In the near-future a portal to Mars is discovered and the remains of a civilization are discovered. The UAC corporation sets up shop with an archaeological dig and find all sorts of cool artifacts. Then things go horribly horribly wrong in a very bloody and violent way. So a squad of bad-ass soldiers led by The Rock are sent in to clean things up. The mission is complicated by Dr. Samantha Grimm (Rosamund Pike) a scientist who is trying to salvage as much research data as she can without getting killed. The mutant zombies--or whatever they are--give the guys a run for their money. But with a seemingly unending supply of ammo the mutant-zombies are ultimately defeated. Big surprise. First this isn't a film that requires much acting. With guns being fired every time someone turns a corner there isn't much call for character revelations and tender moments. At least that's how it must have been pitched to The Rock because he only covers two emotions in this film: gruff or screaming rage. He pulls it off but the screaming gets a bit tedious. Karl Urban (The Lord of the Rings and The Bourne Supremacy) who plays John Grimm aka Reaper is serviceable in a role that requires him to have at least a little depth more than any of the soldiers. As plucky Samantha Grimm John’s sister (yeah nice twist there) Pike (Die Another Day) runs frets and figures things out pretty quickly thank goodness. She and Urban have a nice chemistry as well. Too bad they played brother and sister. Andrzej Bartkowiak (Romeo Must Die Exit Wounds) has given the fans of the popular game an action-packed film--but it just isn't enough for those of us who really love Doom. The world of the game and the world of the movie are slightly different and that's OK--up to a point. There's always a problem when you want to have it both ways. But unlike its cousin Resident Evil Doom is monster deficient compared to the game--until that is the final sequence. Shot mostly in a first-person perspective like the game it unfortunately feels tacked on. The story’s logic is ignored for the sake of trailer footage. There is a slight twist at the end which helps but it just isn’t as satisfying as it could have been.
With college behind them East Great Falls High School alums Jim (Jason Biggs) and Michelle (Alyson Hannigan) decide the time is ripe for marriage. After an embarrassing restaurant proposal that involves under-the-table fellatio and a missing ring Michelle accepts and sets her sights on the perfect wedding ceremony. Jim and his best buds Finch (Eddie Kaye Thomas) and Kevin (Thomas Ian Nicholas) decide to leave Stifler (Seann William Scott) in the dark about the upcoming nuptials to avoid any possible calamities but it doesn't take long for the Stifmeister to figure things out. Stifler the only one of the gang who has not matured since high school lays on the charm--and the Lacoste sweaters--and quickly gains acceptance from Michelle's stuffy parents and her attractive sister Cadence (January Jones). The film basically revolves around Jim trying to turn Michelle's dream wedding into a reality while Stifler unintentionally foils his friend's every effort. American Wedding follows the same formula as its two predecessors and while there are some really funny gags here you can spot their setup from a mile away. When Stifler for example accidentally feeds Michelle's wedding band to a dog waits on it to pooh it out then scoops up the jewelry with a paper doily we are hardly flabbergasted when it is later mistaken for a truffle. And that just about sums up the movie: funny but formulaic.
In the first two American Pie movies Biggs's character Jim was always a key comedic player. For instance who could forget his Internet snafu with Nadia the foreign exchange student or the Crazy Glue incident at the beach house? But while American Wedding is all about Jim and Michelle's wedding Biggs and Hannigan take a back seat to the laughs here: they're the stressed-out grown-ups. Also turning in a more muted performance is Nicholas as pal Kevin who doesn't appear to have a purpose at all in this installment--although he does provide a bit of comic (albeit non-speaking) relief during Stifler's botched attempt at a bachelor party. Contrary to Jim Michelle and Kevin who have blossomed into somewhat dependable adults Scott's character Stifler has degenerated. Stifler is more crass and obnoxious than ever perhaps even a little too over-the-top. The actor whose performance stands out the most in this comedy is Thomas in the role of Finch. Thomas has taken the character's haughtiness and peculiarity to a new level fine tuning Finch's attributes and stylishly transforming him from a high school geek to a cool brainy college graduate. Eugene Levy who is back in the role of Jim's overly involved father but his shtick has become redundant. His only purpose in the films is to walk in on his son at every inopportune moment.
All three films in the American Pie series were penned by screenwriter Adam Herz and produced by Paul and Chris Weitz--who also served as directors on the original--but they have all gone through different directors; the J B Rogers-directed American Pie 2 and now American Wedding helmed by Jesse Dylan (How High). Like the second installment American Wedding has its moments and there are a handful of truly funny ones including a scene in which Jim shaves his pubic area and dumps the hair out the window where it blows towards a group of unsuspecting guests (and the cake). But unlike this particular instance most of the jokes suffer from overkill; the cameras keep rolling long after the yarn stops being funny. Others are stereotypical like Stifler's dance-off with a patron in a gay club while others including a midnight rendezvous in a dark hallway closet are predictable. But even though the film revolves around the now all-too-familiar characters Herz has matured them in a way that still makes them both amusing and endearing. Don't however look for Oz (Chris Klein) Heather (Mena Suvari) Vickie (Tara Reid) or Nadia (Shannon Elizabeth). The filmmakers believe these characters weren't needed since the story wasn't about them anymore but it would have been nice to mention them and what they were up to.
Jesse and Chester (Ashton Kutcher and Seann William Scott) wake up with no memory of their wild antics the night before: "Boy we were so wasted!" Walking out their front door they discover an empty space: "Dude where's my car?" So begins the odyssey that is piecing together the strange events of the night before and finding their vehicle so that they can a) retrieve the anniversary gifts they bought for their twin girlfriends b) make peace for destroying their house and quite possibly c) save the universe.
Clueless energetic and amiable Kutcher ("That '70s Show") and Scott ("American Pie " "Road Trip") are charismatic and fun as the dopey duo. They have some good onscreen chemistry work hard to keep their spirits high and are clearly having fun. Kutcher has a definite future on the big screen and if his choices remain consistent Scott might go down in film history as the only actor to have a stoned dog in almost every one of his movies. Also to liven things up there are some amusing cameos by Brent Spiner Andy Dick Kristy Swanson and a flock of ostriches.
Clearly students of "Fast Times at Ridgemont High " "Bill and Ted's Excellent Adventure " "The Big Lebowski " "Galaxy Quest " "Revenge of the Nerds " "Monty Python and the Holy Grail " "The Pink Panther " "Jurassic Park " "Men in Black " and "Attack of the 50 Foot Woman " screenwriter Philip Stark and director Danny Leiner manage to throw in one or two original ideas amid the good-natured fun and chaos. Honorable mention goes to Leiner for never actually showing our two heroes lighting up or dropping anything psychedelic during the course of the film.
A Guy Thing's premise is standard and remarkably uneventful. Paul (Jason Lee) thinks marrying the sweet and perfect Karen (Selma Blair) and working for his tough soon-to-be father-in-law Ken (James Brolin) is the best thing he's got. Until he meets Becky (Julia Stiles) the girl he wakes up with after his wild bachelor party. Paul can't remember what happened but assumes the worst and tells Karen a little lie to cover it up. His friends tell him it's fine it's "a guy thing" and he shouldn't feel guilty but in the week before his nuptials he watches the whole thing blow up in his face. See Becky is Karen's free-spirited cousin a girl who lives life to the fullest. Even if Paul wanted to forget Becky and the apparent incident he can't especially when he realizes he is beginning to have feelings for Becky and that maybe Karen isn't the right girl for him. Oh boy he's got some s'plaining to do. This is life folks--these are the tough choices you've got to make. Or so that's what the film wants us to remember when we walk out of the theater with our sides splitting from laughing so hard. Right.
After last year's stinker Stealing Harvard one would have hoped Jason Lee learned his lesson--but apparently not. The thing is the guy is talented. He's shown great comedic flair alongside director Kevin Smith (Chasing Amy) but it's obvious his judgment has been impaired somewhere along the way. Lee looks like he is sleepwalking through most of the film as Paul does nothing more than react to all the craziness around him typically coming to his senses just in the nick of time. Blair (Legally Blonde) once again plays the country-club princess to a tee but someone please give this actress something meaty for a change. She can handle it. Yet it's Stiles who surprises you in A Guy Thing. Venturing into a balls-out comedy for the first time she just seems so out of place in the romantic comedy milieu. You think it isn't going to work but then suddenly you realize she's grown on you and Becky's gangly klutzy style becomes the only refreshing thing in this tired genre movie. Larry Miller also makes a hilarious appearance as Paul's minister neighbor who has seen the whole "guy thing" transpire. Funny stuff.
Someone really needs to tell why these vacuous romantic comedies keep getting made. A Guy Thing portends to be different claiming the comedy comes from real-life choices rather than from outlandish unbelievable situations. OK then it makes sense Paul would climb out his future in-laws' bathroom window to escape seeing Becky only to get hung up on a tree limb then get shot at by big bad daddy Ken and then have to climb back in the bathroom and wind up squirting a shampoo bottle into the toilet to make it seem like he was having gastric problems to those listening outside the bathroom door. Sure that happens all the time. Comedy works best when it's a tad outrageous and don't think A Guy Thing is anything but although it fails most of the time. Still under the guidance of director Chris Koch (Snow Day) the film has a few laugh-out-loud moments including the rehearsal dinner scene where a pharmacy technician caters the meal (don't ask) and spikes the gravy with marijuana resulting in priceless reactions from some veteran actors such as Diana Scarwid and Julie Hagerty playing the two mothers. The actual meaning of "a guy thing " which can ultimately be defined as a guy's inclination to back his buddies up also gets explained in a few hilarious ways. Overall though it's just one formulaic moment after another.
November 08, 2001 12:51pm EST
Hal (Jack Black) spends most of his time with his sleazy friend Mauricio (Jason Alexander) in nightclubs chasing women who basically look like supermodels. Ironic considering Hal and Mauricio are both unattractive and devoid of personalities. In one of the film's funnier moments Hal gets stuck in an elevator with self-help guru Anthony Robbins who hypnotizes the shallow fellow into seeing people's inner beauty rather than judging them purely on looks. Shortly after Hal falls for Rosemary (Gwyneth Paltrow) who he sees as skinny knockout rather than an obese woman. (Rosemary's inner beauty comes from being a Peace Corps volunteer who also helps out at the burn unit of the local hospital.) Annoyed that his best friend is dating a "rhino " Mauricio convinces Robbins to remove the spell so that he can have his old judgmental buddy back. Hal is then left to deal with seeing Rosemary for what she physically is and confront his feelings for her.
In Shallow Hal Paltrow (Bounce) makes a departure from her usual corseted roles and was convincing as the shy unconfident Rosemary. But most of the laughs come from seeing chairs collapse underneath Paltrow's supposed weight and getting a glimpse of her large purple thongs rather than her performance. The film also delivers many never before seen shots of Paltrow's crotch whether it's of her bending over in skimpy lavender lingerie or falling off a collapsed chair in a dress with her legs flailing. Either way we definitely see Paltrow in a different light. Black (Saving Silverman) is impressive playing the part of a guy who doesn't get that he's with someone obese. His confused reactions like when Rosemary's end of a canoe outweighs his are genuinely funny. Alexander (The Adventures of Rocky & Bullwinkle) is equally amusing with his painted on hair but his character's neurosis parallel's Jerry Seinfeld's a little too much.
Directors Bobby and Peter Farrelly move away from their usual gross-out comedies like Dumb and Dumber and attempt a more heartfelt picture hoping to make people laugh and cry. Shallow Hal however does not succeed on either levels. The film is constantly driving home the point that it's wrong to judge people based on their looks but then derives most of the laughs from people's appearances. At one point Mauricio explains that Rosemary has "cankles " an anatomical appendage that happens when someone is so fat that their calves hang down over their ankles. Sure it's hysterical but are we supposed to laugh or become conscience-stricken? If it is at all possible to fuse politically incorrect humor and sensitivity it doesn't happen in this film. And while Paltrow has said she believes Shallow Hal will challenge the audience's perception of fat people it probably won't.