Actor Daniel Franzese has opened up about his sexuality in an open letter to his gay Mean Girls character. The star played a homosexual teenager in the 2004 film, and now he is celebrating the movie's 10th anniversary with the news he's gay.
In the letter to his Mean Girls character, Damian, he writes: "It's been a long time since our last encounter. Ten years to be exact. I was twenty-six; you were sixteen. You were proud of who you were; I was an insecure actor. You became an iconic character that people looked up to; I wished I'd had you as a role model when I was younger. (It) might've been easier to be gay growing up..."
Franzese explains he kept his sexuality a secret from the public because he felt the truth would stall his career. He continues, "When I first became an actor, I wanted to play lots of roles... So, would I be able to play different parts after portraying a sensitive, moisturizing, Ashton Kutcher-loving, pink-shirt-wearing kid? I was optimistic. Hollywood? Not so much. I was meeting a 'gay glass ceiling' in casting. "It wasn't until years later that grown men started coming up to me on the street - some of them in tears - and thanking me for being a role model to them. Telling me I gave them comfort, not only being young and gay, but also being a big (heavy) dude. It was then that I realized how much of an impact you (Damian) had made on them... "Perhaps this will help someone else. I had to remind myself that my parents named me Daniel because it means God is my judge. So, I'm not afraid anymore."
If you've seen Heathers Clueless or Jawbreaker then you've seen Mean Girls. Cady Heron (Lindsay Lohan) is the new girl having moved from Africa where she was raised (one of many comic head-scratchers that goes nowhere) and now trying to win
friends in a hostile new high school environment. On the verge of becoming--gasp!--friends with two geeks one gay and one Goth she is invited to join "The Plastics" (Rachel McAdams Lacey Chabert and Amanda Seyfried) the coolest girls on campus. When she develops an unfortunate crush on the head Plastics' ex-boyfriend (Jonathan Bennett) the girls declare war on each other and all hell breaks loose. Saturday Night Live regulars Tina Fey Amy Poehler Tim Meadows and Ana Gasteyer fill in the adult roles and Fey wrote the script as well.
Lohan has star power in spades and enough going on behind the eyes to at least suggest the inner life and back story absent from the script. She conveys Cady's
sudden character changes with aplomb and her comic timing is excellent. McAdams makes the biggest impression with the showiest "Plastics" role and is certainly someone to watch for in the future. Her Regina George is one of the funniest nastiest high school girls since Election's Tracy Flick. Bennett is likeable in a one-note jock role and Daniel Franzese and Lizzy Caplan are similarly stereotyped as the Gay
and the Goth respectively. Of the adults Poehler
who is always funny stands out as Regina's alcoholic mini-skirted mother. Fey wisely and selflessly wrote herself a straight-man role as the calculus teacher. And Meadows as the principal quite simply has never
been funnier. Whether he has ever been funny before is another question.
To take on a project already burdened with two strikes--Teen Comedy and SNL Movie--is either a bold move or career suicide but director Mark S. Waters doesn't need to worry. He does a nice job of staying out of the way and tells the story simply without relying too heavily on fruit-flavored set design drowning every scene in music or ruining the witty laughs with too much slapstick. And it is a very witty script sharply observed and rich in detail. (The Halloween party scene showing every single girl wearing lingerie and a different set of animal ears stands out.) Fey adapted sociologist Rosalind Wiseman's nonfiction
best-seller Queen Bees & Wannabees and the interaction between the various species of teen is note perfect. That said Fey seems to have been given a lot of leeway due to her stature on SNL and it shows. One example: everyone has trouble pronouncing
Cady's name which wasn't funny the first time and still isn't 500 times later. The movie also attempts to impart a message of female solidarity but by building the characters on the same cookie-cutter stereotypes it denounces its girl power is undermined. Plus the movie seems cut to within an inch of its life. If it is possible for a comedy to move too quickly Mean Girls does as Waters furiously connects the dots without consideration for the characters or the audience. It's like watching schizophrenics at a track meet--but maybe that's the point.