The film and television nominations for the 18th Annual Screen Actors Guild Awards have been released, recognizing achievements in both individual performances and the strengths of ensemble casts. This year's television award nominations are listed below, including many worthy recipients, but there are also a few surprising absences. Among the hard-hitters listed below are dramas like HBO's Mildred Pierce and Boardwalk Empire, AMC's Breaking Bad and comedies such as ABC's Modern Family (which swept the Emmys this year) and NBC's 30 Rock. However, some might be surprised not to find the new Showtime drama Homeland or NBC's secret weapon Parks and Recreation.
The 18th Annual Screen Actors Guild Awards will air live at 8 p.m. ET/5 p.m. PT on Jan. 29, 2012 on TNT and TBS.
Click here to read the list of this year's film nominees.
18th ANNUAL SAG AWARDS NOMINATIONS: PRIMETIME TELEVISION
Outstanding Performance by a Male Actor in a Television Movie or Miniseries
Laurence Fishburne - Thurgood (HBO)
Paul Giamatti - Too Big to Fail (HBO)
Greg Kinnear - The Kennedy (Reelz Channel)
Guy Pearce - Mildred Pierce (HBO)
James Woods - Too Big to Fail (HBO
Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Diane Lane - Cinema Verite (HBO)
Maggie Smith - Downton Abbey (PBS)
Emily Watson - Appropriate Adult (Sundance Channel)
Betty White - Hallmark Hall of Fame: The Lost Valentine (CBS)
Kate Winslet - Mildred Pierce (HBO)
Outstanding Performance by a Male Actor in a Drama Series
Patrick J. Adams - Suits (USA)
Steve Buscemi - Boardwalk Empire (HBO)
Kyle Chandler - Friday Night Lights (DirecTV)
Bryan Cranston - Breaking Bad (AMC)
Michael C. Hall - Dexter (Showtime)
Outstanding Performance by a Female Actor in a Drama Series
Kathy Bates - Harry's Law (NBC)
Glenn Close - Damages (DirecTV)
Jessica Lange - American Horror Story (FX)
Julianna Margulies - The Good Wife (CBS)
Kyra Sedgwick - The Closer (TNT)
Outstanding Performance by a Male Actor in a Comedy Series
Alec Baldwin - 30 Rock (NBC)
Ty Burrell - Modern Family (ABC)
Steve Carell - The Office (NBC)
Jon Cryer - Two and a Half Men (CBS)
Eric Stonestreet - Modern Family (ABC)
Outstanding Performance by a Female Actor in a Comedy Series
Julia Bowen - Modern Family (ABC)
Edie Falco - Nurse Jackie (Showtime)
Tina Fey - 30 Rock (NBC)
Sofia Vergara - Modern Family (ABC)
Betty White - Hot in Cleveland (TV Land)
Outstanding Performance by an Ensemble in a Drama Series
Boardwalk Empire (HBO) - Steve Buscemi, Dominic Chianese, Robert Clohessy, Dabney Coleman, Charlie Cox, Jose & Lucy Gallina, Stephen Graham, Jack Huston, Anthony Laciura, Heather Lind, Kelly Macdonald, Rory & Declan McTigue, Gretchen Mol, Brady & Connor Noon, Kevin O'Rourke, Aleksa Palladino, Jacqueline Pennewill, Vincent Piazza, Michael Pitt, Michael Shannon, Paul Sparks, Michael Stuhlbarg, Peter Van Wagner, Shea Whigham, Michael Kenneth Williams, Anatol Yusef
Breaking Bad (AMC) - Jonathan Banks, Betsy Brandt, Ray Campbell, Bryan Cranston, Giancarlo Esposito, Anna Gunn, RJ Mitte, Dean Norris, Bob Odenkirk, Aaron Paul
Dexter (Showtime) - Billy Brown, Jennifer Carpenter, Josh Cooke, Aimee Garcia, Michael C. Hall, Colin Hanks, Desmond Harrington, Maria Doyle Kennedy, Rya Kihlstedt, C.S. Lee, Edward James Olmos, James Remar, Lauren Velez, Peter Weller, David Zayas
Game of Thrones (HBO) - Amrita Acharia, Mark Addy, Alfie Allen, Josef Altin, Sean Bean, Susan Brown, Emilia Clarke, Nikolaj Coster-Waldau, Peter Dinklage, Ron Donachie, Michelle Farley, Jerome Flynn, Elyes Gabel, Aiden Gillen, Jack Gleeson Iain Glen, Julian Glover, Kit Harington, Lena Headey, Isaac Hempstead Wright, Conleth Hill, Richard Madden, Jason Mamoa, Rory McCann, Ian McElhinney, Luke McEwan, Roxanne McKee, Dar Salim, Mark Stanley, Donald Sumpter, Sophie Turner, Maisie Williams
The Good Wife (CBS) - Christine Baranski, Josh Charles, Alan Cumming, Matt Czuchry, Julianna Margulies, Chris Noth, Archie Panjabi, Graham Phillips, Makenzie Vega
Outstanding Performance by an Ensemble in a Comedy Series
30 Rock (NBC) - Scott Adsit, Alec Baldwin, Katrina Bowden, Kevin Brown, Grizz Chapman, Tina Fey, Judah Friedlander, Jane Krakowski, John Lutz, Jack McBrayer, Tracy Morgan, Maulik Pancholy, Keith Powell
The Big Bang Theory (CBS) - Mayim Bialik, Kaley Cuoco, Johnny Galecki, Simon Helberg, Kunal Nayyar, Jim Parsons, Melissa Rauch
Glee (Fox) - Dianna Agron, Chris Colfer, Darren Criss, Ashley Fink, Dot Marie Jones, Jane Lynch, Jayma Mays, Kevin McHale, Lea Michele, Cory Monteith, Heather Morris, Matthew Morrison, Mike O'Malley, Chord Overstreet, Lauren Potter, Amber Riley, Naya Rivera, Mark Salling, Harry Shum Jr., Iqbal Theba, Jenna Ushkowitz
Modern Family (ABC) - Aubrey Anderson-Emmons, Julia Bowen, Ty Burrell, Jesse Tyler Ferguson, Nolan Gould, Sarah Hyland, Ed O'Neill, Rico Rodriguez, Eric Stonestreet, Sofia Vergara, Ariel Winter
The Office (NBC) - Leslie David Baker, Brian Baumgartner, Creed Bratton, Steve Carell, Jenna Fischer, Kate Flannery, Ed Helms, Mindy Kaling, Ellie Kemper, Angela Kinsey, John Krasinski, Paul Lieberstein, B.J. Novak, Oscar Nunez, Craig Robinson, James Spader, Phyllis Smith, Rainn Wilson, Zach Woods
At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
As the weekend's opening releases dominated the box office charts, it was obvious moviegoers were only looking for one thing--the right Signs.
Buena Vista's Signs, about crop circles and creepy green men from outer space, landed the number one spot with a whopping $60.3 million, giving the film the second best August opening of all time. It follows last summer's smash hit Rush Hour 2, which made $67.4 million when it was released Aug. 3, 2001.
Signs is also the fourth best weekend release of 2002, following Spider-Man, Star Wars: Episode II--Attack of the Clones and Austin Powers in Goldmember, respectively.
The PG-13-rated thriller made it to 3,264 theaters nationwide, averaging an estimated $18,474 per theater, and proved audiences were more than willing to see a film pairing wunderkind writer/director M. Night Shyamalan with star Mel Gibson. Signs marks the best opening ever for both talents.
Signs also stars Joaquin Phoenix, Cherry Jones, Rory Culkin and Abigail Breslin.
Of last weekend's new releases, only one remained in the top five--New Line's Austin Powers in Goldmember, which dropped from its top spot to No. 2 this weekend. The raucous PG-13-rated comedy took in an estimated $32.4 million, falling a rather significant 56 percent from its huge opening, but still managing to average an estimated $8,968 per screen in 3,613 theaters. Goldmember's cume so far is $142.9 million, making it the 11th film this year to pass the $100 million mark. Not too shabby.
Directed by Jay Roach, Austin Powers in Goldmember stars Mike Myers, Beyoncé Knowles and Michael Caine.
Opening in the third spot was Sony's Master of Disguise. The PG-rated comedy from funny man Dana Carvey was a family film alternative that brought in a respectable $13 million ($5,068 average per screen) and joins Sony's other top 10 summer winners, including Stuart Little 2 and Men In Black II.
Directed by Perry Andelin Blake, the film also stars James Brolin, Harold Gould, Brent Spiner and Jennifer Esposito.
The No. 4 slot went to another funny guy, although in a much different film. Opening with $7.5 million, Paramount's Martin Lawrence Live: Runteldat proved its worth, taking in an estimated $9,973 on only 752 screens.
In this R-rated stand-up concert film, comedian Martin Lawrence discusses the many things on his mind, including his past troubles with drugs, his run-ins with the law and his near-death experience. It is directed by David Raynr.
At No. 5, some familiar faces return. DreamWorks' Road to Perdition, now in its fourth week, dropped from No. 2 to take the No. 5 position with a steady $6.6 million. Even though the R-rated film took a 41 percent cut from last weekend, the Tom Hanks/Paul Newman gangster drama, which is already being considered Oscar bait, managed an estimated $2,830 in approximately 2,332 theaters. Perdition's cume to date is a solid $77.2 million.
Directed by Oscar winner Sam Mendes, the film stars Hanks, Newman, Jude Law, Stanley Tucci, Tyler Hoechlin and Daniel Craig.
The No. 6 slot belongs to Sony's Stuart Little 2. In its third week, the little-mouse-that-could sequel brought in $6 million, slipping from last week's third place slot and falling 43 percent (averaging $1,939 per screen in 3,095 theaters). The PG-rated family comedy's total to date is $46.8 million.
Stuart Little 2 is directed by Rob Minkoff and stars Geena Davis, Hugh Laurie and Jonathan Lipnicki with the vocal talents of Michael J. Fox, Melanie Griffith, Nathan Lane, Steve Zahn and James Woods.
Sony's Men In Black II slid from No. 4 to No. 7 this weekend, taking in $4.7 million. Averaging only an estimated $1,620 per screen, the PG-13-rated comedy about policing those darned aliens on Earth, now in its fifth week, dropped 45 percent. But have no fear, fans, the film's total cume is still a respectable $182 million.
Directed by Barry Sonnenfeld, Men In Black II stars Will Smith, Tommy Lee Jones, Lara Flynn Boyle, Rosario Dawson and Rip Torn.
Talk about a little film that could. IFC Films' My Big Fat Greek Wedding is proving to be amazingly resilient. Now in week 16 and still only showing on 655 theaters, the PG-rated independent comedy about one woman's Greek family and the sweet man she brings into it moved up from the No. 10 slot to No. 8 this week. Taking in a healthy $3.013 million this weekend, Wedding averaged $4,601 per screen. Its total to date is a healthy $40.1 million.
My Big Fat Greek Wedding is directed by Joel Zwick and stars Nia Vardalos (also writer), John Corbett, Michael Constantine, Lainie Kazan and Andrea Martin.
Two films that couldn't more different tied for the ninth and tenth spots--Paramount's K-19: The Widowmaker and Buena Vista's The Country Bears, both of which took in $3 million this weekend. Guess it was a toss-up whether to see a movie about a deadly nuclear submarine accident or one featuring giant bears singing and dancing. Hmmm.
K-19 dropped 59 percent from fifth place last weekend (averaging $1,139 per screen), with its cume to date being $30.8 million. The Country Bears fell from sixth with a 43 percent cut (averaging $1,175 per screen), with a cume of $11.7 million to date.
K-19: The Widowmaker is directed by Kathryn Bigelow and stars Harrison Ford, Liam Neeson and Peter Sarsgaard.
The Country Bears, based on the popular Disney theme park attraction, stars Christopher Walken, Stephen Tobolowsky, Eli Marienthal and the vocal talents of Haley Joel Osment. It is directed by Peter Hastings.
One other prominent film opened this weekend--Miramax's Full Frontal, directed by Oscar winner Steven Soderbergh and starring Julia Roberts. Labeled a sequel of sorts to Soderbergh's indie hit sex, lies and videotape, Miramax only released Full Frontal in 208 theaters. The film still managed to make the top 20, bringing in $725,000 and averaging $3,486 per screen.
Directed by Soderbergh, Full Frontal stars Roberts, Catherine Keener, Blair Underwood and David Hyde Pierce.