|Masters of Sex||2015-01-01T00:00:00+0000 2013-01-01T00:00:00+0000 - 2015-01-01T00:00:00+0000||Teleplay||n/a||1|
|The Hours||2002||Source Material||(from novel:"The Hours")||1|
|A Home at the End of the World||2004||Screenplay||n/a||1|
|A Home at the End of the World||2004||Source Material||(from novel: "Home at the End of the World")||1|
|The highly anticipated By Nightfall released|
|The Cunningham-scripted adaptation of A Home at the End of the World appeared in theaters|
|Won a Guggenheim Fellowship|
|The Hours arrived and received critical praise|
|Received a National Endowment for the Arts fellowship|
|Specimen Days published|
|Published third novel, Flesh and Blood|
|Published his first novel, Golden States|
|The movie version of The Hours released to accolades|
|Released second book, A Home at the End of the World|
Raised in Pasadena, CA, Michael Cunningham headed north to pursue an English degree at Stanford University and later enrolled in the esteemed Iowa Writers' Workshop at the University of Iowa. In 1984, Cunningham's debut novel, Golden States, was published, but he later distanced himself from the coming-of-age story, dismissing it as a formative misfire. Towards the end of the decade, he unveiled the short story "White Angel," which was later worked into his novel A Home at the End of the World (1990). Tackling themes of sexual identity and love, the book resonated with readers and garnered Cunningham a notable following. As he worked on his next offering, he was awarded a 1993 Guggenheim Fellowship, and Flesh and Blood (1995) came next, a more ambitious and complex tale about a family with Greek and Italian roots.
In 1998, Cunningham hit new heights in his career, receiving a National Endowment for the Arts fellowship and debuting his novel The Hours, which was met with numerous accolades, going on to win both the PEN/Faulkner Award and a Pulitzer Prize in Fiction. Consisting of three stories set in different time periods, the book featured revered English author Virginia Woolf as one of its main characters and explored themes of sexual orientation, mental illness, and death with thoughtful and poetic prose. It wasn't long before the Hollywood adaptation went into production, with director Stephen Daldry and screenwriter David Hare guiding a high-profile cast that included Meryl Streep, Julianne Moore, and Nicole Kidman, who won an Oscar for her sensitive portrayal of Woolf.
Opting to write his own script for the 2004 movie version of A Home at the End of the World, Cunningham worked outside of his comfort zone as a screenwriter, and the result may have affected the finished production, starring Colin Farrell and Robin Wright Penn, which had some admirers but ultimately fell short of expectations. Inspired by the poetry of Walt Whitman, Cunningham made the American literary icon a presence in his next novel, Specimen Days (2005), but baffled some readers with the book's detour into science fiction. Venturing back into screenwriter territory, this time with fellow author Susan Minot, Cunningham co-wrote the script for the film adaptation of her novel Evening (1998), which featured a remarkable ensemble cast, including Claire Danes and Vanessa Redgrave, but failed to make a lasting cinematic impression. Readers waiting for a return to form from Cunningham were largely pleased with By Nightfall (2010), the story of a restless Manhattan family rooted in the art world that marked a more focused approach for the acclaimed author.
|Iowa Writer's Workshop, University of Iowa|
|"As a novelist you either find your way into a body of emotions, or you don't. I can't imagine writing believably about feelings I've never had, and sure, there have been moments when I've thought, What if I just didn't have to be alive anymore? But I tend to inhabit the characters I write about more or less the same way an actor inhabits a character he's playing. I take what I know, add whatever I'm able to intuit, and try to work my way under another person's skin." - from BOMB Magazine, Winter 1999|
|Revered actress Meryl Streep has appeared in two Cunningham-related films: "The Hours" and "Evening."|
|"Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest." - from The Guardian, Feb. 4, 2011|
From classic movie palaces to the state-of-the-art IMAX screens.