Jersey Shore Star Gets A Life: Jenni "JWoww" Farley just landed a recurring role on the long-running soap One Life To Live, which is re-launching on April 29th on Hulu, Hulu Plus and iTunes thanks to The Online Network. She will play Nikki, a bartender hired at the trendy nightclub Shelter, and can mix an Alabama Slammer as well as she can flirt with customers. As Shelter’s newest barmaid, club owner Blair Cramer (Kassie DePaiva) knows that it’s best to keep an eye on Nikki so things don’t get out of control. [Via Press Release]
Scorsese Heads to TV: Miramax and Martin Scorsese have teamed to develop a television series based on Scorsese’s 2002 movie Gangs Of New York (which was released by Miramax). The series will focus on organized gangs at the turn of the century and shortly thereafter in America, not only in New York but in other cities such as Chicago and New Orleans and the birth of organized crime in America. "This time and era of America’s history and heritage is rich with characters and stories that we could not fully explore in a two-hour film," Scorsese says. "A television series allows us the time and creative freedom to bring this colorful world, and all the implications it had and still does on our society, to life." [Deadline]
Grey's Anatomy Hires One Tree Hill Alum: A new doctor is coming to work in Seattle. One Tree Hill alum Hilarie Burton has signed on for a recurring guest role on Grey's Anatomy as a craniofacial specialist who visits Grey Sloan Memorial Hospital to work on a case. She'll make her debut in early May. [E!]
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Once Upon a Time Spinoff Castings: Sophie Lowe and Michael Socha has just been cast as one of the three leads in ABC‘s possible Once Upon A Time spinoff presentation, Once: Wonderland. OUAT creators Eddy Kitsis and Adam Horowitz focused the presentation in pre-curse Wonderland and the story is told through the point of view of Alice (Lowe), who is surrounded by two major characters, The Knave of Hearts (Socha), a sardonic adventurer, a man of action, a loner and a heart-breaker; and Amahl, described as exotic, soulful and optimistic. Additionally, Peter Gadiot has been cast as Alice's mysterious love interest, Cyrus. Production is slated to begin April 7 in Vancouver, immediately following the season wrap of OUAT. [Deadline, THR]
Dads Casts New Wife: Vanessa Lachey has just joined Fox’s six-episode multi-camera comedy series Dads. She is now a regular after a recent recasting. From the creators of Ted, Dads centers on two successful guys in their 30s, Eli (Seth Green) and Warner (Tommy Dewey), who have their lives turned upside down when their nightmare dads (Peter Riegert, Martin Mull) unexpectedly move in with them. Lachey will play Camilla, Warner’s (Dewey) wife and, the mother of their two children (replacing Erin Pineda in the role). [Deadline]
From a Partner to a Friend: David Krumholtz (Partners) has joined NBC’s Brenda Forever pilot. He will play a close friend of Ellie Kemper's Brenda, a 31-year-old who does her own thing. He’ll appear as a guest star in the pilot, but if the project goes to series, there’s a good chance he’ll be back. The potential series would consist of stories from Brenda Miller’s past and present, creating a unique portrait of how a chubby, awkward but incredibly confident 13-year-old grew up to be the woman she is today. [TVLine]
Follow Sydney on Twitter: @SydneyBucksbaum
[Photo Credit: Patrick Harbron/The Online Network]
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Already a month into 2013, some of us might be taking issue with the year’s deficit of opportunity for pop culture showdowns. Following a particularly fruitful autumn — one drenched in battles of political (Elephants Vs. Donkeys and Pizza Vs. Burritos), athletic (Tigers Vs. Giants), and fantastical (Edwards Vs. Jacobs and Trolls Vs. Dwarves) natures — the New Year has propagated quite a civil attitude on the pop culture front… save for an inceptive Babies Vs. Old Men mêlée. And while we saw a good deal of historic events hit the headlines in January — like presidential inaugurations and 30 Rock finales — we’ve yet to stumble upon a marvel worthy of showdown status. But fear not, you desensitized combat junkies, for the biggest face-off of the year is on the horizon: the Super Bowl.
Yes, the Super Bowl. A ratings giant so stimulating in its fury, it is reported to be the leading cause of larynx irritation (next to supermarket parking lots). Responsible for undoing the work of marriage counselors nationwide, the Super Bowl is the perfect new subject for our Pop Culture Battles series. Unfortunately, the teams playing this year are the Ravens and the 49ers. And what the hell are we supposed to do with “49ers”?
But there is another route. For, the true rivalry this year will transpire on the sidelines, as Baltimore Ravens coach John Harbaugh and San Francisco 49ers coach Jim Harbaugh are, indeed, brothers. And what is the only category of human bearing more animosity than opposing team coaches? Siblings.
As such, thanks to the wonder of Super Bowl XLVII, we dive with vigor into what might be our most heated battle yet — Johns Vs. Jims. Place your bets, order your hot wings, crack open your beers. It’s going to be a long, commercial-filled skirmish.
And yes, we know. This is ridiculous.
The Superman Play: Jonathan Kent Vs. Jimmy Olsen
Coaching for the Johns: Jonathan Kent, Clark’s Kansas-native adoptive father
His Playbook: Filled with old school sensibilities, life lessons, and several diatribes devoted to the importance of maintaining a strong jaw
Coaching for the Jims: Jimmy Olsen, nubile photographer for The Daily Planet
His Playbook: Filled with an overeager attitude and a perpetual smile, but an almost nonsexistent focus on actual skills of any kind
The Winner: Jonathan Kent. Dude's got class. (1/0)
The Ordinary Hero Play: John Ferguson Vs. Jimmy Stewart
Coaching for the Johns: John “Scottie” Ferguson, Jimmy Stewart’s fear-stricken hero in Alfred Hitchcock’s Vertigo
His Playbook: Filled with one rule, over and over — avoid high places.
Coaching for the Jims: Actual Jimmy Stewart.
His Playbook: Filled with admittedly far-fetched ambitions to bestow unto his loved ones natural lunar satellites.
(Warning: the below clip WILL make you cry.)
The Winner: Real Jimmy Stewart. Tell me that clip didn't make you burst out in tears. (1/1)
The Belushi Play: John Belushi Vs. Jim Belushi
Coaching for the Johns: John Belushi, film and sketch comedy icon
His Playbook: Filled with memorable SNL skits, John Landis movies, and some sordid personal affairs
Coaching for the Jims: Jim Belushi, television presence
His Playbook: Filled with canned laughter and some wacky neighbors
The Winner: John Belushi... naturally. (2/1)
The Room Play: The John Vs. The Gym
Coaching for the Johns: The john. The lavatory, the restroom, the W.C. — you get the picture.
Its Playbook: Let’s just gloss over this one.
Coaching for the Jims: The gym — the sole source of self-worth for a large percentage of the United States' North Atlantic region.
Its Playbook: Filled with repeated mandates to wipe down equipment after using it.
The Winner: The gym, if only for its prevalence in reality television culture. (2/2)
(The second half of our Pop Culture Super Bowl consists of a series of plays that, through the grace of Beyoncé, can be perfectly executed via single videos illustrating the rival coaches’ showdowns.)
The Poli-Economic Play: Jon Stewart Vs. Jim Cramer
Coaching for the Johns: The Daily Show host Jon Stewart
His Playbook: Filled to the brim with dry wit, a sharp understanding of the political machine and its enslaved media, and that New Jersey wrath
Coaching for the Jims: Mad Money host Jim Cramer
His Playbook: Filled with incriminating sound bites, and a bunch of rubber hammers…
The Winner: Jon Stewart... and Mr. Stewart, we thank you for that. (3/2)
The Big Bang Theory Play: Johnny Galecki Vs. Jim Parsons
Coaching for the Johns: Johnny Galecki, portrayer of Leonard Hofstadt on The Big Bang Theory
His Playbook: Filled with anxious grimaces and pleas for romantic attention from the neighbor girl
Coaching for the Jims: Jim Parsons, portrayer of Sheldon Cooper on The Big Bang Theory
His Playbook: Filled with deadpan delivery and, somehow, a whole bunch of Emmys
The Winner: Jim Parsons. You can't argue with Emmys (well, you can, but it's futile). (3/3)
The Greendale Community College Play: Jim Rash Vs. John Goodman
Coaching for the Johns: John Goodman’s Community character, Vice Dean Robert Laybourne
His Playbook: Filled with a thespian articulation, a hyper-menacing presence, and a passion for air conditioner repair
Coaching for the Jims: Jim Rash’s Community character, Dean Craig Pelton
His Playbook: Filled with costumes. Lots and lots of costumes.
The Winner: Jim Rash. Goodman may have won the battle, but Rash came out on top in the end. (3/4)
The Lost Play: John Locke Vs. Jim LaFleur
Coaching for the Johns: John Locke, recovering paraplegic and spiritual know-it-all
His Playbook: Filled with requests for his players to “believe in the island”
Coaching for the Jims: Jim LaFleur, a.k.a. James Ford, a.k.a. Sawyer
His Playbook: Filled with pejorative nicknames and romance novels
The Winner: Good ol' Saywer. Because that's a chin you can get behind. (3/5)
And so, the victory goes to the Jims. Does this mean that the 49ers will take the Super Bowl this year? Almost definitely — these battles are cold, hard science. Sorry, Baltimore. At least you have The Wire.
Note: We would like to extend an apology to all the Johns and Jims we wanted to include in this Pop Culture Super Bowl, but couldn't due to time constraints: Jim Davis, John Williams, John Lennon, Jim Carrey, Jon Hamm, Jimmy Fallon, Jimmy Buffett, Jimmy Kimmel, Johnny Cash, John McCain, Jimmy Carter, John Carter (of Mars), Jim O'Heir, Jim Halpert, John Hodgman, Jim Morrison, Jimi Hendrix, Johnny Depp, Johnny 5, John F. Kennedy, Jonathan Taylor Thomas, Jonathan Rhys Meyers, John the Baptist, Jimmy the Greek, Jon Voigt, Jon Bon Jovi, Jim Gaffigan, Jim Caviezel, and John Laroquette. We love must of you.
[Photo Credit: Getty]
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The Amazing Spider-Man would prefer if you didn't call it the fourth Spider-Man movie. See this ain't the Spider-Man your older brother knew from ten years ago — it's a reboot. The latest adventure to feature the comic book webslinger throws three movies worth of established mythology straight out the window swapping the original cast with an ensemble of fresh faces and resetting the franchise with a spiffy new origin story. "New" in the loosest sense of the word — the highlights of ASM mainly a sleek new design and spunky reinterpretation of Peter Parker (Andrew Garfield) and gal pal Gwen Stacey (Emma Stone) are weighed down by overpowering sense of familiarity. Nearly a beat for beat replica of the 2002 original with some irksome twists of mystery thrown in Amazing Spider-Man fails to evolve its hero or his quarrels. The film has a great sense of cinematic power but little responsibility in making it interesting.
We're first introduced to Peter Parker as a young boy watching as his parents rush out of the house in response to a hidden danger. Mr. and Mrs. Parker leave their son in the care of his Aunt May (Sally Fields) and Uncle Ben (Martin Sheen) who raise him into Andrew Garfield's geeky cool spin on the character. Parker's a science whiz but faces the challenges of every day life — passing classes talking to girls the occasional jock with aggression issues — but all of life's woes are put on hold when the teen discovers a new clue in the mystery behind his parents' disappearance. The discovery of his dad's old briefcase and notes leads Peter to Dr. Curt Connors (Rhys Ifans) a scientist working for mega-conglomerate Oscorp and his Dad's old partner. When they cross paths Connors instantly takes a liking to the wunderkind and loops him into the work he started with his father: replicating the regeneration abilities of lizards in amputee humans (Connors is driven to reform his own missing arm). But when Parker wanders into Oscorp's room full of spiders (a sloppily explained this-needs-to-be-here-for-this-to-happen device) he receives his legendary spider bite that transforms him into the hero we know.
Director Marc Webb (500 Days of Summer) desperately wants Amazing Spider-Man to work as a high school relationship movie but with the burden of massive amounts of plot and mythology to introduce the movie sags under the sheer volume of stuff. Stone turns Parker's object of affection Gwen Stacey into a three-dimensional character. Whenever they happen upon each other an awkward exchange in the hallway a flirtatious back-and-forth in the Oscorp lab (where Stacey is head…intern) or when the two finally begin a romantic relationship the two stars shine. They're vivid characters chopped to bits in the editing room diluted by boring franchise-building plot threads and routine action sequences. Seriously Amazing Spider-Man another mad scientist villain who uses himself as a test subject only to become a monster? And another bridge rescue scene? Amazing Spider-Man desperately wants to disconnect from the original trilogy but it's trapped in an inescapable shadow and does nothing radical to shake things up. Instead it settles for the same old same old while preparing for inevitable sequels instead of investing in its dynamic duo.
There's a sweet spot where the film really hits his stride. After discovering his spider-abilities Peter hits the streets for the first time. He's superhuman but still a headstrong teen full of obnoxious quips and close calls with shiv-wielding thugs. The action is slick small and playful Webb showing us something new by melding his indie sensibilities with big scale action. If only it lasted — the introduction of Ifans reptilian half The Lizard implodes Amazing Spider-Man into incomprehensible blockbuster chaos. A gargantuan beast wreaking havoc around New York City promises King Kong-like escapades for the friendly neighborhood Spider-Man but the lizard man has other plans: to rule the world! Or something. Whatever it takes to get Lizard and Spider-Man fighting on the top of a skyscraper over a doomsday machine — logic be damned.
Amazing Spider-Man peppers its banal foundation with great talent from Denis Leary as Gwen's wickedly funny dad and the police captain hunting down Spider-Man to Fields and Sheen as two loving adults in Peter's life to Garfield and Stone whose chemistry demands a follow-up for the sake of seeing them reunited. But it's all at the cost of putting on the most expensive recreation of all time with new demands imposed by the success Marvel's other properties (except that franchise teasing worked). Amazing Spider-Man introduces too many ideas that go nowhere undermining the actual threat at hand. No one wants to be unfulfilled but that's the overriding difference between the original movie and the update. You need to pay for the sequel to know what the heck is going on in this one.
Movie star Luke Wilson is begging the producers of his new movie, Dallas, to reconsider making the film in Florida--because he thinks his home state of Texas deserves another look.
Wilson, who will play Bobby Ewing opposite John Travolta and Jennifer Lopez in the movie adaptation of the hot 1980s soap series, admits he's disappointed that Dallas won't be filmed anywhere near the Texas city.
Texas officials went out of their way to present filmmakers with an attractive deal if they filmed in the state, but producers Michael Costigan and Peter Cramer have decided Florida is a better pick.
Wilson says, "The people of Dallas were proud of the series. You never heard people say, 'Well, Dallas isn't really like Dallas the TV show.' We loved it. I was a fan of the show growing up.
"I was just back home and they have a whole campaign: 'Shoot J.R. in Dallas.' They really want the movie shot in Dallas. I know the mayor has called the studio and they really want to get it done there.
"But apparently Texas doesn't have the tax break deals like Louisiana or Canada, but they're trying to bend the rules a little so we can film in Dallas."
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