When a movie gets knocked around from one crummy release date to another one would assume that it is pretty awful. However even I a knowledgeable and open-minded film geek wasn’t prepared for the monstrosity that is Season of the Witch a medieval mess that has reportedly been in the works for a decade. You’d never be able to tell so many years of preparation went into this sad excuse for a B-movie based on its laughable CGI dialogue and contrived premise. How many flavors of bad is this supernatural stinker? Sample this…
A period horror action flick Season of the Witch is initially set in a cursed city suffering from the Black Plague that has deformed and decimated the majority of its population. The disease has been unleashed as a result of a literal witch-hunt gone wrong. Ancient evil forces are afoot and the blame is put on a young girl who the Church believes is a witch. Though imprisoned in the dungeons of a castle her power reigns supreme. Enter Behman (Nicolas Cage) and Felson (Ron Perlman) Knights of the Crusades who happen upon the city on their way back to civilization. Once recognized as deserters they are imprisoned and given the choice to remain captive or lead a suicide transport mission to a remote monastery where the girl’s innocence or guilt can be determined. If deemed evil she is to be destroyed.
The premise though far from original could have been cool if executed with some style but director Dominic Sena (Gone In Sixty Seconds) is incapable of making it enjoyable. Instead of creating suspense through eerie environments he settles for cheap thrills that fall short every time. His use of CGI is painfully bad conjuring effects that would’ve looked dated around the turn of the century. Most insulting is the film’s big “twist” - a lazy paradigm shift so easily foreseeable the movie should have just been called The Devil’s Advocate. Is that not bad enough for you? Just wait it gets better (read: worse).
Stars Cage and Perlman are Razzie bound with a pair of pathetic non-performances. The accomplished actors don’t even try to get into character. Rather they don period garb shield and sword and run around like cheap imitations of their former selves for two hours. You won’t hear any attempts at English accents because apparently 14th Century Knights are just like contemporary buddy cops. With this little effort being put forth by the two men who are essentially the reason folks will pay to see the movie Season of the Witch doesn’t have much of a leg to stand on. The supporting cast which includes Ulrich Thomsen Stephen Graham and Christopher Lee try to bear the burden but cannot undo the damage that Cage and Perlman inflict upon this film. The scariest thing about Season of the Witch is the movie itself an abomination of bad filmmaking and terrible acting.
XXX still marked the top spot at the box office with $23 million.
Signs held strongly in second place with $19.5 million.
Blue Crush made a nice splash in third place, opening to $15.2 million.
Spy Kids 2: The Island of Lost Dreams was a quiet fourth with $11.6 million. Austin Powers in Goldmember was still laughing in fifth place with $8.7 million. A major expansion in its 18th week of release sent My Big Fat Greek Wedding into sixth place with a big fat $5.8 million.
The weekend's other wide opening, The Adventures of Pluto Nash, was orbiting in box office outer space with a cold as ice $2.2 million in tenth place.
With no new blockbusters driving ticket sales, key films -- those grossing $500,000 or more -- were down about 3 percent from last year with $106.8 million versus $110.4 million. It was the fifth consecutive weekend in which the marketplace was down compared to last year.
THE TOP TEN
Revolution Studios and Columbia's PG-13 rated action adventure thriller XXX showed strong legs, holding on to first place in its second week with a solid ESTIMATED $23.0 million (-48%) at 3,388 theaters (+14 theaters; $6,789 per theater). Its cume is approximately $84.9 million.
XXX's average per theater was the highest for any film playing in wide release this weekend.
Directed by Rob Cohen and produced by Neal H. Moritz, it stars Vin Diesel, Asia Argento and Marton Csokas.
"Down only 48 percent is one of the best holds of the summer," Sony Pictures Entertainment worldwide marketing & distribution president Jeff Blake said Sunday morning.
"It's a tick better (hold) than even Signs last week (which had dropped 51 percent), which obviously is a good holding picture going forward. It looks like we are, too. And it's a tick better than what Fast and the Furious' drop was, as well (last summer with a 50 percent fall in its second weekend)."
Asked where XXX is heading, Blake replied, "Fast and the Furious is as good a guidebook as any and, as I say, we're tracking better. At the end of 10 days, they had in $77.8 million and had had a second weekend of $20 million, down 50 percent, so we're definitely tracking better just about every day so far. They ended up with a very nice total of $144.5 million. I'd have to say we're setting our sights slightly higher than that. To be honest, as we look ahead there's a lot less to stop us."
Looking ahead, Blake said, "I think, clearly, XXX and Signs are the two pictures emerging out of the summer that are really going to get sampled as the summer winds down and fall begins. We are number one for the second week in a row, joining Spider-Man, Star Wars, Sum of All Fears and Men in Black II, very nice company, as the only pictures to be number one two weeks in a row this summer. And we've got a real shot to be number one three weeks in a row, which nobody has done. Nobody made it three weeks in a row. Spider-Man had (competition from the opening of) Star Wars in week three. And Star Wars had Sum of All Fears.
"I don't share the thought that the opening was anything but terrific, but I think it does make the point that if you can't get open to a big level even though it's a little harder to produce the box car numbers in late summer the advantage is that you can hold for a while if you're a picture that plays. And this picture certainly plays."
Buena Vista/Touchstone's PG-13 rated supernatural thriller Signs held very well in second place in its third week with a steady ESTIMATED $19.5 million (-34%) at 3,344 theaters (+34 theaters; $5,843 per theater). Its cume is approximately $150.7 million.
Directed by M Night Shyamalan, it stars Mel Gibson.
Universal and Imagine Entertainment's PG-13 rated romantic surfer girl comedy Blue Crush opened third to a sexy ESTIMATED $15.18 million at 3,002 theaters ($5,055 per theater).
Directed by John Stockwell and produced by Brian Grazer and Karen Kehela, it stars Kate Bosworth, Michelle Rodriguez, Matthew Davis, Sanoe Lake and Mika Boorem.
"The Blue Crush results are a solid opening for what is a fun film that delivers to its target audience," Universal distribution president Nikki Rocco said Sunday morning.
Focusing on what went in to achieving the solid launch, Rocco noted, "We're very proud of what everybody (at the studio) has done. Certainly, marketing created an incredible hype for young females and distribution did a tremendous job in dating the film. I think the producers of the film delivered something that was very different and unique.
"We have a picture that has a subject matter (bikini babes at the beach and summer romance) that is 40 years old. To take it and reinvent this old genre for today's audience is quite an accomplishment. And I'm very pleased with the results."
Miramax/Dimension Films' PG rated family comedy sequel Spy Kids 2: The Island of Lost Dreams slipped one peg to fourth place in its second week with a low energy ESTIMATED $11.6 million (-31%) at 3,307 theaters (theater count unchanged; $3,508 per theater). Its cume is approximately $45.7 million.
Directed by Robert Rodriguez, it stars Antonio Banderas and Carla Gugino.
New Line's PG-13 rated comedy sequel Austin Powers in Goldmember fell one notch to fifth place in its fourth week with a less frenetic ESTIMATED $8.7 million (-33%) at 3,113 theaters (-395 theaters; $2,795 per theater). Its cume is approximately $183.9 million.
Directed by Jay Roach, it stars Mike Myers, Beyonce Knowles and Michael Caine.
Gold Circle Films and HBO's PG rated romantic comedy sleeper hit My Big Fat Greek Wedding continued to expand in its 18th week via IFC Films, rising two slots to sixth place with an outstanding ESTIMATED $5.8 million at 1,060 theaters (+337 theaters; $5,472 per theater). Its cume is approximately $52.8 million, heading for $60 million or more in domestic theaters.
Directed by Joel Zwick, it stars Nia Vardalos and John Corbett.
Warner Bros.' R rated thriller Blood Work dropped two posts to seventh place in its second week with a less thrilling ESTIMATED $4.8 million (-33%) at 2,525 theaters
(theater count unchanged; $1,901 per theater). Its cume is approximately $15.3 million.
Produced and directed by Clint Eastwood, it stars Eastwood.
DreamWorks and 20th Century Fox's R rated adult appeal drama Road to Perdition slipped one peg to eighth place in its sixth week, holding very well with an ESTIMATED $3.8 million (-9%) at 1,914 theaters (-297 theaters; $1,999 per theater). Its cume is approximately $90.3 million.
Directed by Sam Mendes, it stars Tom Hanks, Paul Newman and Jude Law.
Revolution Studios and Columbia's low budget PG rated family comedy Master of Disguise dropped three levels to ninth place in its third week with a calm ESTIMATED $3.3 million (-35%) at 2,137 theaters (-431 theaters; $1,544 per theater). Its cume is approximately $30.4 million.
Directed by Perry Andelin Blake, it stars Dana Carvey.
Rounding out the Top Ten was Castle Rock Entertainment's opening via Warner Bros. of its (in association with Village Roadshow Pictures and NPV Entertainment) PG-13 rated sci-fi action comedy The Adventures of Pluto Nash to a soft ESTIMATED $2.15 million at 2,320 theaters ($927 per theater).
Directed by Ron Underwood, it stars Eddie Murphy and was produced by Martin Bregman, Michael Bregman and Louis A. Stroller.
Pluto, a very expensive special effects picture, was originally developed at Universal, which put it in turnaround years ago. With Pluto, having bounced around Warners' release schedule for some time, insiders were not anticipating a good opening.
This weekend also saw the arrival of Focus Features' romantic drama Possession to a very encouraging ESTIMATED $1.61 million at 270 theaters ($5,975 per theater).
Directed by Neil LaBute, it stars Gwyneth Paltrow and Aaron Eckhart.
"We had a good weekend," Focus Features distribution president Jack Foley said Sunday morning. "It competed nicely in the marketplace. It ranked up among the more competitive films in a lot of the multiplexes -- in the top three and four and five ranks.
That's not bad considering XXX and Signs are still pounding in there. In commercial houses we were very, very well attended. And in the upscale and art houses around the country we were ranking in the number one and two positions.
"So we're really happy with this opening. It puts us in a position to think that we can persist very nicely through the upcoming weeks and months and serve a demo out there that really isn't being served aggressively at this stage of the game outside of what Greek Wedding is doing. A lot of those people have seen Greek Wedding, so we can easily fill that slot for an alternative kind of programming picture."
Looking ahead, Foley explained, "Next week we're going to expand the top 17 markets a bit that we're in right now. Then on Labor Day we'll go wide with the picture. I'm very, very happy that the country embraced the film."
Paramount Classics' PG rated German romantic comedy Mostly Martha opened to a hopeful ESTIMATED $41,000 at 2 theaters ($20,445 per theater).
Written and directed by Sandra Nettelbeck, it stars Martina Gedeck.
There were no national sneak previews this weekend.
On the expansion front this weekend Fox Searchlight Pictures' R rated comedy The Good Girl went wider in its second week with a still impressive ESTIMATED $0.83 million at 60 theaters (+56 theaters; $13,800 per theater). Its cume is approximately $1.1 million.
Directed by Miguel Arteta, it stars Jennifer Aniston, Jake Gyllenhaal and John C. Reilly.
"We had a very, very good expansion," Fox Searchlight distribution president Stephen Gilula said Sunday morning.
"We added 56 theaters in an additional 18 cities (for a total of) 20 cities across the country. It's terrific. The regional cities have supported the film extremely well.
"The four holdover theaters held extremely well even though we added quite a few theaters in Manhattan and L.A. We picked up very good momentum. The regional reviews were very, very strong around the country. So we're quite optimistic about the next wave of our expansion."
This Friday, Gilula said, "We'll open up in 29 more cities and expand further into 50 cities. So we should be on Friday, Aug. 23 in approximately 175 theaters. The following week, which is Labor Day weekend, we'll expand nationally to 500 or more theaters."
Miramax's PG-13 romantic comedy Tadpole expanded in its fifth week to a slow ESTIMATED $0.31 million at 151 theaters (+59 theaters; $2,019 per theater). Its cume is approximately $1.5 million.
Directed by Gary Winick, it stars Sigourney Weaver, John Ritter, Bebe Neuwirth and Aaron Stanford.
Focus Features' R rated The Kid Stays in the Picture, the "unbelievable true tale of Robert Evans," continued to widen in its fourth week, holding well with an ESTIMATED $0.18 million at 56 theaters (+11 theaters; $3,257 per theater). Its cume is approximately $0.8 million.
Produced and directed by Brett Morgen and Nanette Burstein and produced by Graydon Carter, Kid is based on the book by Robert Evans.
"It's very steady and very solid in the previously expanded markets," Focus Features' Jack Foley said. "It didn't experience much of a drop in them, particularly in New York and L.A., where it's really got a great foothold."
United Artists' R rated comedy 24 Hour Party People, released through MGM, expanded in its second week to a still happy ESTIMATED $0.16 million at 18 theaters (+16 theaters; $8,674 per theater). Its cume is approximately $0.2 million.
Directed by Michael Winterbottom, it stars Steve Coogan.
Key films -- those grossing more than $500,000 -- took in approximately $106.84 million, down 3.19 percent from last year when they totaled $110.37 million.
Key films were down about 21.71 percent from the previous weekend of this year when they grossed $136.44 million.
Last year, Universal's second week of American Pie 2 was first with $21.1 million at 3,072 theaters ($6,870 per theater); and New Line's third week of Rush Hour 2 was second with $19.02 million at 3,080 theaters ($6,177 per theater). The top two films one year ago grossed $40.1 million. This year, the top two films grossed an ESTIMATED $42.5 million.