The Wire star landed the Best Actor prize for his role in U.K. series Appropriate Adult, a reconstruction of the police investigation into the notorious murderer, while his co-star Emily Watson won Best Actress for playing Janet Leach, who sat in on the interviews Fred West gave to cops.
As he collected his award, West said, "I hope she (Leach) has had some closure and I hope she feels we honoured the suffering she endured and the suffering of all of West's victims, living and dead."
Watson appeared emotional as she gave her winner's speech and told the BBC after the ceremony, "It was such a disturbing place to go. In my speech I was very overwhelmed I forgot to thank Janet Leach, she gave very generously to us.
"The public perception of the West case is a tabloid-driven view and then I read the script and it was a very intelligent piece full of integrity. It's a deep abyss right in the middle of our society."
Appropriate Adult enjoyed a triple win at the London ceremony - Monica Dolan won Best Supporting Actress for her portrayal of Rosemary West, Fred West's wife. Sherlock's Andrew Scott fought off competition from his co-star Martin Freeman to win Best Supporting Actor.
Beloved Australian entertainer Rolf Harris was awarded a BAFTA Fellowship in honour of his lengthy career, and as he was applauded he declared, "Thank you so much, that's very moving", before adding, "How nice to be presented with this... I can't begin to tell you just how humbled I am by being here in this distinguished company, so many previous recipients of this BAFTA Fellowship."
Other winners included Shane Meadows' This Is England 88, which took the Best Mini-Series prize, Doctor Who writer Stephen Moffat, who received a Special BAFTA for "outstanding creative writing contribution to television", and Absolutely Fabulous star Jennifer Saunders (Female Performance in a Comedy Programme).
The ceremony also featured a memorial segment, remembering the stars lost in the past 12 months, including Davy Jones, actresses Anna Massey, Googie Withers and Betty Driver, presenters Jimmy Savile and Bob Holness, actors Peter Falk, George Baker and Colin Tarrant, and comedian Frank Carson.
Presenters at the ceremony included West, actresses Helen McCrory, Melissa George and Emilia Fox, and actors Benedict Cumberbatch, Matt Smith, Sam Claflin and Timothy Spall.
Once respected NYPD detective Jack Mosley (Bruce Willis) is now pretty much on his last legs literally and figuratively. He drinks is relegated to a desk job and walks with a limp. One morning after a long shift he’s corralled into transporting a petty criminal Eddie Bunker (Mos Def) to the courthouse 16 blocks away so he can testify by 10:00 a.m. What Jack doesn’t know is that Eddie is one of the key witnesses in a case against crooked cops--that is until the two start getting shot at. Then it becomes crystal clear. The main bad guy Jack’s former partner Frank (David Morse) basically lets Jack know Eddie will never testify to just go ahead and hand him over but Frank underestimates Jack’s desire to finally do something good. So Jack and Eddie fight their way to the courthouse block by gut-wrenching block. Oh no there’s nothing formulaic about 16 Blocks not at all. In a film as predictable as this the only thing that’ll make it stand out is the performances. 16 Blocks nearly succeeds--but not quite. It would seem Willis is playing a character he’s played a hundred times before--the misunderstood and slightly unorthodox cop with a heart of gold. But as Jack the actor does a nice job trying out some new things namely playing fat bald and grizzled. You can almost smell how bad Jack’s breath has to be. Rapper/actor Mos Def who usually brightens any film he’s in also tries his hand at something different but his choices aren’t as smart. As the talkative and affable Eddie Mos comes up with one of the more annoying nasally accents ever recorded. After about five minutes of screen time you desperately want him to stop and say “Just kidding! I don’t really talk like this.” But he doesn’t. It’s too bad something like an accent can ruin an otherwise decent performance. Old-school director Richard Donner best known for his Lethal Weapons is a consummate professional when it comes to making these kind of movies. In other words he pretty much paints by numbers. We watch Jack and Eddie get out of one tight situation after another as the gaggle of bad cops try to gun them down. I mean 16 blocks doesn’t seem that far to go so they better throw in as many highly implausible obstacles as they can. Chinese laundries alleyways rooftops subways. And yes even a city bus which the pair--who have by now bonded big time--has to hijack. Donner also employs a popular but nonetheless annoying technique of zooming in when the action heats up so you can’t really see what’s going on. Even if you’re addicted to action movies--a Bruce Willis action movie no less--16 Blocks just doesn’t deliver the goods.