Devo drummer Alan Myers has died after a battle with cancer. The rocker, the band's third and most prominent drummer, passed away on Monday (24Jun13).
News of his death was confirmed by jazz musician Ralph Carney, the uncle of The Black Keys drummer Patrick Carney.
In a post on Facebook.com, Carney writes, "I just got some bad news. Alan Myers passed... from cancer. He was Devo's best drummer and one of the first people to teach me about jazz. I cry... Alan taught me so much about music. He gave me my first sax lesson."
Myers, who joined Devo in 1976, played on the group's 1980 single Whip It and appears in the track's classic video.
He is heard on a number of Devo albums including Q: Are We Not Men? A: We Are Devo!, Freedom of Choice, and Shout, but bowed out of the line-up in 1986.
Devo co-founder Gerald Casale took to his Twitter.com page to pay tribute to his former bandmate, writing, "In praise of Alan Myers, the most incredible drummer I had the privilege to play with for 10 years. Losing him was like losing an arm. RIP!! Alan, you were the best - a human metronome and then some. U (you) were born to drum Devo!"
Drummer Josh Freese, who has also played with Devo, tweeted, "RIP Alan Myers. 1 of my all time favs (favourites). An underrated/brilliant drummer. Such an honor playing his parts w/ (with) Devo. Godspeed Human Metronome."
No instead of wanting to knock her block off New York City bus driver Ralph Kramden (Cedric the Entertainer) sweetly offers to take his soon-to-be longsuffering wife Alice (Gabrielle Union) to the moon promising her he'll be making it very big very soon. Six years into the marriage Ralph is still driving a bus Alice is a waitress and the two live in a rundown tenement apartment. But Ralph hasn't given up on his dreams to take his family to the next level. He is convinced he is just one great idea away from instant wealth and elicits help from his encouraging if slightly ditzy best friend and upstairs neighbor Ed Norton (Mike Epps). He's always there to lend a hand when Ralph goes off halfcocked on another half-baked idea. But Alice has set her sights on a more practical goal: buying a duplex fixer-upper with Ed and his wife Trixie (Regina Hall). And when Ralph expectedly loses their down payment on yet another failed project he has to come up with the cash right quick before Alice sends him to the moon. Without a space suit. Let the hilarity ensue!
The one saving grace to this Honeymooners redo is the casting. Cedric the Entertainer is a perfect fit as Ralph Kramden a blustering blowhard with a heart of gold. Although the actor claims he steered away from doing an impression of the late Jackie Gleason who immortalized the role way back when Cedric still can't help but slip into the Great One's persona every once in awhile especially when yelling "Norton!" And the hilarious Epps as the bumbling but sweet Ed makes an ideal sidekick like Art Carney did in the original. Adding to the fracas is John Leguizamo. He plays a streetwise conman who hustles the boys into believing he's a dog trainer after Ralph comes up with the brilliant plan to race Ed's dog a stray they find in an alley. Don't ask. Whether it's the three of them or just Cedric and Epps you just know there had to have been a lot of extra takes. Their antics are hysterical and it looks like they are constantly trying to crack each other up. The girls on the other hand don't look like they are having as much fun. They're relegated to pointing their fingers at their husbands and warning them not to screw up. Right like that's going to happen.
The original The Honeymooners changed the course of television in the 1950s by becoming the first smash hit sitcom. Turning this slice of American history into a contemporary feature film however is definitely one of those why-mess-with-a-good-thing? scenarios. Director John Schultz (Like Mike) does an adequate job maneuvering the mix of comic talents and letting them each do their thing. But overall it's a bland run-of-the-mill comedy. The film could have easily been made without having any Honeymooner icons attached to it at all and it would have been the same. And the most amazing thing is that it is without any of the original's mean-spiritedness. I mean even for a time where America was at a supposed height of conservatism there were moments in the show in which you thought Ralph might actually haul off and smack Alice. Gleason really did have one of the best wild-eyed don't-push-me-too-far stares. In the watered-down sappy remake however Ralph is a pussycat who only wants to make his wife proud of him. Gag.