First in "Order"
Despite a strong showing by NBC's Law and Order, which topped the Nielsen ratings list for the first time last week with its season finale, CBS remained the top-rated network last week as such reliable standbys as JAG and Everybody Loves Raymond performed above expectations. The network wound up with an average 7.4 for the week with a 13 share. NBC was close behind with a 7.3/13, while ABC finished with a 6.4/11. Fox remained in last place among the Big 4 networks with an average 2.5/5 for the week.
The top 10 shows of the week according to Nielsen Research:
1. Law and Order, NBC, 14.2/23; 2. Everybody Loves Raymond, CBS, 13.3/20; 3. Law and Order (special), NBC, 12.2/19; 4. Frasier, NBC, 12.1/19; 5. Who Wants to Be a Millionaire (Tuesday), ABC, 10.9/18; 6. Judging Amy, CBS, 10.8/18; 7. Millionaire (Monday), ABC, 10.7/17; 7. NYPD Blue, ABC, 10.7/18; 9. JAG, CBS, 10.5/17; 10. ABC Monday Night Movie: Anne Frank Pt. 2, ABC, 9.5/15; 10. Dharma & Greg, ABC, 9.5/15.0.
ABC's Brown to become new face of CNN
ABC News veteran Aaron Brown, familiar to many as the anchor of the Saturday edition of World News Tonight, has been nabbed by CNN, which is expected to feature him in an hour-long evening newscast beginning next fall, according to published reports. Thursday's New York Times said that CNN was hoping to use Brown to replace the recently retired Bernard Shaw as the news network's "defining face."
Ousted BET host Smiley to land at ABC
Former BET talk-show host Tavis Smiley, who was fired by the black cable network last March after he sold an interview to ABC's PrimeTime Thursday, is close to a deal that would see him hosting a daytime talk show on ABC as well as contributing to its magazine shows -- including PrimeTime Thursday -- on a regular basis, published reports said Wednesday.
No backlash to "Survivor" revelations, says CBS
Following the release of a deposition by Survivor contestant Dirk Been in which he acknowledged being influenced by producer Mark Burnett to change a key vote during the production of the show, CBS has received no letters and only two email messages about the matter, the Wall Street Journal reported Thursday, citing a CBS spokesman. Both email messages supported the network, the newspaper said. Analysts contacted by the WSJ expressed doubt that an audience backlash would materialize as a result of the lawsuit brought by another contestant, Stacey Stillman, against CBS and the Survivor producers. "This is no quiz-show scandal," Robert Thompson, director of Syracuse University's Center for the Study of Popular Television, told the WSJ.
Porn site pays Anderson and beau "seven figures"
The Internet porn site Internet Entertainment Group has settled a lawsuit brought against it by former Baywatch star Pamela Anderson and Bret Michaels, the lead singer of Poison, for "a seven-figure sum" for attempting to sell video of the couple having sex. Previously IEG had settled a case with Anderson over another sex tape that it distributed showing her having sex with Motley Crue drummer Tommy Lee. According to published reports, unlike the Anderson-Lee video, the Anderson-Michaels tape was never widely distributed because Anderson's attorneys took prompt legal action against IEG to block it.
"Big Brother" is Britain's "most censored" show
The live daily telecasts of the hit reality show Big Brother on the U.K.'s digital channel E4 have easily become the most censored shows in TV history, the London Daily Mirror reported Thursday. Broadcast on a 10-minute delay to allow the station to screen conversations between the contestants in a house where TV cameras are trained on them throughout the day, the telecasts frequently include long segments in which no sound is heard at all. During one hour sampled by the Mirror, only 27 minutes was broadcast uncensored, with the sound cutting out more than 30 times. A spokesman for the British Broadcasting Standards Commission, an official watchdog, told the newspaper: "There is nothing in living memory as heavily bleeped as Big Brother." Meanwhile, contestant Penny Ellis, whose employer, a private school, has threatened to fire her after she appeared briefly in the nude during a Big Brother telecast, said Wednesday that she will be probably quit. "I would be a lunatic [to return]," she said. "I wouldn't get any work done. It's best not to go back for the safety of the kids and the structure of the school."
R-rated movies walloped by enforcement
Ticket sales for R-rated films have plummeted since movie theaters, bowing to political pressure, began tightening their enforcement of age restrictions, the Washington Post reported Thursday, citing a study by research group MarketCast. The study concluded that "significant numbers" of children under 17, especially girls, were being deterred from seeing R-rated movies. The theaters' policies, the study said, caused the recent releases The Mexican, starring Julia Roberts and Brad Pitt, and Angel Eyes, starring Jennifer Lopez, to lose a major share of the audience that ordinarily would have been attracted to them, the study said. It estimated that the movie Tomcats, from Joe Roth's Revolution Studios lost 30 percent of its potential audience because of theater enforcement of age restrictions. "I think the implications are that studios will take a hard look at movies that could be cut to be PG-13," Michael Schwartz, research director at MarketCast, told the Post. "They'll ask whether the R-rated scenes will gain them enough appeal to offset the losses, especially where there is strong teen interest." Indeed, Roth told the newspaper that he would never make a movie like Tomcats again. "This is material that's mostly innately appealing to 12- to 16-year-olds, so you're really stuck."
"The Star offers Blake $100,000 to take lie test
Supermarket tabloid The Star has offered actor Robert Blake $100,000 to take a lie detector test in connection with the murder of his wife, Bonny Lee Bakley. Neither Blake nor his attorneys have responded to the offer. In an interview with Thursday's New York Post, Star editor-in-chief Tony Frost commented: "If Mr. Blake has nothing to hide, what better way is there of removing the umbrella of suspicion? ... The results of a polygraph are not admissible in a court of law, but they do go a long way to convincing the court of public opinion."
Cahners pink slips "Variety," "Broadcasting" employees
Cahners Publishing, whose trade publications include Variety and Broadcasting & Cable, said Wednesday that it is pink-slipping 140 employees, representing about 3 percent of its work force. The company also eliminated an honor-system policy of allowing employees to leave at 1: p.m. on Fridays, provided that they make up the missed time during the rest of the week. The company said that it was reacting to current economic conditions.
Wanna buy a Muppet?
EM.TV, the troubled German media company that paid $680 million for The Muppets just two years ago, may only get about $200 million if is able to unload the characters, who include Kermit the Frog and Miss Piggy, the New York Post observed Thursday, citing industry analysts. Chris Bryne, editor of Toy Report, told the newspaper: "The problem is that the Muppets aren't hot the way they once were. ... Any new owner will face the difficulty of trying to make all these characters relevant again." Among the possible buyers, the Post said, are Disney, Viacom and Jim Henson Productions, the Muppets' creators.
News spoof says Disney planning "enhanced edition" of "Pearl Harbor"
Newsweek magazine, in an apparent spoof of itself, began running a "Web Exclusive" on its Internet site Wednesday, saying that the Walt Disney Co. is planning to spend an additional $145 million on an "enhanced edition" of Pearl Harbor that will be "longer, louder and dumber" than the original and will be the "most historically inaccurate" movie ever made. The article said that a number of big stars will be added to the film, including the musical groups 'N Sync and the Backstreet Boys "who will appear together in an exciting 'battle of the bands' sequence during which they will be struck by Japanese bombs and perish. "The sequence 'tested through the roof,'" according to the satirical piece, which Newsweek credited to "The Borowitz Report."
In Wednesday's edition of Studio Briefing, we quoted FoxNews.com's Roger Friedman as saying that Town & Country has emerged as the biggest box-office flop in history. A reader responded that 1995's Cutthroat Island, which cost $92 million to make and earned only $11 million (and, in the process, wrecked Carolco, the indie studio that made it), may rightfully claim that dubious distinction.
BEVERLY HILLS, Calif., March 19, 2000 - Rene Russo, the actress, didn't win any awards for her head-turning performance in "The Thomas Crown Affair." But tonight here at the Beverly Hilton, Rene Russo, the haircut, did. Welcome to the first-ever Hollywood Makeup Artist and Hair Stylist Guild Awards, where the above-the-title stars take back seats to behind-the-scenes primping professionals.
Yes, it was the beauty folks' turn to make Oscar-like acceptance speeches and bask in the praise of thankful A-list celebrities who they've made look good, "day after day, year after year, facelift after facelift," as host Rita Rudner drolly put it.
"It's the American dream that I've heard so much about. It's happening to me right now," hair stylist Enzo Angileri said, accepting the so-called Georgie award for doing Russo's do in "Thomas Crown," named best contemporary hairstyling work.
Decades ago, hair and make-up people were treated like celebrities themselves. But the list of big names attending the awards ceremony showed that, while movie and TV beauticians may no longer make it into the gossip columns, they nonetheless are held in high esteem by those who do.
"It's an art form," said actor Billy Bob Thornton, an award presenter. As if to prove that point, Thornton showed up in full make-up (complete with oily gray hair) and costume (a Slim Whitman-meets-Colonel Sanders outfit) from "Waking Up In Reno," a film he's now shooting, in which he plays an aging country singer.
"A lot of people don't realize how much time we spend in make-up, how many hours we spend being literally transformed by these artists," he said.
Other name brands handing trophies included: Holly Hunter, Brendan Fraser (greeted by cat-calls from the audience), Ellen Burstyn, Mimi Rogers, and cast members from TV shows like "That 70's Show," "Freaks and Geeks," and "Providence." Before the event, crowds of fans and electronic lined the Beverly Hilton lobby as the stars rolled in.
Tony Curtis presented the lifetime achievement award to makeup artist Monty Westmore, who recently retired after a 50-plus-year career that included more than 100 films, ranging from "The Treasure of Sierra Madre" with Humphrey Bogart to the forthcoming "How the Grinch Stole Christmas" with Jim Carrey.
Unlike the Oscars, which have been plagued by mishaps this year despite 72 years of experience, the Georgies basically survived their first go-round with almost no problems. Ballots were mailed out to the 1,100 members of the International Alliance of Theatrical Stage Employees Local 706, who voted on the 17 different award categories. And the golden statuettes, which look vaguely Oscar-like, didn't disappear en route to the event.
But note the phrase: Almost no problems. Amid the celebration, two important items were missing: The champagne and sunglasses. The champagne ordered for the ceremonies never arrived, and was believed to have been delivered to another hotel. And the Calvin Klein shades that were to be supplied by the designer label and given out to the presenters, also were no-shows.
When informed of this caper, actress Christina Applegate (of "Jesse" fame) was understandably dejected.
"Was I supposed to get some glasses?" Applegate said. "Darn."
Here's a complete look at the night's winners:
Best Contemporary Makeup (Feature) Toni G and Will Huff "The General's Daughter."
Best Period Makeup (Feature) Leonard Engleman, "Tea With Mussolini."
Best Character Makeup (Feature) Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch, "Sleepy Hollow."
Best Effects Makeup (Feature) Greg Cannom and Wesley Wofford, "Bicentennial Man."
Best Contemporary Hair Styling (Feature) Enzo Angileri "The Thomas Crown Affair."
Best Period Hair Styling (Feature) Vivian McAteer, for Cher in "Tea With Mussolini." Television TELEVISION
Best Contemporary Makeup (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) James MacKinnon and Stephanie Fowler, "Thank You Providence," "Providence."
Best Period Makeup (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham, "Triangle," "The X-Files."
Best Character Makeup (Television) Jennifer Aspinall, Felicia Linsky and Ed French, Episode #507, "Mad TV."
Best Makeup Effects (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Kenny Myers, Todd A. McIntosh, Robin Beauxchesne, Douglas Noe, and Brigette Myre-Ellis, "Living Conditions," "Buffy The Vampire Slayer."
Best Period Makeup (For a Mini-Series or Movie of the Week) Sue Cabel, Matthew Mungle and Joe Hailey, "And The Beat Goes On: The Sonny and Cher Story."
Best Character Makeup (For a Mini-Series or Movie of the Week) Douglas Noe, for Cicely Tyson in "A Lesson Before Dying."
Best Contemporary Hair Styling (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Darrell Fielder, Jonathan Hanousak and Joy Zapata, "The Final Frontier," "Mad About You."
Best Period Hair Styling (For a Single Episode of a Regular Series -- Sitcom, Drama or Daytime) Gabriella Pollino, Deborah Piper, Valerie Scott and Cindy Costello, "Prom Night," "That 70's Show."
Best Character Hair Styling (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Josee Normand, Charlotte Parker and Gloria Montemeyor, "Bride of Chaotica," "Star Trek Voyager."
Best Innovative Hair Styling (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Josee Normand, Charlotte Parker and Gloria Montemeyor, "Dragon's Teeth," "Star Trek Voyager."
Best Period Hair Styling (For a Mini-Series or Movie of the Week) Marlene Williams and Tim Jones "And The Beat Goes On: The Sonny & Cher Story."