Tommy Santoro’s (James Marsden) disillusionment with his own family--Dad was a mob enforcer who was shot down in front of the house--leads him to join the Marines but when the Gulf War ends with Saddam still in power Tommy flips and ends up in the brig. An FBI agent (Brian Dennehy) offers him his only way out of a multi-year sentence: Return to the Philly neighborhood he grew up in and inform on his mobbed-up cousin Joey (Giovanni Ribisi). Tommy is dismayed to find that his young brother Vincent (Brad Renfro) is also now in the life. Tommy ends up romancing Brandy (Piper Perabo) a girl he grew up with now widowed and working at Joey’s nightclub. Finally rid of Cyclops’ signature shades it’s nice to see more of X-Men’s Marsden than killer cheekbones and pursed lips including some finely honed dramatic chops. Renfro’s character is supposed to be on the slow side it seems although it’s not quite clear why that is. Ribisi as the hair-trigger tempered Joey doesn’t quite have the gravitas or necessary psychosis to intimidate. In fact all of the cast seem a bit on the young side which lends an unwelcome air of kids-playing-dress-up to the proceedings. With dark hair and a perpetually guarded expression Perabo is nearly unrecognizable as that same blonde who shook her thing on top of the bar in Coyote Ugly--although her casting does invite an unintentional snigger or two when she informs a horny patron that “the bartenders don’t dance.” Cameos by Dennis Hopper (as Tommy’s dad) Val Kilmer (as a drunk grieving his Marine son) and Tommy Lee (as “Jimmy Tats ” an overeager bouncer) are more distracting than meaningful. Writer/director Bobby Moresco (one half of the Crash writing team) proves he’s no Scorsese. The film boasts some striking cinematography and moody lighting and sparks to life whenever things turn violent. But as is often the case in mob dramas connections between characters aren’t clear. Character interaction remains on the murky side as well. Tommy chews Joey out for allowing brother Vincent to get involved in his mob dealings but no one questions Tommy’s reentry into the life. While we feel for Tommy’s dilemma Moresco fails to build sympathy or interest for other characters so by the time the final showdown occurs you won’t much care who lives and who dies.