WHAT IT’S ABOUT?
Half-brothers Beto and Tato Verdusco live at home with mom work as fruit pickers and play for the local Mexican soccer team. Beto juggles a wife two kids and a gambling habit while Tato dreams of a singing career. One day fate intervenes when a soccer talent scout gives Tato the opportunity to try out for a big Mexico City team. Eventually Beto gets his own opportunity to play in the second division and the brothers’ new success and lifestyle will have significant changes and challenges for both guys as the contrast of sibling rivalry and brotherly bonds send them into an uncertain future.
WHO’S IN IT?
After first gaining worldwide attention in the 2001 sleeper hit from Mexico Y Tu Mama Tambien Diego Luna and Gael Garcia Bernal have each gone on to significant individual success and are now delightfully re-teamed in a film written and directed by Y Tu writer Carlos Cuaron who certainly knows how to get the best from his stars. As Beto Luna presents a three-dimensional portrait of a guy whose flaws threaten his future while Bernal is fun as Tato a goodhearted and friendly soul with misguided dreams of a musical career. The nature of the scripting finds each actor on screen alone much of the time but together or apart the teaming works just like it did the first time. Standout in the supporting cast is Guillermo Francella as Batuta the talent scout who sets the story in motion. He’s superb. Dolores Heredia as the mother and Adriana Paz as Beto’s wife ably round out the featured female roles.
While Rudo y Cursi never seems to take itself too seriously it’s not a mindless exercise concocted simply to get Luna and Bernal back together. There’s real heft in the underlying theme of the cryptic nature of real brotherhood and the film makes some surprising conclusions that add gravitas to Cuaron’s engaging screenplay.
Luna and Bernal are such an attractive team it’s a shame that the storyline separates them for a good portion of the picture. The separation may be necessary for the narrative but the scenes when they are on screen together are the ones that really crackle.
WORST CANDIDATE FOR MEXICAN IDOL?
Bernal gets his chance to sing a wretched Spanish version of “I Want You to Want Me” in a dopey video as his misguided character Tato proves sports talent doesn’t necessarily equal musical ability. It’s the movie’s most amusing scene.
NETFLIX MULTIPLEX OR TELEMUNDO?
Beyond obviously the Spanish-language audience Rudo y Cursi may cross over into other markets providing a much needed boon for foreign-language films in America. Give it a shot at your local theater first.
Three Burials is languid simplicity at its best. The story starts off as a murder mystery of sorts when a Mexican man Melquiades Estrada is found shot dead outside a dusty Texas town near the U.S./Mexican border. Without any family he’s written off and unceremoniously buried in a shallow grave. This is not at all satisfactory for Pete Perkins (Jones) a local ranch foreman and Melquiades’ only friend. Pete decides to investigate his friend’s murder on his own and finds out the culprit is a young hot-headed border patrolman named Mike Norton (Barry Pepper). He kidnaps Mike and forces him to disinter the body. With his captive in tow and the body tied to a mule Pete then undertakes a dangerous and romantic journey into Mexico to give Melquiades a proper burial. The older he gets the more Tommy Lee Jones excels at portraying a man of few words. Maybe its because his face--filled with years of deep lines and crevices--can explain everything just by staring off into the distance or by coldly glaring at an enemy. As Pete (for which Jones won best actor prize at the Cannes Film Festival) the actor hands us a lonely cowboy who finds a friendship with an unlikely amigo (played by Julio Cedillo). These two don’t head towards Brokeback Mountain territory but the bond is there. And when Melquiades is killed it sends Pete into a spiral of pain revenge and eventual self-discovery. As Pete’s captive Pepper (25th Hour) turns in an amazing performance as the bewildered border patrolman who goes on his own journey towards redemption. And on the sidelines is January Jones (American Wedding) as Mike’s wife and Melissa Leo (21 Grams) as Pete’s sometimes girlfriend who give boredom a whole new outlook and aptly show just how stuck a beautiful woman can be in such a nowhere town. It’s clear Three Burials is indeed very close to Jones’ heart. Shot almost entirely on his sprawling West Texas ranch Jones’ directorial debut was apparently born out of years of deer-hunting trips he took with Three Burials’ screenwriter Guillermo Arriaga (who also wrote the happy little film 21 Grams). “You don’t have to spend much time along the Rio Grande before you realize that [Arriaga’s] country and mine and the same ” Jones told Entertainment Weekly. Jones paints a vivid picture of this land--and the people--he obviously loves dearly while also depicting the racial and political tensions brewing along the border. But it’s Arriaga’s script that deftly changes the film’s pace. It’s a Western a dark comedy a revenge thriller that eventually turns into a Don Quixote journey of sorts--and the whole thing just keeps you glued save for a few extraneous moments here and there. This could be the start of a beautiful collaborative team.