Last week, Seth MacFarlane let it be known that the premiere episode was going to be all about the boys. From the juvenile jokes to skits on President Barack Obama and Ryan Lochte (hell Jeah!), it was a true boys-only club kind of a night. Well, perhaps with Joseph Gordon-Levitt hosting the second episode -- and for the second time -- the star of such lady-friendly flicks as 10 Things I Hate About You and 500 Days of Summer, women will be more of a focus. Kristen Wiig and Abbey Elliott may have moved on, but that's even more of a reason to make sure Saturday Night Live doesn't lose its funny female niche.
ONTO THE HIGHLIGHTS!
Off to a FINE Start: Things fired off a bit differently this time around as Kelly Ripa's (Nasim Pedrad) big blink-less eyes stared at audiences in the first skit. Yes, it was LIVE! with Kelly and Michael, and the Blind Sideyness of it all was enough to conjure a few belly laughs. Pharoah delivered a spot-on Strahan impersonation, especially when he squeaked through gapped front teeth about how amazing it is that HE GETS PAID to do essentially nothing! Their first guest was good ole' Robert Pattinson (Bill Hader). The smoldering scowl, the gentle hair toss, the brooding... oh it was glorious. I think it's safe to say we've made up for last week's boys show already.
Shirtless Gordon-Levitt!: What an opening monologue, you guys! The episode could have ended right here and it would have been just fine. More than fine! Because you know why? JGL heard a loud cry, a plea, to remove his shirt. And Lord did he listen. I should have known when he first walked on stage, chipper as ever and looking a bit pale in the face. The nerves, of course. And although his Looper line about Ashton Kutcher being the real life younger version of Bruce Willis, or something, I don't know it didn't really make sense, it was quickly forgotten when he segwayed into his Magic Mike number and RIPPED HIS SUIT OFF. At first, he didn't bare it all. He teased us a little keeping a tasteful vest on. But then, he ripped some more. And yes, HIS SHIRT CAME OFF. He has abs! And no hair! Who knew?! No one knew, no one until tonight. This changes everything.
Tres Equis: Or, The Son Of The Most Interesting Man In The World. Creative, catchy accent, manicured facial hair, it was all there! All you need to know: "He can make a woman cringe, just by entering the room." Overall, a short and sweet skit, though I fear JGL's gotten exceptionally attached to this character -- he's having way too much fun in all white. I don't think this is the last we'll see of TSOTMIMITW. I don't think so at all.
Tampons and Conservatives: We're back to the female portion of the evening. It doesn't get anymore estrogeny than a tampon commercial, and that is exactly what Vanessa Bayer owned. She was fantastic. I see Wiig in her, I do, and it's getting me all tingly. And what's better than spoofing a fluffy-haired, soft-voiced menstruating lady, you ask? Well, a clan of republicans handing out the latest brand: g.o.b. "Now with wings!", that's what.
Mumford & Sons: The musical entertainment of the night! They were everything you'd expect. The band rocked out, extremely aggressively actually, with "I Will Wait." It was super enjoyable, even for non-hipsters (though they really could have trimmed the facial hair just a bit). I was actually pleased to not hear "Little Lion Man," though let's be honest, an emo song is an emo song is an emo song.
Weekend Update: It's in good hands with Seth Myers, this I know to be true. The one negative thing I can say, it needs to be cut down a tad. Maybe a little more than a tad. I mean, it just seemed to take FOR-E-VER. But it was amusing. After ripping on Romney's tax return release and love of a good spray tan, he focuses on President Obama in a new segment "What Are You Doing?" Oh yeah, and comparing Romney's campaign to Lost was pretty amazing -- Is Clint Eastwood supposed to be the smoke monster? Then, Kate McKinnon enters as an impeccable Ann Romney. I just want to hear her say "Beyonce" over and over again. Is that possible yet? Yada yada, Pharoah is here -- God bless his impressions -- and tackles ESPN’s Stephen A. Smith to discuss Tim Tebow and Marc Sanchez.
The Finer Things: This was Keenan Thompson's spotlight act. He and Pharoah, clad in cheetah and army print, are a perfect pair. Sipping out of champagne glasses, the two chitchat about, what else, fashion! JGL enters in Yankees gear for some Fashion Week banter. Actually, they carried on a conversation about Marc Jacobs and Helmut Lang that made complete sense. It was bizarre and pleasantly impressive. Again, getting back in good graces with the women.
Let's End on That Note:There were a few more skits after The Finer Things, but aside from Mumford & Sons back on stage, it was pretty bland. Tim Robinson finally made his appearance as a man being set up with his co-worker's daughter and it was fairly disappointing (for the record, JGL in a dress was not disappointing). What I can gather from this episode is that SNL appears to be JUST FINE. It's off to a great start, and Gordon-Levitt proved for the second time that he can in fact be funny on a whim. "Weekend Update" was the ultimate must-watch-on-repeat video, as was JGL's Tres Equis skit. What did you think of the latest episode? Let us know by sounding off in the comments section below.
[Image Credit: NBC]
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Saturday Night Live Recap: Seth MacFarlane Gets Laughs, and the Boys Take Over
Saturday Night Live Premiere: Ushering In a New Era?
Jay Pharoah Set to Take Over Obama Impression This Fall
Are you suffering from post-Christmas blues? Is your tree making you sad? Are the long returns lines at stores giving you anxiety? Well, that's what New Year's Eve is for; it's one last hurrah before we hunker down for the long haul of winter. And what better way to prepare for the big night than with this adorable video from 500 Days of Summer co-stars and real life pals Zooey Deschanel and Joseph Gordon-Levitt. For some (probably adorable) reason, the duo sat down to record their rendition of the classic holiday tune "What Are You Doing New Year's Eve?" and I've probably watched it about 10 times already. With the lovely, beachy feel added by Deschanel's tiny ukelele, they lend this end of the year tune a little laid back charm. This whole thing also makes me wish JGL would be my New Year's date, but, I'll settle for taking that bottle of sort of affordable champagne instead.
Click on the photos below to see more photos of Zooey and JGL.
Based on the best-selling book of the same name Fast Food Nation has three intertwined stories revolving around the fast food industry. Don Anderson (Greg Kinnear) is a corporate marketing guy assigned to put a positive spin on the bad news that fecal traces has been found in the meat. He goes to the meat factory to investigate and doesn’t like what he sees but no one offers him a viable solution. Then there’s Raul (Wilmer Valderrama) and Sylvia (Catalina Sandino Moreno) Mexican immigrants who cross the border illegally. The only job they can get is in the meat factory. She bears with demeaning sexual advances while he faces the unhealthy and dangerous conditions to try for the American Dream. Finally we meet Amber (Ashley Johnson) who works in a local franchise. She’s just a high school girl trying to pay for her car insurance. This isn’t her future but it dominates her present. The corporate story is a comedy about ineffective management and media spin. The immigrants’ story is a hard drama about a bad life. Amber’s story straddles both lines--a slacker teen comedy but also introspective about what the job is doing to her soul. It may be no secret these days but it’s still fascinating. There is plenty of juicy dialogue for actors to sink their teeth into (pun intended). Kinnear plays the corporate suit as lovably as possible. He’s the put-upon business cog similar to his characters in The Matador and Little Miss Sunshine but funnier because it’s the system that’s futile not his own dreams. Valderrama has a smaller part just supporting his wife going through a horrible life with noble determination. Moreno is as heartbreaking as she was in her Oscar-nominated performance in Maria Full of Grace. You sense so much potential in her and she’s stuck in the factory demeaned by sexual harassment and unable to save her sister from succumbing to it. She adds new colors of despair to the immigrant experience. Johnson is careful not to make her character too wise beyond her years. She really is just a normal kid. High school sucks so do counter jobs. It’s not about being unique just relatable. Cameos stand out too. Ethan Hawke plays the coolest uncle ever. He comes to town for two scenes spouts off his cool-uncle advice and then leaves. Even though he’s a self-confessed loser he’s convincing. And he buys her beer. Bruce Willis gives a speech on the meat industry with his David Addison smirk while chomping into a burger. We’re sold. Director Richard Linklater does a good job keeping the comedy and drama balanced. He cuts back and forth between stories at sensible intervals. Towards the end Greg Kinnear disappears for a long time but Ashley Johnson’s story beefs up to compensate. Showing the inner workings of the meat factory is pretty powerful. Cow guts falling out and bodies mangled by machinery are not fun things to watch but they are important to remember. It’s all up there on the screen but not gratuitous—and doesn’t have to ruin meat forever. Just think how all foods have processes that we don’t see and still taste good. There are plenty of scenes in which the characters are talking a real Linklater specialty (Before Sunset Before Sunrise for example). Whether they’re talking about meat or minimum wage jobs or life ambitions the conversations have a catchy flow. The satire of corporate America and slacker lifestyles juxtaposed against the drama of immigrant life makes Fast Food Nation both ridiculously funny and appropriately uncomfortable.
As the opening song belts out fast cars champagne and caviar are what professional basketball player Jamal Jeffries (played by Miguel A. Nunez Jr.) is all about. In fact Jeffries is so taken by his own success that he doesn't sign autographs but uses a stamp. His Dennis Rodman-style antics however reach a breaking point when he strips during a game in front of millions of fans and flings his jock strap into the seats. The stunt gets him thrown out of the league and before he can say "slam-dunk " Jeffries loses his house his cars and his girlfriend. Desperate to work again at the one thing he does best Jeffries comes up with the mother of all schemes: He shaves his legs dabs on mascara and tries out for the women's league--and it works. But as he builds friendships and gains the trust of the women on his team he feels torn between his obligation to his team the Banshees and his need to return to a normal life. If you've seen the 1982 comedy Tootsie you know exactly how this film plays out. Surprisingly Juwanna Mann is not crammed with bad slapstick humor but is an entertaining twist on an old classic with a delightfully sweet storyline.
Nunez (Nutty Professor II: The Klumps) not only pulls off the Jamal/Juwanna character with ease but he pretty much steals the show here. His character comes off as endearing rather than obnoxious because he takes his role as a woman seriously and is never condescending about playing in the women's league. Nunez also delivers some great one-liners the best being when he is fighting off advances from the gold-toothed Puff Smokey Smoke. Vivica A. Fox (Two Can Play That Game) plays Michelle a fellow player whom Jeffries develops feelings for. Although it's hard to buy the sweet and almost delicate Fox in such an athletic role she pulls it off--but there is not all that much chemistry between her and Nunez. As Jeffries' crass sports agent Lorne Daniels Kevin Pollak (3000 Miles to Graceland) is seedy with just the right touch of humanity so his character is not completely despicable. The most cartoonish and unlikable character is Tommy Davidson's (Bamboozled) Puff Smokey Smoke. He has some funny lines but is too far-fetched to be believable.
Jesse Vaughan who directed a season of In Living Color makes his directorial debut with Juwanna Mann. Judging from the trailer I thought the film would be a low-brow comedy with a lot of overdone men-in-heels humor. I was instead pleasantly surprised by the film's storyline which--although it is a complete take on Tootsie--is short sweet and non-offensive. While some characters like Puff Smokey Smoke are a bit over the top Nunez's Jamal/Juwanna character is never clownish and well developed enough that you can't help but feel for his/her predicament. Some scenes appear to have a Klumps influence like the scene in which Jeffries is playing cards with his aunt and a gang of her senior friends but the overall effect is a moderately funny film peppered with some slightly funnier moments. Newcomer Bradley Allenstein had the sense to deliver a sweet comedy screenplay that was short enough and knew when to quit.