Summit via Everett Collection
You can imagine that Renny Harlin, director and one quadrant of the writing team for The Legend of Hercules, began his pitch as such: We'll start with a war, because lots of these things start with wars. It feels like this was the principal maxim behind a good deal of the creative choices in this latest update of the Ancient Greek myth. There are always horse riding scenes. There are generally arena battles. There are CGI lions, when you can afford 'em. Oh, and you've got to have a romantic couple canoodling at the base of a waterfall. Weaving them all together cohesively would be a waste of time — just let the common threads take form in a remarkably shouldered Kellan Lutz and action sequences that transubstantiate abjectly to and fro slow-motion.
But pervading through Lutz's shirtless smirks and accent continuity that calls envy from Johnny Depp's Alice in Wonderland performance is the obtrusive lack of thought that went into this picture. A proverbial grab bag of "the basics" of the classic epic genre, The Legend of Hercules boasts familiarity over originality. So much so that the filmmakers didn't stop at Hercules mythology... they barely started with it, in fact. There's more Jesus Christ in the character than there is the Ancient Greek demigod, with no lack of Gladiator to keep things moreover relevant. But even more outrageous than the void of imagination in the construct of Hercules' world is its script — a piece so comically dim, thin, and idiotic that you will laugh. So we can't exactly say this is a totally joyless time at the movies.
Summit via Everett Collection
Surrounding Hercules, a character whose arc takes him from being a nice enough strong dude to a nice enough strong dude who kills people and finally owns up to his fate — "Okay, fine, yes, I guess I'm a god" — are a legion of characters whose makeup and motivations are instituted in their opening scenes and never change thereafter. His de facto stepdad, the teeth-baring King Amphitryon (Scott Adkins), despises the boy for being a living tribute to his supernatural cuckolding; his half-brother Iphicles (Liam Garrigan) is the archetypical scheming, neutered, jealous brother figure right down to the facial scar. The dialogue this family of mongoloids tosses around is stunningly brainless, ditto their character beats. Hercules can't understand how a mystical stranger knows his identity, even though he just moments ago exited a packed coliseum chanting his name. Iphicles defies villainy and menace when he threatens his betrothed Hebe (Gaia Weiss), long in love with Hercules, with the terrible fate of "accepting [him] and loving [their] children equally!" And the dad... jeez, that guy must really be proud of his teeth.
With no artistic feat successfully accomplished (or even braved, really) by this movie, we can at the very least call it inoffensive. There is nothing in The Legend of Hercules with which to take issue beyond its dismal intellect, and in a genre especially prone to regressive activity, this is a noteworthy triumph. But you might not have enough energy by the end to award The Legend of Hercules with this superlative. Either because you'll have laughed yourself into a coma at the film's idiocy, or because you'll have lost all strength trying to fend it off.
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Beloved Mexican musician Vicente Fernandez has made chart history in the U.S. by scoring his 22nd Top Latin Albums countdown top 10. The singer, who is currently on his farewell tour, has broken a tie with Marco Antonio Solis thanks to the success of his new release Hoy, which debuts at number three.
The American film and TV actor, real name Ermes Effron Borgnino, was born on 24 January, 1917, and passed away on Sunday (08Jul12) after suffering kidney failure.
Borgnine joined the United States Navy in 1935 after graduating from high school and was discharged in 1941. He enrolled again when the U.S. entered World War II and served until 1945.
Once his naval career ended, Borgnine's mother encouraged him to pursue acting jobs and he landed his first role in play State of the Union in 1947. He made his Broadway debut as a nurse in the play Harvey.
In 1951 Borgnine moved to Los Angeles and, after a series of small roles in Hollywood productions, he received his first big movie break in 1953 classic From Here to Eternity. His big screen debut featured one scene in which his character Fatso Judson beat co-star Frank Sinatra's leading man to death.
Three years later, Borgnine was an Oscar winner thanks to his portrayal of the title role in director Delbert Mann's Marty.
His other film hits included The Poseidon Adventure, Emperor of the North Pole, The Vikings, Escape From New York, The Dirty Dozen, Ice Station Zebra, The Wild Bunch and The Flight of the Phoenix.
On TV, he enjoyed runs in Future Cop, Wagon Train and he led the cast on McHale's Navy. He also provided the voice for Mermaid Man on SpongeBob SquarePants.
Borgnine became the oldest performer to receive a Golden Globe nomination for his role in 2007 TV film A Grandpa for Christmas and was handed a lifetime achievement award at the 17th Annual Screen Actors Guild Awards last year (11).
He died after recently completing what will be his final film, The Man Who Shook the Hand of Vicente Fernandez.
Petridis, who directs the 94-year-old star in new film The Man Who Shook The Hand of Vicente Fernandez, asked Borgnine to conduct the wedding ceremony in Bellingham, Washington - and he was thrilled when the actor agreed.
He tells The Hollywood Reporter, "We honestly did not think he would marry us due to the fact that it was out of state - and he's 94. Why would he travel?
"We asked him just to give it a shot and he was totally enthusiastic and happy to do it. We were very moved."
Borgnine was ordained online for the wedding, which took place on 31 July (11).
Actress Angelina Jolie was named as goodwill ambassador by the UN refugee agency UNHCR in Geneva on Monday, Reuters reports. Jolie was apparently close to tears when she recalled her trips to refugee camps in Pakistan and Sierra Leone, describing the conditions as frightening and shocking. Other goodwill ambassadors have included Sophia Loren and Richard Burton.
French actor Philippe Leotard died Saturday in a Paris clinic from respiratory failure at the age of 60, Reuters reports. Leotard appeared in films such as Les Miserables in 1995 and French Connection II in 1975. President Jacques Chirac said in a statement, "For all French people, Phillipe Leotard will remain one of our most moving artists."
A Marin County Superior Court is refusing to dismiss a lawsuit over the ownership of five of Jerry Garcia's guitars, the Associated Press reports. Grateful Dead Productions, the company representing the surviving band mates, asked Judge Michael Dufficy to dismiss a lawsuit by Doug Irwin for custody of the guitars. Irwin, a custom guitar maker who built the instruments for Garcia, says he is the guitar's rightful owner. Garcia left the guitars to Irwin in his will but Grateful Dead Productions claims to have bought the guitars and that they were not for Garcia to give away. Dufficy ruled last week that the company had not proven that Irwin's three-year statute of limitations to claim the guitars had expired.
A federal appellate court dismissed a lawsuit by producer Kevin McClory against MGM and Danjaq Prods. that claimed he was the co-creator of the James Bond character. According to Variey, Monday's decision upheld a lower-court ruling last year dismissing the suit on the grounds that McClory took too long to assert his rights to the Bond character. McClory collaborated with writer Ian Fleming in the 1950s on a script for Thunderball, and obtained some rights to the story in 1963.
The Dixie Chicks are countersuing Sony Music Entertainment and accusing the company of "systematic thievery" for duping them out of more than $4 million in royalties, according to AP. The country music trio is also seeking to end a seven-album deal with Sony. The company sued the Dixie Chicks in July for breach of contract and accused the group of trying to leave the label by trumping up claims that they had been underpaid. The suit also said that the Dixie Chicks demanded the company renegotiate their contract despite being paid millions.
In the ongoing battle for the Screen Actors Guild presidency, Valerie Harper has turned down Melissa Gilbert's invitation to take part in a public debate, Variety reports. Harper said that SAG issues are private and should not be reduced to fodder for the media. Gilbert responded to Harper's statements by saying it would be inappropriate to expect members to vote without having the opportunity to hear the candidate's views on relevant issues. Gilbert has chosen MASH star Mike Farrell as her running mate.
Victoria "Posh Spice" Beckham is hitting the bookstores in double doses. According to Reuters, the self-promoting ex-Spice Girl is publishing an autobiography entitled Learning to Fly on September 13. That is 11 days before an unauthorized biography, Victoria's Secrets, hits shelves. Written by Virginia Blackburn, the tell-all Victoria's Secrets is based on interviews with ex-boyfriends, friends and former dance teachers. Posh also has a new single coming out on Sept. 17 called "Not Such an Innocent Girl."
The WB network has decided to shelve the 13-episode season of the animated series Baby Blues, as well as six episodes held over from last season, Variety reports. The show reportedly did not fit in with WB's five new live-action, adult-oriented shows this fall.
The Cuban artists and bands that were nominated for the Latin Grammy awards have all been cleared to travel to attend the Sept. 11 event in Los Angeles and are awaiting entry visas from the US government, Reuters reports. The show was moved to Los Angeles from Miami because of concerns that protests from Cuban exile groups could jeopardize the safety of performers and guests.
Jennifer Lopez, Celia Cruz and Lou Diamond Phillips have been added as presenters for the 2nd Annual Latin Grammy Awards in Los Angeles in next month. Artist Alejandro Fernandez and his father Vicente Fernandez will also perform together for the first time in the U.S., joining previously announced appearances by Juanes, Luis Miguel, Alejandro Sanz and Thalia. The Latin Grammy Awards will be telecast on CBS on Sept. 11.
In a boy band first, the Backstreet Boys are preparing to release a greatest hits album. According to ABC News, the compilation is scheduled for release on Oct. 23 and will include the new single "Drowning" from their latest album Black & Blue. The Backstreet Boys have released four albums so far.
Whoopi Goldberg's online gift currency company Flooz.com will file for bankruptcy, according to its Web site. According to a message posted on the site, the company blames changes in capital markets and a general slowdown in the economy for the setback. However, a New York Times report noted that the Web site became a target for thieves in both Russia and the Philippines who used stolen credit cards to buy $300,000 in Flooz during the past three months.
It's 1828 and an 82-year-old Goya (Francisco Rabal) lives out his remaining days in Bordeaux France. Nursed by his strong-willed young daughter (Dafne Fernández) he relates tales of his many adventures in art politics and love - especially those concerning his stormy romance with the danger-loving Duchess of Alba (Maribel Verdú). And that's as much of a plot as this image-driven film cares to offer while meandering along with the logic of a melancholy dream.
Spanish screen veteran Rabal ("Tie Me Up! Tie Me Down!") lends his titanic presence to a role that basically boils down to parading around in a nightshirt with a haunted look on his face. Jose Coronado ("La Mirada del Otro") has slightly more to work with as a younger Goya caught up in vague bits of court intrigue while he follows in Velázquez's footsteps as Spain's most famous artist of the period. He and the offbeatly foxy Verdú ("Belle Epoque") briefly threaten to jump-start the narrative with a torrid affair then Verd£'s Duchess character is unsatisfyingly written out of the picture.
Writer-director Carlos Saura's 30th film displays his usual flair for striking imagery but the innovative style he develops in his fourth outing with acclaimed cinematographer Vittorio Storaro could have used a bit more dramatic meat to hang on. In the film's intentionally nonrealistic world actors march in front of painted backdrops to form moving tableaux vivants. Semi-transparent fabric screens reveal people walking on the other side of walls and elements of Goya's artworks suddenly come to life - all of which is more interesting than what is happening to the characters.