that all the magic you need is in your heart
The above prices for tuxes and dresses were gathered from Men's Wearhouse, Prom Girl, and the Hollywood.com staff's rampant high school nostalgia.
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The problem with a film in which characters stand around philosophizing about the nature of life is the fact they are standing around philosophizing about the nature of life. It can make for a compelling character piece or it can bore you to tears. Sunshine State does a little of both. The story centers on the locals of this island and how the regional real estate developers are looking to change the sleepy beachside community into a manicured resort area. One woman Marly Temple (The Sopranos' Edie Falco) is tired of running her retired father's motel and restaurant. She starts a tentative affair with a landscape architect (Timothy Hutton) but is really looking for a way out--perhaps to sell the business to the developers. The other woman Desiree Perry (Angela Bassett) returns home for a visit to show off her new husband Reggie (James McDaniel). But she has a tense relationship with her mother (Mary Alice) after being sent away by her parents at 15 for getting pregnant. Plus it seems the small black enclave in which she grew up is also being eyed by the developers. As their community is about to change both Marly and Desiree must deal with the sometimes overwhelming weight of family history and family expectations while trying to discover their own paths in life.
Of course this kind of film is an actor's dream--all characters and words with very little action. The array of talent in Sunshine State is vast with many standout performances but unfortunately just not enough substance to keep them all riveting. Falco comes off the best as the bored Marly dealing with her long-winded ornery father (played by the long-winded and ornery Ralph Waite) and her free-spirited mother (played by the delightful Jane Alexander). When Falco is on the screen the film takes on a quirky sensibility that writer/director John Sayles probably intended for the whole film. Her scenes with Hutton are packed full of interesting twists--and she definitely has one of the better lines of the film: "Having sex with me this drunk would be like being at the dentist....You know something's going on in there but you don't know what." Bassett doesn't pull her part off as well. She shows the right emotions as Desiree but somehow her storyline seems forced and the same goes for the supporting players around her. The rest of the cast--and it's considerable--fill in the blanks. Mary Steenburgen as the organizer of the local historical event known as "Buccaneer Days" and Gordon Clapp as her gambleholic husband with suicidal tendencies are also standouts.
Sayles is an eclectic filmmaker to say the least. Obviously a brilliant writer he picks his projects carefully and usually puts his own unique stamp on his films such as the powerful little gem Lone Star and the historical Eight Men Out. The framework and the setting of Sunshine State does set it apart from the rest. The director has a genuine affection for the Florida landscape shooting the entire film on Amelia Island one of the only places in history where blacks were allowed to go to the beach in segregated times. Sayles loves to dabble in the past and with some amazingly beautiful surroundings he is able to capture a certain historical feeling. Yet Sayles veers off from his usual style in how he sets his story. The writing is at times bitingly clever but it seems that Sayles is channeling director Robert Altman by trying to interweave the stories of several characters. Unfortunately he doesn't do nearly as good a job as Altman. With too many cooks in the kitchen you end up concentrating on only the characters that interest you thus tuning out the rest.
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award