|Sgt. Pepper's Lonely Hearts Club Band||1978||Actor||Billy Shears||19787|
|David Bowie: Glass Spider Tour||1988-01-01T00:00:00+0000 1987||Actor||n/a||1988-01-01T00:00:00+00007|
|Family Guy||2014-01-01T00:00:00+0000 1998||Voice||of Peter Frampton||2014-01-01T00:00:00+00006|
|The Players||2000-01-01T00:00:00+0000 1999||Actor||n/a||2000-01-01T00:00:00+00007|
|The Simpsons||2015-01-01T00:00:00+0000 1989||Voice||Himself||2015-01-01T00:00:00+00006|
|Peter Frampton: Alive Again||2001-01-01T00:00:00+0000 2000||Actor||Interviewee||2001-01-01T00:00:00+00007|
|The Drew Carey Show||2004-01-01T00:00:00+0000 1995||Actor||Himself||2004-01-01T00:00:00+00007|
|100 Greatest Artists of Hard Rock||2001-01-01T00:00:00+0000 2000||Actor||Interviewee||2001-01-01T00:00:00+00007|
|Late Night With David Letterman Fifth Anniversary Show||1987-01-01T00:00:00+0000 1986||Actor||n/a||1987-01-01T00:00:00+00007|
|The Great American History Quiz: America at War||2001-01-01T00:00:00+0000 2000||Actor||n/a||2001-01-01T00:00:00+00007|
|Celebrity Duets||2007-01-01T00:00:00+0000 2006||Actor||n/a||2007-01-01T00:00:00+00007|
|Behind the Music||2013-01-01T00:00:00+0000 1997||Actor||n/a||2013-01-01T00:00:00+00007|
|The History of Rock 'n' Roll||1995-01-01T00:00:00+0000 1994||Actor||n/a||1995-01-01T00:00:00+00007|
|Late Night With David Letterman Fifth Anniversary Show||1987-01-01T00:00:00+0000 1986||Music||guitarist||1|
|Sgt. Pepper's Lonely Hearts Club Band||1978||Song Performer||("Sgt Pepper's Lonely Hearts Club Band" "Getting Better" "She Came in Through the Bathroom Window" "Good Morning Good Morning" "Being For the Benefit of Mr Kite" "Golden Slumbers" "The Long and Winding Road")||1|
|David Bowie: Glass Spider Tour||1988-01-01T00:00:00+0000 1987||Song Performer||n/a||1|
|In the Bedroom||2001||Song||n/a||1|
|Harley Davidson and the Marlboro Man||1991||Song||n/a||1|
|In the Bedroom||2001||Song Performer||("Baby I Love Your Way")||1|
|The Players||2000-01-01T00:00:00+0000 1999||Song Performer||("Lines on My Face" "Geared Up")||1|
|Halloween||2007||Song||("Baby, I Love Your Way")||1|
|Dazed and Confused||1993||Song||songs||1|
|Almost Famous||2000||Song||song/co-producer("Hour of Need" "You Have to Be There")||1|
|Go||1999||Song||("To All the Lovely Ladies (Radio Mix)")||1|
|Playing for Keeps||1986||Song||song producer("Distant Drums")||1|
|Playing for Keeps||1986||Song||n/a||1|
|Harley Davidson and the Marlboro Man||1991||Song Performer||("The Bigger They Come")||1|
|Halloween||2007||Song Performer||("Baby, I Love Your Way")||1|
|Click||2006||Song||("Show Me the Way")||1|
|High Fidelity||2000||Song||("Baby, I Love Your Way")||1|
|Quicksilver||1986||Song Performer||("Nothing at All")||1|
|Wayne's World 2||1993||Song||("Show Me the Way")||1|
|Dazed and Confused||1993||Song Performer||("Do You Feel Like We Do" "Show Me the Way")||1|
|Playing for Keeps||1986||Song Performer||n/a||1|
|Wayne's World 2||1993||Song Performer||("Show Me the Way")||1|
|Reality Bites||1994||Song Performer||("Baby, I Love Your Way")||1|
|Click||2006||Song Performer||("Show Me the Way")||1|
|Almost Famous||2000||Consultant||technical consultant||1|
Born Peter Kenneth Frampton on April 22, 1950 in the town of Beckenham in Kent, England, he was the son of Owen Frampton, a teacher at Bromley Technical High School (now Ravens Wood School), where his son would later be a student. He began exploring music after finding his grandmother's banjoele, or banjo ukelele, which he taught himself to play at the age of seven. He later added guitar and piano to his list of self-taught instruments while receiving an education in early rock-n-roll via the radio and records. American musicians Eddie Cochran and Buddy Holly were favorites, as were local heroes The Shadows with guitarist Hank Marvin, and the jazz guitar of Django Reinhardt.
By the time Frampton was 10 years old, he was already playing in bands like the Little Ravens, who shared a bill at Bromley Technical High with George and the Dragons, which featured a school friend, David Jones, who would later become David Bowie. Stints in other bands followed, including The Preachers, who were managed by The Rolling Stones' Bill Wyman and who landed an appearance on the pop music TV series "Ready, Steady, Go" (ITV, 1963-66). In 1965, he joined The Herd, a pop group with elements of the burgeoning psychedelic scene, and soon quit school to devote himself fully to the band. After several failed singles for Parlophone, The Herd landed a hit with 1967's "I Can Fly," which preceded several more Top 20 songs and a choice stint as the opening act for The Jimi Hendrix Experience at a London appearance. Frampton's boyish good looks earned him the label "The Face of '68" by the U.K. press, but he soon tired of his teen idol status and left the band in 1968.
Later that year, he teamed with former Small Faces guitarist Steve Marriott to form Humble Pie, who wielded a heavier rock sound with distinct influences of American R&B. Frampton was a key member of the group during its early phase, when it rose from chart makers in the U.K. with "Natural Born Bugie" (1969) to a popular live act in the United States, where their double LP, Performance Rockin' the Fillmore (1971) broke the Top 40 on the Billboard album chart. During this period, he was also an in-demand session player, with George Harrison's All Things Must Pass (1970) and Harry Nilsson's Son of Schmilsson (1971) among his numerous credits.
Frampton left Humble Pie in 1971 to pursue a solo career, but his initial recorded efforts were met with disinterest, even with the presence of Ringo Starr and Billy Preston on his debut, Wind of Change (1972). In 1973, he formed Frampton's Camel for an eponymous record that featured one of his signature songs, "Do You Feel Like We Do." It too failed to reach a mass audience, but the band soon became a popular live act, thanks in part to relentless touring, but also due to Frampton's penchant for expanding his material into lengthy showcases for his guitar abilities. Frampton soon returned to solo status, finally breaking into the American Top 40 with 1975's Frampton. The album featured a more melodic, pop-friendly sound, as evidenced by such upbeat tracks as "Show Me the Way" and "Baby, I Love Your Way."
In 1975, Frampton toured behind his latest LP, and recorded a live date at San Francisco's Winterland which became his next release, Frampton Comes Alive! To the surprise of many, it became a runaway success, bolstered by three hit singles, including a lengthy take on "Do You Feel Like We Do" that featured Frampton on a "talk box," an effects pedal that allowed one to modify the sound of an instrument by moving their mouth. Frampton Comes Alive! stayed at the top of the charts for 10 weeks and resided there for an additional year and a half, eventually selling over 16 million copies and becoming the fourth biggest selling live album in history. Frampton was soon a ubiquitous presence in 1976, appearing shirtless on the cover of Rolling Stone one week, and at the White House with Gerald Ford another. His status as the biggest rock star of the year was unquestionable.
But, as history has frequently shown, a stratospheric rise to the top is often followed by an even more dramatic plunge. Pressure from A&M to release another album while his popularity was at an all-time peak resulted in the hastily constructed I'm In You (1977), which shot to No. 2 on the strength of the title track, which also rose to No. 2 on the singles chart. But despite this apparent reprise success and the presence of such rock royalty figures as Mick Jagger, Ringo Starr and Stevie Wonder as guest contributors, most felt that the record's lightweight songs failed to match the electricity of Frampton Comes Alive!. His decision to star opposite the Bee Gees in "Sgt. Pepper's Lonely Hearts Club Band" (1978), a deliriously campy, all-star fantasy loosely inspired by the Beatles' album, further marred his reputation, but the coup de grace was delivered by a car accident in the Bahamas that year which nearly killed Frampton and left him not only unable to perform or record for a lengthy period, but saddled with a drug problem brought on during his recovery.
He returned to the studio in 1979 to record Where I Should Be, which generated a Top 20 hit with "I Can't Stand It No More," but the writing was clearly on the wall for Frampton's career. He slumped through the early '80s before disappearing from the business altogether until 1986, when his album Premonition generated a respectable mainstream rock hit with "Lying." He later re-joined his old schoolmate David Bowie for his 1987 album Never Let Me Down, and handled the guitar duties for Bowie's sprawling "Glass Spider" world tour.
The experience of working in a collaborative atmosphere inspired Frampton to re-connect with Steve Marriott for a reunion. After successful shows in England, the pair recorded several tracks and prepared for a tour. However, Marriott pulled out at the last minute, and tragically died in a house fire shortly thereafter. A devastated Frampton returned to his solo career, which saw modest returns into the mid-1990s. There was considerable attention generated by the release of Frampton Comes Alive! II in 1995, but its track listing, comprised mainly of his solo material from the 1980s and 1990s, did not win over fans of his 1976 effort, and it soon disappeared from the charts. Frampton kept busy as a special guest for his old manager, Bill Wyman, as part of his retro-minded Rhythm Kings band, and with Ringo Starr's yearly All-Starr Band tour. In 1999, he appeared in the ill-fated "Blues Brothers 2000," but later served as technical advisor in his friend Cameron Crowe's critically acclaimed "Almost Famous" (2000). Frampton also contributed an amusing cameo as the road manager for his former band, Humble Pie. The new millennium saw Frampton recording and touring at a steady clip. In 2007, he released Fingerprints, an all-instrumental LP that featured childhood idol Hank Marvin as well as members of Pearl Jam. The record earned Frampton his first Grammy for Best Pop Instrumental Album. In 2011, Frampton celebrated the 35th anniversary of Frampton Comes Alive! with a well-received world tour that extended into 2012.
By Paul Gaita
From classic movie palaces to the state-of-the-art IMAX screens.