Actor Rob Brown has filed a lawsuit against bosses at top U.S. retailer Macy's amid allegations of racial discrimination after he was suspected of using a stolen credit card to purchase an expensive watch. The Finding Forrester star, 29, claims he was handcuffed in the company's flagship New York store for no reason in June (13) after buying a $1,350 (£900) Movado timepiece as a gift for his mother, Myra, who had graduated from Metropolitan Community College.
He continued shopping after paying for the watch, but alleges he was quickly surrounded by "at least three" plainclothes officers who detained him and "paraded" him through the store like a criminal as they took him upstairs to be questioned.
The star, who is black, was released without charge after 45 minutes in custody, but the delay made him late to his mum's graduation ceremony.
He has since launched legal action against Macy's chiefs after reading about a similar incident involving another young black man at luxury Big Apple retailer Barneys last week (begs21Oct13), which has prompted calls for rap mogul Jay Z to pull his new holiday collection from their shelves.
Brown, who also starred in Coach Carter and TV drama Treme, is seeking unspecified damages for racial profiling, while he has also charged the New York Police Department cops of violating his constitutional rights.
However, his lawyer John Elefterakis insists the damages claim is just for principle, telling the New York Daily News, "This is about justice, not about money."
It's of no surprise that Seven Psychopaths Oscar nominee Martin McDonagh's madcap crime comedy won the People's Choice Midnight Madness Award at this year's Toronto International Film Festival. The film is a weird crowd-pleaser that's as much a blood-soaked macabre midnight movie as it is a self-aware satire on the very place that spawns all this madness: Hollywood.
The movie follows Marty (Colin Farrell playing the straight man this time around) a functioning alcoholic and Los Angeles screenwriter struggling to complete his screenplay Seven Psychopaths. Un/lucky for Marty his wildly off-balance best friend Billy (a scene and movie-stealing Sam Rockwell) is an out-of-work actor who dognaps for reward money and provides the writer with a wealth of material.
Billy works side-by-side in the dog thievery business with Hans (a particularly poignant and wonderfully weird Christopher Walken) a deeply religious man with a haunted violent past who uses the money to provide for his ailing wife (Linda Bright Clay). After the men kidnap the wrong person's Shih Tzu — owned by a bona fide lunatic and gangster by the name of Charlie (Woody Harrelson continuing his 2012 hot streak) — and Billy puts an ad in LA Weekly searching for the city's best psychopaths Marty finds inspiration for his screenplay. It quite literally arrives at his doorstep putting his life — and the lives of everyone around him — in danger.
McDonagh's unpredictable utterly deranged multi-layered noir homage is a testament to the Oscar-nominated McDonagh's scope sensibilities and talents as a writer and director (it has been earning comparisons to the work of Quentin Tarantino and understandably so). The film is not only reminiscent of Tarantino in style execution and use of an eclectic ensemble but in storytelling techniques too.
The film features a series of darkly hilarious vignettes including a pair of bumbling hitmen (played by Boardwalk Empire costars Michael Pitt and Michael Stuhlbarg) and a series of revenge fantasies featuring distraught mourning parents like a Viet Cong soldier (Long Nguyen) and a Quaker (Harry Dean Stanton); and serial killer killers (Amanda Warren and a bunny-toting Tom Waits) that all hearken back to Pulp Fiction both Kill Bills and Inglorious Basterds respectively.
But don't call Seven Psychopaths a Tarantino ripoff. McDonagh somehow manages to conjure up all the best things about the fellow auteur's aesthetics (he like Tarantino also relies his muse again with Farrell) and remain in a league all his own. It's rare to find a writer who is able to effortlessly inject his own running internal monologue into their characters without it seeming self-indulgent but McDonagh pulls it off.
McDonagh/Billy grapples with making a movie that sports over-the-top violent gun-toting guys and expendable female characters (something it gives a wink and a nod to throughout but doesn't quite solve that costars Abbie Cornish Olga Kurylenko and Gabourey Sidibe play up in their ultimately disposable roles) or one that is ultimately about love and friendship. He somehow manages to make it both.
While Seven Psychopaths doesn't pull off that delicate balance quite the same way the far superior In Bruges did running a bit too long with a fantasy
sequence that's far more satisfying than the film's actual conclusion but it arguably packs heartier laughs than its predecessor (thanks largely in part to Rockwell's Billy's buffoonery and a deliriously funny rant about Gandhi). McDonagh's latest is the craziest thing to come out of Hollywood this year — in the best way possible.
Sometimes the simplest of crimes are the ones that go the most awry—a fact Andy (Philip Seymour Hoffman) and his younger brother Hank (Ethan Hawke) find out the hard way. You see they both have money problems: Andy is an overextended payroll exec who has been embezzling from his company while Hank is a flighty ne’er-do-well who can’t pay child support. When Andy hatches a larcenous scheme to rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target Hank is in—until he finds out the store owners are Andy and Hank’s actual mom (Rosemary Harris) and pop (Albert Finney). “How can we do that?” Hank asks his cold-hearted brother but Andy assures Hank it’s a piece of cake and that no one will get hurt. Famous last words. Hank’s fears are realized when the job goes horribly wrong and tragedy reaches unprecedented heights. A top-notch cast like this only makes things better. Hoffman in particular gives yet another tour-de-force performance as the troubled Andy a man wounded by his father’s hard-headedness and lack of affection throughout the years. Hoffman alternates between calculating coldness and heart-wrenching desperation—all while keeping his outwardly appearance impeccable. Hawke’s Hank on the other hand is just a mess through and through a “puppy dog ” as so described by Andy who wears his heart on his sleeve and is his father’s favorite. Although Hawke whines and grates his way through the performance that is what the part requires and he is quite effective at it. Finney as the brothers’ old man is also conflicted devastated by the tragedy yet determined to get to the bottom of it--and when he realizes it’s his sons Finney plays the moment perfectly. Also good is Marisa Tomei as Andy’s stressed wife; she plays her like a caged bird looking for a way out. When things keep getting worse you cringe in anticipation of each character’s next move. Sidney Lumet is certainly an expert in train-wreck crime dramas having served up such classics as Dog Day Afternoon Serpico and Prince of the City as well as other stellar efforts such as 12 Angry Men Network and The Verdict. He’s also directed 17 different actors in their Oscar-winning performances--and still the man himself has yet to win the Academy Award for Best Director. Funny how it always works out that way. Over the last few years Lumet has stumbled a bit (2006’s Find Me Guilty didn’t help matters) but you shouldn’t underestimate his talent when he can really sink his teeth into something. Before the Devil is right up his alley and he spins it with all the experience and professionalism he has at his fingertips. Its nonstop pace is enhanced by some clever editing in which time jumps back and forth over the span of a week. And of course Lumet once again guides his actors into stellar performances. You get this dysfunctional family immediately without a word spoken. The director is surely looking at his sixth Oscar nomination and if he wins the Big One for what in essence is his body of work at least we can say he won for something truly worthy.
Doug Henning, the perpetually upbeat, curly haired, mustachioed magician who made illusion a multimedia affair (on the road, on stage, on television) in the 1970s and 1980s, died Monday in Los Angeles. He was 52.
Henning had suffered from liver cancer for five months.
Henning revived the popularity of magic through the rock musical "The Magic Show" in the 1970s, which ran on Broadway for more than four years. He returned to the stage for "Merlin" and "Doug Henning's World of Magic" in the 1980s. Henning is survived by his wife, Debbie.
The hip-hop world, meanwhile, is mourning the loss of Big Punisher (a.k.a. Christopher Rios) who died Monday in New York at age 28. The 698-pound Puerto Rican-born rapper, whose double-platinum album "Capital Punishment" spawned the hit single "Still Not a Player" in 1998, was thought to have suffered a heart attack. A Westchester County, N.Y., medical examiner, said that while Rios had an enlarged heart and other health problems, the cause of death would not be determined until autopsy tests were complete. Rios is survived by wife Liza and three young children.
In other obituary notices: "Lonesome" Dave Peverett, lead singer of the British blues-rock quartet Foghat, died Monday at age 56 of complications from liver cancer; and Hercules, the grizzly bear who starred in Disney films, commercials and once wrestled with Roger Moore in the James Bond film "Octopussy." Hercules passed away Monday at age 25.
LEAPIN' LIZARDS: OK, warning to potential "Magnolia" moviegoers: If you don't want to read about a key plot point, THEN SKIP THE REST OF THIS ITEM.
Anyway ... those frogs that rain down on "Magnolia" at the end of the film? Well, they're widely assumed to be a biblical reference to the book of Exodus. But director Paul Thomas Anderson says the inspiration came from writer Charles Fort first, God second.
Fort was known for compiling clippings about strange, unexplained phenomena, and Anderson used his story about three men being hanged named Green, Berry and Hill in a town called Green Berry Hill to open the film. He also found the frog-shower tidbit from Fort's various accounts.
"He thought it shouldn't be explained or that there was a far better explanation. He believed in a place called Megonia, a mythical place above the firmament where stuff would go up to and hang out before dropping back down to Earth. 'Magnolia' is a little tribute to that," the 30-year-old director says in Daily Variety. "And it sounds funny, but he believed that you can judge a society by the health of its frogs. That doesn't seem too crazy to me because our frogs are getting all deformed and dying."
EXPECTING: "Spin City's" Michael Boatman, who plays Carter, the deadpan-funny gay special assistant on minority affairs, is about to be a father again, according to People magazine. Boatman, 35, and wife Myra are expecting their second child, due in July. The baby will join sister Jordan, 3 ... ...
"Baywatch's" Brooke Burns, 21, is expecting her first child with husband Julian McMahon of NBC's "Profiler." The two were married Dec. 22.
IN COURT: Looks like "Veronica's Closet" co-star Wallace Langham will have to face hate-crime charges after all. A Los Angeles judge refused Monday to drop the case, in which Langham was accused of beating a gay tabloid reporter during a supermarket altercation. Despite a civil settlement between the actor and the journalist, the judge says the case must go forward because it was "a fairly brutal attack" and because Langham, 34, allegedly used slurs against the victim. ...
... Rapper-entrepreneur Sean "Puffy" Combs pleaded not guilty Monday to charges he was in possession of two illegal guns after a Manhattan nightclub shooting Dec. 27 that injured three people. Combs was indicted Jan. 13 with criminal possession of a weapon. Combs and girlfriend Jennifer Lopez were taken into custody after they allegedly fled the scene of the shooting in the rapper's sport utility vehicle, but Lopez was released without charges after questioning ...
... And we're happy to report that John Tesh has won back his name. Celebsites.com has agreed to return the cybername Johntesh.com to the ex-"Entertainment Tonight" host after the TV personality-musician filed suit in federal court.
LAUDED: The Publicist Guild of America has announced its nominations for the Maxwell Weinberg Publicists Showmanship Awards, honoring PR types.
In the film categories, the nominees are the publicists for "American Beauty," "The Matrix," "Stuart Little," The Talented Mr. Ripley and "Toy Story 2"; the television nominees are "Annie," "Everybody Loves Raymond," "Judging Amy," "Law & Order," "Law & Order: Special Victims Unit" and "The West Wing.". The awards will be handed out March 22 at the Beverly Hilton in Beverly Hills, Calif. ...
... Tom Sherak, chairman of 20th Century Fox's Domestic Film Group and senior VP of Fox Filmed Entertainment, will receive the Sherrill Corwin Humanitarian Award at ShoWest for his involvement with numerous charities. The National Association of Theater Owners will give Sherak the honor, which has not been awarded since 1994, during its convention March 6-9 in Las Vegas.
QUICK TAKES: Two-time Oscar-winner Dustin Hoffman will pull the early-morning shift to help announce the nominations for the 72nd Annual Academy Awards bright and early Feb. 15. He'll be joined by Academy President Robert Rehme. ...
... Jude Law ("The Talented Mr. Ripley") has joined the presenting team for Oscar night March 26 at the Los Angeles Shrine Auditorium. ...
... Elizabeth Taylor is scheduled to hold an online chat session on AOL Live from 9-9:30 p.m. EST on Wednesday as a kickoff to Valentine's Day. Ironically, Dame Liz will be advising men on romantic gifts and other gestures. Tip No. 1: If your lady can't remember if your present was better than that of hubby No. 4 or No. 7, it's a very bad sign.