Proving that there’s nothing Hollywood won’t reboot if given then chance, a new Scooby Doo movie is reportedly in the works at Warner Bros. According to Variety, the studio is looking to send Scooby, Shaggy, and the gang on another spooky adventure, which will be written by Randall Green. The news comes just a year after Warner Bros. also announced plans for an animated Scooby Doo movie, which is reportedly still on track. Though the last live-action Mystery Gang outings, 2002’s Scooby Doo and its sequel Monsters Unleashed, did well commercially, they weren’t received well by critics and fans of the series, which is why it’s surprising that Warner Bros. would be so intent at taking a third shot at big-screen adventure. After all, the live-action Scooby Doo’s were only slightly better than Yogi Bear. There are plenty of other great classic Hanna-Barbera properties that would make for great films, so why does Scooby get a third shot at big screen success? Think about all of the possibilities that are open…
Wacky Races Concept: Think The Lego Movie meets Speed Racer, with a touch of Mega Mind thrown in. Plot: Set at the Wacky Races Grand Prix, a sprawling, dangerous race that spans three days and covers a variety of terrains, the film charts the highs and lows of all your favorite racers, from Penelope Pitstop to the Ant Hill Mob to the Gruesome Twosome, and sees Dick Dastardly’s desperate attempts to finally experience the glory for himself. Starring: Charlie Day as Dick Dastardly, Isla Fisher as Penelope Pitstop, Bill Hader as Clyde the leader of the Ant Hill Mob, Amy Poheler as the Red Max, and Tom Hanks as the Narrator. Directed By: Edgar Wright.
Inch High, Private Eye Concept: The Maltese Falcon meets Osmosis Jones.Plot: The city is being terrorized by a robber who keeps stealing priceless works of art and jewels from museums and homes. The police are understaffed, and the detectives are at their wits’ ends, and the case has reached a dead end. Then, Mrs. Gotrocks hires Inch High, Private Eye, the most brilliant and tortured detective around to look into the case. But she might not like what he finds… Casting: Casey Affleck as Inch High, Kate Mara as Lori, Josh Brolin as Gator, Tommy Lee Jones as Mr. Finkerton and June Squibb as Mrs. Gotrocks. Directed By: The Coen Brothers.
Hong Kong Phooey Concept: Think 22 Jump Street, but sillier. Plot: Penry Pooch has always wanted to be a cop, but his enthusiasm for the job doesn’t quite balance out his complete incompetence. After failing out of the police academy, he takes a job working as a janitor under the watchful eye of the constantly frustrated Sergeant. One night, when he’s the only one at the precinct, he stops and apprehends a robber, which inspires him to take up crime fighting as Hong Kong Phooey. Luckily, he’s got Spot to help him out of whatever jams he finds himself in. Casting: Will Arnett as Penry, Keith David as Sarge, Anna Kendrick as Rosemary, the telephone operator, and Nick Frost as Spot. Directed By: Shane Black.
The Jetsons Concept: August: Osage County in space. Plot: George Jetson is an ordinary man, living an ordinary life. He loves his family, endures his job and spends his time relaxing with his dog, Astro. But when he catches his wife having an affair with his boss, his world comes crashing down around him, and he’s forced to re-evaluate everything he knew about his life, and decide whether to move forward or move on. Starring: Joaquin Phoenix as George, Sandra Bullock as Jane, Hailee Steinfeld as Judy, and Steve Buscemi as Mr. Spacely, with Art Parksinson as Elroy and Scarlett Johansson as Rosie. Directed By: Spike Jonze.
JabberJaw Concept: Almost Famous meets Jaws, with a dash of Star Trek .Plot: The Neptunes were on their way to becoming the hottest rock band under the seas, until their drummer abruptly left. Then, they discovered Jabberjaw, a 15-foot-tall shark with the skills of Keith Moon, and it seemed like they had it made. But the path to rock stardom is paved with dangers and it’s time for the Neptunes to face them. Starring: Chris Pratt as Jabberjaw, Adam Levine as Clamhead, Malin Ackerman as Bubbles, Zoe Kravitz as Shelly, and Oscar Isaac as Biff. Directed By: John Carney.
Quick Draw McGraw Concept: A better homage to Blazing Saddles than A Million Ways to Die in the West .Plot: The Wild West is a dangerous place, thanks to outlaws, frequent dueling and a lack of modern medicine, but one man is there to keep order in place, and uphold justice where ever he goes… Sherrif Quick Draw McGraw. Unfortunately, he might have finally met his match when the deadliest outlaw in the west rides into his town. Starring: Damon Wayans Jr. as Quick Draw McGraw and Fred Armisen as Baba Looey.Directed By: Mel Brooks, in an ideal world.
Space Ghost Concept: It’s basically Guardians of the Galaxy, but with a monkey instead of a raccoon. Plot: After Zorak, Space Ghosts’ nemesis, escapes from prison, he recruits Black Widow (no, not that Black Widow) and Brak and Sisto in order to form a league of villains that will take over the galaxy and allow chaos to reign, but in order to do so, they need a gauntlet of power, one that only Space Ghost’s sidekick Jace possesses. Can Space Ghost and Jan rescue him and save the universe before it’s too late? Starring: Channing Tatum as Space Ghost, Emma Stone as Jan, Miles Teller as Jace, Idris Elba as Zorak, Dwayne Johnson as Brak, Jason Statham as Sisto, and Nicole Beharie as Black Widow (see, told you she was different!).Directed By: Joss Whedon, of course.
Top Cat Concept: Dancing on the Edge meets GoodFellas.Plot: Set in the 1940s, a group of rag-tag musicians are groomed to become a proper jazz sensation. But in order to do so, they’ll have to overcome prejudice, corrupt managers, in-fighting, and substance abuse and stick by each other through everything. Starring: Anthony Mackie as TC, Lamorne Morris as Brain, Albert Tsai as Choo-Choo, Michael B. Jordan as Fancy-Fancy, Josh Gad as Benny the Ball, Ruth Negga as Trixie, and Sean Penn as Officer Dibble.Directed By: Martin Scorsese.
You're welcome, Hollywood.
Warner Bros. Pictures via Everett Collection
With only a week and change having passed since the release of The Amazing Spider-Man 2, we no doubt feel the question living fresh in our minds: can we ever judge a remake without considering its predecessors? The conversation about the stark contrast in critical favor between Marc Webb's release and Sam Raimi's trilogy (the second installment of his franchise in particular) buzzed loudly, and we imagine the volume will keep in regards to Gareth Edwards' Godzilla. But it'll be a different sound altogether.
The original Godzilla, a Japanese film released in 1954, reinvented the identity of the monster movie, launched a 30-film legacy, and spoke legions about the political climate of its era. The most recent of these films — Roland Emmerich's 1998 American production — is universally bemoaned as a bigger disaster than anything to befall Tokyo at the hands of the giant reptile. With these two entries likely standing out as the most prominent in the minds of contemporary audiences, Edwards' Godzilla has some long shadows cast before it. And in approaching the new movie, one might not be able to avoid comparisons to either. It's fair — by taking on an existing property, a filmmaker knowingly takes on the connotations of that property. But the 2014 installment's great success is that it isn't much like any Godzilla movie we've seen before. In a great, great way.
This isn't 1954's Godzilla, a dire and occasionally dreary allegory that uses the supernatural to tell an important story about nuclear holocaust. A complete reversal, in fact, first and foremost Edwards' Godzilla is about its monsters. Any grand themes strewn throughout — the perseverence of nature, the follies of mankind, fatherhood, madness, faith — are all in service to the very simple mission to give us some cool, weighty, articulate sci-fi disaster. Elements of gravity are plotted all over the film's surface, with scientists, military men (kudos to Edwards for not going the typical "scientists = good/smart, military = bad/dumb" route in this film — everybody here is at least open to suggestion), doctors, police officers, and a compassionate bus driver all wrestling with options in the face of behemoth danger. The humanity is everpresent, but never especially intrusive. To reiterate, this isn't a film about any of these people, or what they do.
Warner Bros. Pictures via Everett Collection
The closest thing to a helping of thematic (or human) significance comes with Ken Watanabe's Dr. Serizawa, who spouts awe-stricken maxims about cryptozoology, the Earth, and the inevitable powerlessness of man. He might not be supplying anything more substantial than our central heroes (soft-hearted soldier Aaron Taylor-Johnson, dutiful medic and mom Elizabeth Olsen, right-all-along conspiracy theorist Bryan Cranston), but Watanabe's bonkers performance as the harried scientist is so bizarrely good that you might actually believe, for a scene or two, that it all does mean something.
Ultimately, the beauty of our latest taste of Godzilla lies not in the commitment to a message that made the original so important nor in the commitment to levity that made Emmerich's so pointless, but in its commitment to imagination. Edwards' creature design is dazzling, his deus ex machina are riveting, and the ultimate payoff to which he treats his audience is the sort of gangbusters crowd-pleaser that your average contemporary monster movie is too afraid to consider.
In fairness, this year's Godzilla might not be considered an adequate remake, not quite reciprocating the ideals, tone, or importance of the original. Sure, anyone looking for a 2014 answer to 1954's game-changing paragon will find sincere philosophy traded for pulsing adventure... but they'd have a hard time ignoring the emphatic charm of this new lens for the 60-year-old lizard, both a highly original composition and a tribute in its way to the very history of monster movies (a history that owes so much to the creature in question). So does Godzilla '14 successfully fill the shoes of Godzilla '54? No — it rips them apart and dons a totally new pair... though it still has a lot of nice things to say about the first kicks.
Oh, and the '98 Godzilla? Yeah, it's better than that.
Follow @Michael Arbeiter| Follow @Hollywood_com
Sadie Calvano, the 16-year-old actress who plays Anna Faris' pregnant teenaged daughter in the CBS sitcom Mom has come a long way in a short amount of time. With only a handful of credits on her resume — most notably playing the title character's niece in J. Edgar — Calvano finds herself not just on a hit television show, but with a plotline that has spurred a strong reaction. In the March 3 episode of the show it was revealed that her character Violet, intends to give her baby up for adoption.With the series recently picked up for a second season, the actress reflects on getting to work with her famous costars and playing a teenager struggling with some big life decisions.
It seems like an ideal situation for a young actress to get to work with Allison Janney and Anna Faris. What has the experience been like for you?I've gotten so lucky to work with such an amazing cast and crew, and to be with these women in Anna and Allison that are such amazing artists but still such amazing people. It's something that I don't feel really happens that often. So getting to be a piece of that puzzle is such a gift.
You've also had some big name guest stars as well, with the next episode focusing on Octavia Spencer's recurring character, Regina, heading off to jail.Octavia Spencer... what?! She is one of my biggest role models. I think all of her work is so brilliant. When she first made an appearance on the show, it took every fiber of my being not to go all fan-girl over her. She's so lovely and strong and brilliant. Working with her is such a lesson in being humble and grounded. It shows what a great artist is capable of and she's a wonderful woman as well.
What's the reaction been like since fans found out that Violet is giving her baby up for adoption?I think it's been good. Obviously, adoption is a touchy subject but I think that Mom is becoming known as being a comedy that doesn't hesitate to get into heavy subjects. I think that this really shows Violet's strength in a lot of ways because adoption isn't an easy decision for anyone, but hopefully it will create better lives for everyone involved.
Have you gotten much feedback from teens that really are, or have been, pregnant?Not me personally, but I'm sure that it's out there. The great thing about our show is that it enables teens and parents to start a dialogue about these topics and get a conversation flowing. These are real things going on in the world right now and hopefully it brings a little bit of awareness, even if it's in a comedic format.
Anna Faris also played a woman giving her baby up for adoption on Friends. Has she given you any tips on how to play pregnant?Anna is so wonderful and she's so good about answering any questions that I have. So, she's been not just an amazing coworker, but such a friend and such an influence. It's hard without a doubt [to play someone that's pregnant] because you're expected to convey so many feelings that you are just incapable of knowing about right now. But it's also been really fun in a weird way, because it feels like I've gotten to have a little secret. Obviously, everyone know that [the character] is pregnant, but pregnancy is such an intimate thing that it's taken a lot of digging and discovery. So, it's been super fun as well.
CBS just announced that Mom is coming back for a second season. How did it feel getting the news on the renewal?I could not stop smiling. I had the biggest smile on my face all day. It was the most wonderful news I could ever imagine. To find out now and not have to wait — knowing that you get to come back to this amazing project — it's just... amazing.
Any hints about what's in store for Violet?I have no idea, the writers are very good at being tricky. In the last couple of episodes, you've really been exposed to the strength that Violet has. She's made some undeniable mistakes, but she's a very intelligent girl. So, I'm hoping that you get to see the strength not just of Violet, but of the family that she's now enabling to thrive.
After Sofia Vergara dropped out of The Paperboy, Tobey Maguire didn’t wait long to follow suit. One can assume that director Lee Daniels (Precious) wasn’t lush with optimism around this time. But then, some pretty good things started to happen. First, Nicole Kidman signed on to replace Vergara. And now, taking the role of the death row inmate formerly occupied by Maguire, will be none other than John Cusack.
John Cusack is more than just a man. John Cusack is an embodiment of love and hate. After Chuck Klosterman so ingeniously revealed the significance of Cusack over the modern American human psyche in Sex, Drugs and Cocoa Puffs, it became clear that the Say Anything actor was a force beyond mortal.
And now he’ll be playing a man facing a deafeningly imminent mortality. Could this be any more apropos? Perhaps slightly more apropos was his role in Hot Tub Time Machine, in which he played the sort of shell-of-a-man whose life was tarnished by the culmination of the John Cusack era, to which he gets to return. But this role in the upcoming The Paperboy is almost as apropos.
Leading the film as the heroes bent on saving Cusack, whom they speculate to be innocent thanks to some action by Kidman’s character, will be Matthew McConaughey and Zac Efron who, despite their twenty-one year age difference, will be playing brothers. You are not exempt from the passage of time, McCounaughey. Accept it.
Cusack will also play Edgar Allen Poe in the upcoming The Raven, which, unlike most movies advertized as thrillers, will actually be thrilling.