The actress has kept a low profile after appearing in hit series Sex And The City and its spin-off movies, but she's now stepping back into the spotlight in Gore Vidal's play about politics.
She will replace Kerry Butler in the part of Mabel Cantwell, the wife of a presidential candidate. She is one of a number of high-profile stars to join the cast, including Cybill Shepherd, who replaces Candice Bergen, and John Stamos, who will take over Eric McCormack's role.
Davis is the last of the Sex And The City leads to appear on the New York stage. Her stint kicks off on 10 July (12) until the show wraps in September (12).
The Canadian actor will join a star-studded cast and portray Joseph Cantwell, a U.S. senator vying for a presidential nomination in the production.
McCormack, who last hit the stage in 2006 for Some Girl(s), will appear opposite theatre veterans James Earl Jones, John Larroquette, Angela Lansbury, Michael McKean and Candice Bergen.
The show will be directed by Michael Wilson and is slated to begin previews on 6 March (12).
Gore Vidal's The Best Man received a Tony Award nomination in 2001 for Best Revival of a Play during its last New York City run.
The Queen and its star, Helen Mirren, were the big winners at Sunday’s Orange British Academy Film Awards (BAFTAs), winning the Best Film and Best Actress awards.
Elsewhere, Forest Whitaker won the Best Actor prize for Last King of Scotland, Little Miss Sunshine star Alan Arkin won Best Supporting Actor and Jennifer Hudson won Best Supporting Actress for her role in Dreamgirls.
The ceremony took place at the Royal Opera House in London's Covent Garden.
The full list of winners is as follows:
The Academy Fellowship: Anne V. Coates
Film: The Queen
The Michael Balcon Award for Outstanding British Contribution to Cinema: Nick Daubeny
The Alexander Korda Award for the Outstanding British Film of the Year: Last King of Scotland
The Carl Foreman Award for Special Achievement by a British Director, Writer or Producer in Their First Feature Film: Andrea Arnold, Red Road
The David Lean Award for Achievement in Direction: United 93, Paul Greengrass
Original Screenplay: Little Miss Sunshine, Michael Arndt
Adapted Screenplay: Last King of Scotland, Peter Morgan/Jeremy Brock
Film Not in the English Language: Pan's Labyrinth
Animated Feature Film: Happy Feet
Actor in a Leading Role: Forest Whitaker, Last King of Scotland
Actress in a Leading Role: Helen Mirren, The Queen
Actor in a Supporting Role: Alan Arkin, Little Miss Sunshine
Actress in a Supporting Role: Jennifer Hudson, Dreamgirls
The Anthony Asquith Award for Achievement in Film Music: Babel, Gustavo Santaolalla
Cinematography: Children of Men, Emmanuel Lubezki
Editing: United 93, Clare Douglas/Christopher Rouse/Richard Pearson
Production Design: Children of Men, Jim Clay/Geoffrey Kirkland/Jennifer Williams
Costume Design: Pan's Labyrinth, Lala Huete
Sound: Casino Royale, Chris Munro/Eddy Joseph/Mike Prestwood Smith/Martin Cantwell/Mark Taylor
Achievement in Special Visual Effects: Pirates of the Caribbean: Dead Man's Chest, John Knoll/Hal Hickel/Charles Gibson/Allen L. Hall
Makeup & Hair: Pan's Labyrinth, Jose Quetglas/Blanca Sanchez
Short Animation Film: Guy 101, Ian Gouldstone
Short Film: Do Not Erase, Asitha Ameresekere
The Orange Rising Star Award: Eva Green
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Casino Royale starts at the beginning as James Bond (Craig) takes his first baby steps as a Double O agent. His first assignment is to track down a terrorist cell in Madagascar but he’s a bit of a loose cannon and things quickly go awry. Bond’s superior M (Judi Dench) is soon regretting giving the arrogant Bond the promotion. Nonetheless Agent 007 takes it upon himself to follow a lead to the Bahamas and discovers that all nefarious dealings point to Le Chiffre (Mads Mikkelsen) a nasty fellow who has money ties to terrorist organizations. Le Chiffre is planning to raise money in a high-stakes poker game at the Le Casino Royale in Montenegro—and Bond gets in to beat him at his own game. Along with a hefty bankroll M also sends the beguiling accountant Vesper Lynd (Eva Green) to keep Bond in check. They are skeptical of each other at first but as the danger escalates it becomes apparent there is a growing attraction—and affection—between them. Natch. Can these two crazy kids make it work immersed in the cutthroat world of international intrigue? Well this is Bond after all—and we know how he ends up. Craig absolutely gets it. Whatever doubts people may have had when Craig was first announced as the new Bond are washed away in the first few minutes of the film. Sure if Casino Royale was anything like the last few Bond movies then maybe the understated Craig wouldn’t have fit in as well. But this is a different Bond. The British actor plays him not as the icon we’ve come to know but as a flawed man warts and all who flies by the seat of his pants isn’t necessarily refined and yes can even fall in love. Craig also raises the acting bar. His brief scenes with the impeccable Dench for example simmer and pop unlike anything we’ve seen before in a Bond film. Danish film star Mikkelsen (Pusher) is quite effective as the main baddie with a particularly gruesome physical malady while the always good Jeffrey Wright (Syriana) shows up as CIA Agent Felix Leiter. The one weak link unfortunately is Green (The Dreamers). She certainly looks the part of a “Bond girl ” but her Vesper is supposed to be whip-smart able to engage in witty banter with 007 and the French actress can’t quite pull it off. Craig needs more of a challenge. Too bad Judi Dench isn’t 30 years younger; she would have been perfect. Casino Royale the first book in the Ian Fleming series is basic Bond 101. Director Martin Campbell--who helmed Goldeneye Pierce Brosnan’s first and probably best foray into the franchise--strips it of all the far-fetched gadgets (save for a few new-fangled PDAs) and over-the-top action sequences leaving just good clean action devoid of any invisible cars armored Russian tanks and the such. Oh wait Bond does use a bulldozer at one point but that comes briefly in the middle of a rather extensive and hair-raising foot chase. It just proves action can be just as riveting without having to completely suspend your disbelief. Casino Royale is also rare in that it shows how Bond became THE James Bond the one we’ve seen in countless movies over the years in the stylish tuxes drinking the martinis driving the Aston-Martins and bedding all the beautiful women. Casino Royale breathes new life into the franchise and one can only hope they can keep up the good work without once again lapsing into the ridiculous.
Invincible is Rudy and The Rookie all rolled into one. Set in the mid-‘70s Mark Wahlberg stars as the real-life Vince Papale a blue-collar Philadelphian down on his luck after his wife leaves him. His only solace is playing football with his cronies and rooting for his beloved Philadelphia Eagles who are in a real rut. Newly hired head coach the legendary Dick Vermeil (Greg Kinnear) decides to infuse some new blood into the team by holding open tryouts. All of Vince’s friends think he’d be perfect and urge him to go for it. He does makes it and is soon playing with some of his idols much to their chagrin. I mean who is this punk anyway? Sure he’s got some excellent instincts but can he really be a NFL player with no experience? Yes in fact he can proving to all those regular Joes out there you can live the dream. Yeah yeah. Unfortunately none of the actors really add anything either. Wahlberg is definitely a natural to play this kind of role having already done so in Rock Star. At least in Invincible he gets to show off some of his athletic abilities rather than just his bare chest in black leather pants. But the performance is run of the mill. As is Kinnear who as Vermeil takes on the headaches of turning a losing team into winners all while his supportive wife sweetly reassures him he’s doing the very best he can. Seen it. To their credit some of the supporting actors—including Kirk Acevedo (The New World) Michael Kelly (Dawn of the Dead) and Michael Rispoli (Mr. 3000)—paint a convincing picture of genuine camaraderie between local Philadelphians. And Elizabeth Banks (The 40 Year-Old Virgin) rounds things out as Vince’s cute love interest (and eventual real-life wife) who knows a few things about football by golly. You’d think Invincible would be a no-brainer feel-good kind of sports flick. It’s based on a real-life person has that whole underdog thing going for it and it’s football. What could go wrong with that? Nothing really besides the fact it’s been done about a hundred times over—and has now been left in the hands of newbies. First-time director Ericson Core a former cinematographer and writer Brad Gann are clearly green doing things by the play book line for line. It’s scary helming a feature film for a big studio like Disney who had such sport hits like The Rookie and Remember the Titans. Perhaps Core wanted to go more out on a limb but was reigned in. Who knows? The football scenes are definitely the highlight and Core handles the action well. I mean you do want Papale to prove himself the natural athlete he truly is and make all his homies proud. But the rest of it is just blah.
The Crusades were a series of religious wars in which the Christians tried to reclaim Jerusalem from the Muslims who had conquered the Middle East in the 7th century. With the battle cry of "God wills it! " thousands of Europeans answered the call and were able to retake the fabled Holy City in the 11th century. Kingdom of Heaven begins in 1186 between the Second and Third Crusades. A fragile peace prevails mostly through the efforts of Jerusalem's enlightened Christian king Baldwin IV (Edward Norton) and the military restraint of the legendary Muslim leader Saladin (Ghassan Massoud). But it's difficult to maintain the peace. There are extremists within the Christian brigades--known as the Knights Templar--who want to wipe every Muslim off the face of the Earth. On top of that King Baldwin's health is failing. Once he's gone war is sure to follow. If ever there was a need for a hero this is the time. Enter the young French blacksmith Balian (Orlando Bloom) who is in deep despair over the loss of his family. He joins the Crusades after the father he never knew Godfrey (Liam Neeson) comes back from Jerusalem and convinces him it's a quest worth fighting for. As Godfrey passes his sword to his son he also passes on that sacred knightly oath: to protect the helpless safeguard the peace and work toward harmony between religions and cultures so that a kingdom of heaven can flourish on earth. No pressure or anything though.
Orlando Bloom carries his first major motion picture very well easily handling the chores of being such a gallant conscientious and morally upstanding knight. As Balian the Troy costar plays the gamut. He broods over his lost wife and child has father-son epiphanies upholds his knightly duties on a regular basis falls in love with a beautiful but troubled princess and finally bravely defends the Holy City from the encroaching Muslim army thus becoming a legend. Not bad for a day's work eh? There are even times especially toward the end when Balian is standing before the denizens of Jerusalem urging them to fight when you swear you can see a little of Bloom's The Lord of the Rings alter-elf Legolas creep in. The supporting cast also does an adequate job painting a picture of some trying times. Chief among them: Jeremy Irons as King Baldwin's right-hand man Tiberias; Marton Csokas (The Bourne Supremacy) as the evil leader of the Knights Templar; Massoud as the great warrior Saladin; and lovely Eva Green (The Dreamers) as Princess Sibylla King Baldwin's sister who captures our hero's heart but makes some bad choices with dire consequences.
Even if these sword-and-armor epics are all blending together you've got to give props to the directors who make them. These films are massive undertakings and Kingdom of
Heaven with the expert Ridley Scott at the helm is no exception. The Oscar-winning director of course has had his fair share of recreating history first with the classic Gladiator and then with the contemporary Black Hawk Down. But in recreating the Crusades Scott faces his toughest challenge to date and takes on the responsibility very seriously. He is painstakingly meticulous with details even as he is building a 12th-century Jerusalem or corralling 2 000 heavily costumed extras for the colossal climactic battle sequences. And it is always a good thing when a historical film can teach you something you may not have known like what the heck the Crusades were really all about. No Kingdom's biggest obstacle is timing. While it certainly has more substance than Alexander it is not nearly as intense and stirring as The Lord of the Rings trilogy or the granddaddy of them all Braveheart. Too many of its ilk has come before and the concept has unfortunately worn thin.