WHAT IT’S ABOUT?
At his high school’s commencement ceremony socially awkward class valedictorian Denis Cooverman uses his graduation speech to declare his love for hottie head cheerleader Beth Cooper a girl with whom he’s never actually had a conversation. When Beth unexpectedly shows up at his graduation party — followed shortly by her sadistic coked-out Army cadet boyfriend -- Denis is swept up in a series of escapades he won’t soon forget. That is if he makes it through the night alive.
WHO’S IN IT?
Hayden Panettiere star of NBC’s Heroes goes bravely against type to play — you guessed it — a cheerleader. In the role of her geeky onscreen counterpart is relative newcomer Paul Rust.
Not much unfortunately. Teen comedies in the post-Superbad era — even the PG-13 ones — can’t survive on merely playing to tired high-school cinematic stereotypes which I Love You Beth Cooper does in spades. Panettiere is appealing as a bright-eyed cheerleader whose perky exterior hides a bad-girl streak but she doesn’t quite project that unattainable quality the role seems to call for. She’s more like the superhot girl-next-door who you think is attainable but probably isn’t. Rust meanwhile attempts to compensate for the flat material he’s given by overplaying virtually every joke — to the point at which you’ll actually root for his antagonists to pummel him without mercy.
With its promising opening scene Beth Cooper shows the potential to be something sly and clever -- a high-school comedy in the vein of Alexander Payne’s Election — but instead develops disappointingly into a bland turgid knock-off of an ‘80s John Hughes flick.
The opening valedictorian speech in which Denis cooks his own goose by singling out various dysfunctional classmates — including a bully an anorexic and his closeted best friend — for public acknowledgment is achingly funny.
A saucy shower scene later in the film in which a side view of Panettiere’s naked breast is briefly revealed should at least keep the boys around until the third act. Maybe.
WHAT IT’S ABOUT?
When a strong-willed business woman is suddenly told she might lose her job and be deported to her native Canada she impulsively forces her ever-loyal executive assistant into a shotgun engagement in order to get a green card and stay in the country. The plan gets complicated when the mismatched twosome must go to meet his family in Alaska and convince everyone including a pesky government investigator that their impending marriage is the real thing.
WHO’S IN IT?
Sandra Bullock has never been more appealing in the kind of “tough boss” role normally associated with male actors. The Proposal turns the usual romantic comedy tables around giving Bullock lots to play with — and she certainly makes the most of it painting a hilarious picture of an attractive and surprisingly vulnerable business exec caught in a situation spiraling out of control. Ryan Reynolds’ sitcom expertise is put to good use in the role of her willingly unwilling assistant who must join her charade or risk losing his job. This is Reynolds’ best outing as a rom-com lead yet and he shows he could own the genre if provided the right material. Stealing the movie from both of them however is the irrepressible Betty White who plays Reynolds’ saucy Grammy. Once again the Golden Girls alum proves she has comic timing second to none.
Knowing the standard romantic comedy setup just isn’t going to cut it anymore director Anne Fletcher (Step Up 27 Dresses) turns The Proposal into more of a screwball farce letting the laughs fly without forcing them on us. She’s helped by two game lead players who really know their way around this well-worn genre and provide just the right balance to keep this merry soufflé from falling apart. The breathtaking remote locations (Massachusetts oddly enough substitutes for Alaska) don’t hurt.
No matter how inventive the script it’s pretty obvious where things are going to wind up in any romantic comedy. But The Proposal despite following the standard blueprint still manages to keep us guessing until the very end and that accounts for most of the fun.
A scene in which Bullock and Reynolds accidentally run into each other sans clothing is hilarious worthy of the best farceurs. A close second is a sequence involving a little dog a menacing eagle and a cell phone. Classic stuff.
BEST REASON TO PLOP DOWN 10 BUCKS?
After 60 — count ‘em 60 — years in show business with six Emmys and numerous TV series to show for it Betty White at age 87 still proves there can be second third and even fourth acts in life. She gives a movie star turn here that shows everyone how it’s done.
NETFLIX OR MULTIPLEX?
As an alternative to big summer action flicks and gross-out comedies The Proposal is definitely the date movie du jour.
In adapting a rather flimsy children’s book into a full-fledged feature film one has to take some liberties. We first meet the lovable little monkey in the wild where his curious habits wreck havoc. Meanwhile in the big city Ted (voiced by Will Ferrell)--aka The Man with the Yellow Hat--is a highly enthusiastic guide at the soon-to-be-closed Bloomsberry Museum. In order to save the museum (here’s where they pad it) he is sent on a mission to Africa to retrieve a lost shrine. But when he gets there the only thing he finds is a miniature version of it--and George of course. The lonely monkey decides to follow Ted all the way back to the city where his mischievous tendencies get him into even more trouble. George nearly ruins everything for Ted but somehow the little feller eventually grows on him. How could he not? If I can borrow a line from Madagascar little George is so cute I just like to dunk him in my coffee. When you’re reading Curious George out loud to your kids you don’t get the impression The Man with the Yellow Hat is a good-natured but geeky fellow gangly clumsy and clueless about women. Thank goodness the film has Will Ferrell to clear it up for us! You basically know what you’re in for once you recognize his voice and his natural comic timing shines through lending for some funnier moments (“OK I’m looking directly into the sun. Staring right at it. I’ve got to be honest with you it stings…”). The other voices in the film also do a fine job including Drew Barrymore as a schoolteacher who has a crush on Ted; Eugene Levy as the mad museum scientist; Dick Van Dyke as the museum’s old-time curator; and David Cross as his weasly greedy son. Based on the books and illustrations by Margret and H.A. Rey Curious George embraces the essence of the timeless stories created 65 years ago. The film apparently took awhile to find its voice. Producer Ron Howard originally conceived it as live-action film but quickly realized they could never get a real monkey as cute and fuzzy as George. Then CGI was considered but ultimately the filmmakers kept returning to the source: the late H.A. Rey’s original painstakingly beautiful illustrations. Thankfully they stuck with that idea. Curious George is lush and vibrant with all of Rey’s best efforts fully realized in Technicolor. And much like what the Piglet’s Big Movie did with Carly Simon and The Wild Thornberrys with Paul Simon Curious George is also sprinkled with original songs by hot pop singer Jack Johnson to give it a modern feel. So what if the story gets a little overblown in parts it will still introduce one of literature’s most enduring icons to the young-un’s--while allowing the adults to reminisce.
Richard Riddick (Vin Diesel) has a really bad rep and with good reason: Five years ago convicted killer Riddick escaped the galaxy's law enforcement during a botched interplanetary prison transfer and has been on the lam ever since. As The Chronicles of Riddick picks up our antagonist finds his relative freedom has been compromised when mercenaries out for the $1 million bounty on his head discover his location and hunt him down. Riddick escapes their clutches steals their ship and sets off for Planet Helion to find Imam (Keith David) the Muslim cleric he rescued in Pitch Black and the only person who could have squealed his location to authorities. But while Riddick's hunch about Imam are correct the cleric has a reason for luring the mammoth murderer out of hiding: Helion is falling to unholy armies of Necromongers--warriors who conquer by force in the vein of Star Trek's Borg. Of course Riddick doesn't give a damn about the Helions or their plight--until he gets wind that the Necromogers want to kill him because of an old prophecy that foresees their end at Riddick's hands. Like it or not Riddick is left with no other choice but to battle the Necromongers.
The character of Riddick is unquestionably what made Pitch Black one of the most sequel-worthy sci-fi films in years. And Riddick would not have been one of sci-fi's most intoxicating characters if it weren't for Diesel. Like his Dominic Toretto in the 2001 actioner The Fast and the Furious Riddick is a villain of few words but when he speaks his carefully chosen words have impact--even if the dialogue is at times overly theatrical. Riddick is the perfect antihero; a cold-blooded and indifferent being who somehow evokes more compassion than the film's so-called good guys. Joining Riddick are some recurring characters including David as Imam but Riddick benefits the most from the addition of some new characters particularly Colm Feore as Lord Marshal the Necromonger leader whose goal is to rid the universe of all human life. Feore channeling nuggets of Julius Caesar into his role makes for one of Riddick's most thrilling foes. Another prominent addition to the cast is Judi Dench who has a surprisingly small role as Aereon an Elemental captured by the Necromongers and used for her special powers including ESP.
Writer/director David Twohy took his horror pic Pitch Black which gained a cult following since it was released four years ago and managed to successfully turn it into an sci-fi actioner of epic proportions. Everything is grander here which is almost a given considering Twohy shot Pitch Black on a dime in Australia using colored filters. In Riddick the director distinguishes the film's different environments--the Necros' mothership Crematoria's cavernous prison and Helion--using warm to cool tones that are dazzling yet more subtle than its predecessor. The CGI effects get a little gamey at times but production designer Holger Gross' gargantuan sets are impressive and help craft Twohy's otherworldly vision into a plausible one. And although Twohy jumps genres from Pitch Black to its sequel his storyline evolves logically from the original premise. But while moviegoers unfamiliar with Pitch Black will be able to follow the story easily enough they may have a difficult time grasping what makes Riddick such a big deal; the film explains the legend but never fully captures its quintessence. This could hurt Riddick's chances to broaden its Pitch Black fan base.