So exactly how DO you eat fried worms? Very carefully. Or if you’re the gaggle of pre-teen boys in How to Eat Fried Worms in as many inventive and repulsive ways as possible. Based on the hugely popular novel by Thomas Rockwell the story focuses on Billy (Luke Benward) a new kid at school who on his first day is immediately harassed by bully Joe (Adam Hicks) and his crew. But Billy isn’t the type to just roll over. He decides to stand up for himself and excepts a bet to eat 10 worms in one day. Of course he’s secretly horrified but by god he’s going to go through it—eating one disgusting worm concoction mixed up by Joe’s gang after another. Of course the kids eventually learn some important lessons giving us that certain warm and fuzzy feeling. Right after the queasiness passes. The child actors are all appropriately scrubbed fresh and generally act like regular kids without being too hammy. Benward (Because of Winn-Dixie) does a fine job as the hapless Billy. You definitely have to admire him for sticking to his guns and plowing through those worms no matter how revolting. Hicks (Disney's The Shaggy Dog) is actually refreshing as a bully in the fact he doesn’t exactly look like one besides being slightly taller than the rest of the boys. He’s skinny with red hair and freckles but he throws his weight around effectively. Some of the other boys you might recognize: Alexander Gould (Weeds) plays Twitch aptly named for his spastic behavior; Ryan Malgarini (Freaky Friday) as Benjy the chef du jour; and the most veteran of the kids Hallie Kate Eisenberg (Bicentennial Man TV’s The Miracle Worker) as the lone girl in the group who proclaims regularly “Boys are so weird.” As for the adults Ed’s Tom Cavanagh and According to Jim’s Kimberly Williams stand out as Billy’s parents. Production company Walden Media’s mission to bring wholesome family movies based on kid novels to the big screen is actually a smart move because there is definitely a market for good clean entertainment combined with popular children’s literature. They’ve already had tremendous success with The Chronicles of Narnia as well as with modest hits Because of Winn-Dixie and Holes. Of course these movies (besides maybe the fantastical Narnia) are still glorified after-school TV specials but I suppose with a little more money behind the idea feature films work. How to Eat Fried Worms has been a pre-teen staple on the bookshelves since it was first published in 1973 and writer/director Bob Dolman (The Banger Sisters) certainly captures the novel’s spirit. It’s down to earth has a message we can all relate to—and the worm shenanigans should tickle your youngster’s fancy.
When ordered to fire a long-time janitor named Stavi (Luis Avalos) Steve Barker (Johnny Knoxville) softens the blow by hiring him to mow the lawn at his apartment complex. Steve didn't provide him with health insurance so Stavi naturally loses a few fingers in a mowing accident and now it'll cost thousands to save the digits. What's a guy to do? Why of course fix the Special Olympics—a suggestion of Steve's degenerate uncle Gary (Brian Cox) who's also in the financial dumps. Former track star Steve reluctantly goes along with the scam and competes in the Special Olympics. His competitors are quick to pick up on his ruse but they decide to help him after Steve explains his motive. He must also try not to disappoint Lynn (Katherine Heigl) the beautiful volunteer who doesn't know of his real identity. What's a guy to do? Take the high road of course. Certainly Knoxville—of Jackass infamy and debauchery—would have no moral trepidation about headlining offensive exploitative crap like The Ringer but stardom beckons him if he only he stops aiming so damn low! His performance here was probably not as easy as it'd seem but it's reasonable to think that Jackass stunts involving a bottle of absinthe and some paper cuts to the cornea quickly eliminated any butterflies. What Knoxville has in spades is that rare charisma to prevent him from ever looking uncool. Then there's Cox the latest revered journeyman to sell his soul on the cheap for a role completely beneath him. Mostly disabled actors round out the cast uttering any and all funny lines but there's something fundamentally wrong when the audience erupts in laughter before the lines are even delivered. Though the Farrelly brothers—directors of There's Something About Mary and Dumb & Dumber--only acted as executive producers of The Ringer their lowbrow stamp is smeared all over. Directing chores were handed over to Barry Blaustein prolific writer of comedies like Coming to America making his feature directorial debut. The Ringer delivers on its promise of frat-dude humor and Blaustein certainly knows how to make his leading man shine—but it does so in cheap sophomoric ways.
Set in 1984 Josey Aimes (Charlize Theron) returns to her ice-cold hometown in Northern Minnesota after fleeing from an abusive husband. In order to care for her two young kids she needs a job--and for most of the townsfolk including her distant dad (Richard Jenkins) that means working in the local iron mines. Problem is not too many women work there and those who do are subjected to continual harassment by their male coworkers. Josey lands a job anyway and starts to get her fair share of sexual innuendos. One day her former high-school sweetheart also a mine employee takes it way too far with her. Although met with strong resistance of course a lawsuit ensues that results in a groundbreaking decision for women’s rights in the workplace. Ah what an Oscar can do for a career. It wasn't that long ago Theron wouldn’t even have been considered for such a dramatic role. But with deserved recognition she gets to strut her stuff in North Country. She's no Monster but she's no supermodel either--and while it's impossible to erase her beauty its glare has been reduced. A second-consecutive Oscar win? Maybe not but a nomination wouldn't be out of the place. Co-star Frances McDormand might also be in line for a nod of her own. She plays Glory a woman who gets Josey the job and encourages her to fight the good fight something that seems visceral for McDormand. Woody Harrelson is also solid as Josey's attorney though his Midwest-stoner drawl gets in the way of the northern accent he's supposed to be selling. New Zealand director Niki Caro mightily impressed us with Whale Rider a poignant mixture of grief and vigor and with North Country she continues to impress. As more an observer than anything else Caro lets the true story tell itself--of what happened in this small town with its frigid denizens and sexist behavior. And the film is definitely a period piece á la Norma Rae in that it's from a specific period albeit a recent one and pertains to a specific region. But it's kind of slow going. There’s a lot of weeping and dramatic speeches. Still Caro makes up for it by including several Bob Dylan songs who rarely grants the use of his songs in films. Perhaps he felt a certain a kinship to this film since it takes place in the desolate cold Northern Minnesota where he comes from--and so resents.