WHAT IT’S ABOUT?
When all-American girl Susan Murphy is inadvertently hit by a falling meteor on her wedding day she grows to be nearly 50 feet tall. The U.S. military gets wind of this renames her Ginormica and locks her away with a slacker group of other “monsters” in a top-secret compound. But when a mysterious alien robot lands on Earth and begins wreaking havoc these good-hearted but inept creatures are called into action by the President and must band together as a team to save the world from certain catastrophe.
WHO’S IN IT?
As usual Dreamworks has assembled a stellar A-list voice cast led by Reese Witherspoon as Susan/Ginormica. Playing one of the rare female animated heroes Witherspoon’s sweet/confused demeanor — in light of her highly unusual status as a fearsome freakazoid — hits just the right tone generously letting her zanier colleagues steal scenes from right under her (a long way down by the way). Chief among these are a not-so-bright gelatinous blue mass named B.O.B. hilariously voiced by Seth Rogen; the genius Dr. Cockroach Ph.D in the capable hands of House doc Hugh Laurie; and Will Arnett’s half-ape half-fish The Missing Link. In the human roles there’s Stephen Colbert as the idiotic U.S. President Kiefer Sutherland as the monster’s prison guardian Paul Rudd as the ego-driven weatherman fiancé of Susan; and a deliciously villainous Rainn Wilson as Galaxhar the alien determined to take over Earth.
Superb 3-D effects aren’t overdone and add immeasurably to the ginormous fun of the film but even seeing it in theaters that only show it in regular 2-D doesn’t spoil the pure joy of this cartoonish War of the Worlds. Throw in parodies of every cheap '50s sci-fi movie you can think of and you have the ingredients for a silly monster mash sure to appeal to just about anyone who wants to laugh. Despite the impressive production elements it’s the smart and clever script that really sets it apart from its competitors — and that even includes the similar Monsters Inc. from Pixar.
Like any kid-oriented comic ‘toon today the action can be a bit too frenetic and Monsters vs. Aliens piles a lot of it on in its trim 95 minutes. Still the lovable characters carry the day and somehow make it all palatable.
When Susan now Ginormica brings her new friends home to meet her parents chaos ensues and so do the laughs. Also impressive are the large action scenes that make fine use of CGI animation breakthroughs.
BEST SUPPORTING BLOB:
It's easily the one-eyed lame-brained blue lug of a people hugger named B.O.B. perfectly matched to the talents of Rogen. He rolls away with the movie and inevitably the merchandise tie-ins.
As clever as it can be at times Flushed Away’s plot is still formulaically step by step. Step one: Introduce hero one Roderick St. James (Hugh Jackman) aka Roddy a pampered but lonely pet mouse who lives in a posh Kensington flat in London. Step two: Propel Roddy into the utterly foreign world of the city’s sewers by flushing him down the toilet. Step three: Hook him up with a cute renegade mouse named Rita (Kate Winslet) with a nifty boat who makes a pact with Roddy to take him back to his home in exchange for some riches she can use to help her extended family (32 brothers and sisters to be exact). Step four: Have the two of them then outwit the villainous Toad (Ian McKellen) mob kingpin of the sewer city Ratropolis after discovering his dastardly plan to rid the sewers of the rats. Step five: Happy ending. Not too complicated. We’ve got a mostly British A-list this time around and everyone sounds enthused to be indulging in the make-up free come-in-your-sweats fun of vocal work. Jackman infuses Roddy with the appropriate upper crustiness but who soon warms to his surroundings—and his new friend especially since he’s never really had any friends before. Winslet’s Rita is all pluck and spunk with a keen fashion sense and big mouse ears while McKellen’s malevolent frog is a big blowhard with a goiter. But as is the case with these animated films the side characters provide the laughs. There’s Toad’s main hench-rats—Whitey (a very deep-voiced Bill Nighy) an ex-laboratory rat who’s experimental shampooings have left him bald and an albino and Sid (Andy Serkis) a wiry weasel who is not nearly as tough as he purports to be. Toad’s French cousin Le Frog (Jean Reno) a cross between Jackie Chan and Inspector Clouseau is also hilarious. The best part however are the sewer slugs who don’t say much but rather add any musical accompaniment deemed necessary. Aardman Productions and DreamWorks the same folks who gave us Wallace and Gromit movies seem to have perfected the clay animation techniques and incorporated a lot more CGI. Flushed Away is definitely more polished than the W&G’s but the big teeth and general sardonic British sensibilities are all still there. The sewer life is visually bustling using everyday items to create their world such as the bad guys riding hand mixers as wave runners to chase after Rita’s boat. Plus the film is loaded with enough funny pop culture references to keep the adults laughing (thank YOU Shrek!) For example when Roddy is zooming his way down the water pipes he sees a yellow striped fish who asks “Have you seen my dad?” Nope there really isn’t anything inherently wrong with Flushed Away save for an overdone plot. Kids and parents alike should enjoy themselves.
If animals could indeed view their surroundings intellectually and talk to each other it’s entirely possible they’d discuss how screwed up human beings are especially in the ridiculous way we waste food. But hey to RJ (Bruce Willis) a wily raccoon what we throw away today becomes lunch tomorrow. He tries to impart some of this wisdom to his newfound friends--a motley crew lead by Verne the turtle (Garry Shandling)--after they wake up after a long winter’s nap and discover most of their natural habitat has been turned into a housing development separated by a very tall hedge. Yep these woodsy folk are sure in for an eye-opening adventure as the manipulative RJ convinces the gang to start collecting boxes of cheese doodles Girl Scout cookies and marshmallows telling them there is little to fear and everything to gain from their over-indulgent new neighbors. Now if they can only get rid of that cat... If you’re an actor these days the chances to play a serious Oscar-worthy role are just as great as playing a squirrel. Or a hedgehog. Or a guy called the Verminator. Over the Hedge has a fine slate of voices starting with Willis as RJ the raconteur raccoon whose pretty savvy to the ways of the paved and pre-packaged world of suburbia. Shandling is the heart of the film as the mild-mannered Verne who just wants to take care of his little woodland family. They include a couple of married-with-kids hedgehogs (pitch perfect Eugene Levy and Catherine O'Hara); a hyperactive but tender-hearted squirrel (a hilarious Steve Carell); an overdramatic possum (William Shatner playing it to the hilt) and his embarrassed teenage daughter (pop star Avril Lavigne); and a snarky skunk with attitude (Wanda Sykes who else?). As far as the humans Allison Janney voices a shrieking but vindictive homeowner while the Thomas Haden Church is said Verminator a fat balding but ruthless pest exterminator. What fun! Over the Hedge keeps to the spirit of the popular comic strip by Michael Fry and T. Lewis on which the film is based. The strip focuses on the travails of friends RJ and Verne as they exploit the human world for their own personal gain while sardonically commenting on how messed up it is. Hedge sort of shows how these two might have met and is just a hoot from beginning to end. The images of woodland animal-meets-modern-day people are spot on: RJ’s spiel on how humans get food (“That’s the receptacle to get the food [a phone]...and that’s the tone when the food comes [the doorbell]”); SUVs (“Humans are slowly phasing out walking all together”); the skunk seducing the stupid cat (“I like your smell.”). The best is when Hammy the squirrel getting so hopped up on caffeinated soda the whole world comes to a stand still for him. Side-splitting stuff. Again success in animation comes when you stick with a simple story and create characters everyone can relate to. Plus hilarious dialogue. It’ll work every time.